Лучшие книги Роберто Калассо

В книге Роберто Калассо (род. 1941), итальянского прозаика и переводчика, одного из зачинателей и многолетнего директора известного миланского издательства Adelphi, собраны эссе об издательском деле — особом искусстве, достигшем расцвета в XX веке, а ныне находящемся под угрозой исчезновения. Автор делится размышлениями о сущности и судьбе этого искусства, вспоминает о выдающихся издателях, с которыми ему довелось быть знакомым, рассказывает о пути своего издательства — одного из ярчайших в Европе последних пятидесяти лет.

Книга универсального эрудита и блестящего интеллектуала является кульминацией многолетнего исследования им природы воображаемого. От изгнания классических божеств в эпоху Разума до их освобождения романтиками история богов может быть прочитана как зашифрованная история литературного вдохновения. Открывая божественный шепот за лучшей поэзией и прозой разных веков, Калассо вселяет в нас ощущение тайны и очарования великой литературы. Роберто Калассо — итальянский писатель и издатель. Основной темой его творчества является связь между мифом и современным сознанием. Его книги переведены на большинство европейских языков. Книга «Литература и боги» переведена на русский язык впервые.

В центре внимания Роберто Калассо (р. 1941) создатели «модерна» — писатели и художники, которые жили в Париже в девятнадцатом веке. Калассо описывает жизнь французского поэта Шарля Бодлера (1821–1867), который отразил в своих произведениях эфемерную природу мегаполиса и место художника в нем. Книга Калассо похожа на мозаику из рассказов самого автора, стихов Бодлера и комментариев к картинам Энгра, Делакруа, Дега, Мане и других. Из этих деталей складывается драматический образ бодлеровского Парижа.

Presenting the stories of Zeus and Europa, Theseus and Ariadne, the birth of Athens and the fall of Troy, in all their variants, Calasso also uncovers the distant origins of secrets and tragedy, virginity, and rape. "A perfect work like no other. (Calasso) has re-created . . . the morning of our world."--Gore Vidal. 15 engravings.

In this revelatory volume, Roberto Calasso, whom the Paris Review has called 'a literary institution', explores the ancient texts known as the Vedas. Little is known about the Vedic people who lived more than three thousand years ago in northern India: they left behind almost no objects, images, ruins. Only a 'Parthenon of words' remains: verses and formulations suggesting a daring understanding of life.
'If the Vedic people had been asked why they did not build cities,' writes Calasso, 'they could have replied: we did not seek power, but rapture.' This is the ardor of the Vedic world, a burning intensity that is always present, both in the mind and in the cosmos. With his signature erudition and profound sense of the past, Calasso explores the enigmatic web of ritual and myth that define the Vedas. Often at odds with modern thought, he shows how these texts illuminate the nature of consciousness more than neuroscientists have been able to offer us up to now.

The eighth part of Roberto Calasso’s monumental series on the primal forces of civilization

The eighth part of Roberto Calasso’s singular work in progress that began in 1983 with The Ruin of Kasch, The Celestial Hunter is an inspired and provocative exploration of mankind’s relationship with myth, the divine, and the idea of transformation.

There was a time, even before prehistory, when man was simply a defenseless animal. The gods he worshiped took the form of other beasts or were the patterns of the stars he saw above him each night in the sky, which he transformed into figures and around which he created stories. Soon, however, man learned to imitate the animals that attacked him and he became a hunter. This transformation, Calasso posits, from defenseless victim to hunter was a key moment, the first step on man’s ascendance to power. Suddenly the notion of the hunter became fundamental. It would be developed over thousands of years through the figures that became central to Greek mythology, including the constellations. Among them was Orion, the celestial hunter, and his dog, Sirius.

Vivid and strikingly original, and expertly translated from the Italian by Richard Dixon, The Celestial Hunter traces how man created the divine myths that would become the cornerstones of Western civilization. As Calasso demonstrates, the repercussions of these ideas would echo through history, from Paleolithic to modern times. And they would be the product of one thing: the human mind.

The eighteenth-century Venetian painter Giambattista Tiepolo spent his life creating frescoes that are among the glories of Western art, yet he remains shrouded in mystery. Who was he? And what was the significance of the dark, bizarre etchings depicting sacrifice and magic, which he created alongside his heavenly works? Roberto Calasso explores Tiepolo as the last artist of the ancien regime and at the same time the first example of the "painter of modern l

Tourists, terrorists, secularists, hackers, fundamentalists, transhumanists, algorithmicians: in this book Roberto Calasso considers the tribes that inhabit and inform the world today. A world that feels more elusive than ever before.
This book, the ninth part of a work in progress, is a meditation on the obscure and ubiquitous process of transformation happening in societies today, where distant echoes of Auden's The Age of Anxiety give way to something altogether more unsettlin

In Ka, Roberto Calasso delves into the corpus of classical Sanskrit literature recreating and re-imagining the enchanting world of ancient India. Beginning with the Rig-Veda, Ka weaves together myths from the Upanishad, the Mahabharata and the stories of the Buddha, all of which pose questions that have haunted us for millennia.