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An exhilarating, provocative novel of motherhood in extremis

Tiny is pregnant. Her husband is delighted. “You think this baby is going to be like you, but it’s not like you at all,” she warns him. “This baby is an owl-baby.”

When Chouette is born small and broken-winged, Tiny works around the clock to meet her daughter’s needs. Left on her own to care for a child who seems more predatory bird than baby, Tiny vows to raise Chouette to be her authentic self. Even in those times when Chouette’s behaviors grow violent and strange, Tiny’s loving commitment to her daughter is unwavering. When she discovers that her husband is on an obsessive and increasingly dangerous quest to find a “cure” for their daughter, Tiny must decide whether Chouette should be raised to fit in or to be herself—and learn what it truly means to be a mother.

Arresting, darkly funny, and unsettling, Chouette is a brilliant exploration of ambition, sacrifice, perceptions of ability, and the ferocity of motherly love.

An exhilarating, provocative novel of motherhood in extremis

Tiny is pregnant. Her husband is delighted. “You think this baby is going to be like you, but it’s not like you at…

The fable-like stories in A Sense of the Whole—reminiscent of the best of Kawabata, Hrabal, Lispector, and Kafka—feature characters who refuse to believe that we are unconnected, refuse to not aspire to the notion of the human family. These characters are girls and boys, men and women, Iranians and Americans, all seeking a home for the body and the soul.

The fable-like stories in A Sense of the Whole—reminiscent of the best of Kawabata, Hrabal, Lispector, and Kafka—feature characters who refuse to believe that we are unconnected,…

The award-winning author of Before You Suffocate Your Own Fool Self brings her signature voice and insight to the subjects of race, grief, apology, and American history.

Danielle Evans is widely acclaimed for her blisteringly smart voice and x-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters' lives in a way that allows them to speak to larger issues of race, culture, and history.
She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief--all while exploring how history haunts us, personally and collectively. Ultimately, she provokes us to think about the truths of American history--about who gets to tell them, and the cost of setting the record straight.

In "Boys Go to Jupiter," a white college student tries to reinvent herself after a photo of her in a Confederate-flag bikini goes viral. In "Richard of York Gave Battle in Vain," a photojournalist is forced to confront her own losses while attending an old friend's unexpectedly dramatic wedding. And in the eye-opening title novella, a black scholar from Washington, DC, is drawn into a complex historical mystery that spans generations and puts her job, her love life, and her oldest friendship at risk.

The award-winning author of Before You Suffocate Your Own Fool Self brings her signature voice and insight to the subjects of race, grief, apology, and American history.…

An engrossing memoir of escaping the First Liberian Civil War and building a life in the United States

When Wayétu Moore turns five years old, her father and grandmother throw her a big birthday party at their home in Monrovia, Liberia, but all she can think about is how much she misses her mother, who is working and studying in faraway New York. Before she gets the reunion her father promised her, war breaks out in Liberia. The family is forced to flee their home on foot, walking and hiding for three weeks until they arrive in the village of Lai. Finally, a rebel soldier smuggles them across the border to Sierra Leone, reuniting the family and setting them off on yet another journey, this time to the United States.

Spanning this harrowing journey in Moore’s early childhood, her years adjusting to life in Texas as a black woman and an immigrant, and her eventual return to Liberia, The Dragons, the Giant, the Women is a deeply moving story of the search for home in the midst of upheaval. Moore has a novelist’s eye for suspense and emotional depth, and this unforgettable memoir is full of imaginative, lyrical flights and lush prose. In capturing both the hazy magic and the stark realities of what is becoming an increasingly pervasive experience, Moore shines a light on the great political and personal forces that continue to affect many migrants around the world, and calls us all to acknowledge the tenacious power of love and family.

An engrossing memoir of escaping the First Liberian Civil War and building a life in the United States

When Wayétu Moore turns five years old, her father and grandmother throw…

A heart stopping memoir of a wrenching Appalachian girlhood and a multilayered portrait of a misrepresented people, from Rona Jaffe Writer's Award winner Shawna Kay Rodenberg.

When Shawna Kay Rodenberg was four, her father, fresh from a ruinous tour in Vietnam, spirited her family from their home in the hills of Eastern Kentucky to Minnesota, renouncing all of their earthly possessions to live in the Body, an off-the-grid End Times religious community. Her father was seeking a better, safer life for his family, but the austere communal living of prayer, bible study and strict regimentation was a bad fit for the precocious Shawna. Disciplined harshly for her many infractions, she was sexually abused by a predatory adult member of the community. Soon after the leader of the Body died and revelations of the sexual abuse came to light, her family returned to the same Kentucky mountains that their ancestors have called home for three hundred years. It is a community ravaged by the coal industry, but for all that, rich in humanity, beauty, and the complex knots of family love. Curious, resourceful, rebellious, Shawna ultimately leaves her mountain home but only as she masters a perilous balancing act between who she has been and who she will become.

Kin is a mesmerizing memoir of survival that seeks to understand and make peace with the people and places that were survived. It is above all about family-about the forgiveness and love within its bounds-and generations of Appalachians who have endured, harmed, and held each other through countless lifetimes of personal and regional tragedy.

A heart stopping memoir of a wrenching Appalachian girlhood and a multilayered portrait of a misrepresented people, from Rona Jaffe Writer's Award winner Shawna Kay Rodenberg.…

From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah’s writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country.

These stories tackle urgent instances of racism and cultural unrest, and explore the many ways we fight for humanity in an unforgiving world. In “The Finkelstein Five,” Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In “Zimmer Land,” we see a far-too-easy-to-believe imagining of racism as sport. And “Friday Black” and “How to Sell a Jacket as Told by Ice King” show the horrors of consumerism and the toll it takes on us all.

Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.

From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah’s writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary…

Based on true events, a story of courage, forgiveness, love, and freedom in precolonial Ghana, told through the eyes of two women born to vastly different fates. Aminah lives an idyllic life until she is brutally separated from her home and forced on a journey that transforms her from a daydreamer into a resilient woman. Wurche, the willful daughter of a chief, is desperate to play an important role in her father's court. These two women's lives converge as infighting among Wurche's people threatens the region, during the height of the slave trade at the end of the nineteenth century. Through the experiences of Aminah and Wurche, The Hundred Wells of Salaga offers a remarkable view of slavery and how the scramble for Africa affected the lives of everyday people.

Based on true events, a story of courage, forgiveness, love, and freedom in precolonial Ghana, told through the eyes of two women born to vastly different fates. Aminah lives an…

At last a new a baker’s dozen of stories all with Helen DeWitt’s razor-sharp genius Finalist for the Saroyan Prize for Fiction NPR Best Book of the Year New York Public Library's Best Books for Adults For sheer unpredictable brilliance, Gogol may come to mind, but no author alive today takes a reader as far as Helen DeWitt into the funniest, most yonder dimensions of possibility. Her jumping-off points might be statistics, romance, the art world’s piranha tank, games of chance and games of skill, the travails of publishing, or success. “Look,” a character begins to explain, laying out some gambit reasonably enough, even if facing a world of boomeranging counterfactuals, situations spinning out to their utmost logical extremes, and Rube Goldberg-like moving parts, where things prove “more complicated than they had first appeared” and “at 3 a.m. the circumstances seem to attenuate.” In various ways, each tale carries DeWitt’s signature poker-face lament regarding the near-impossibility of the life of the mind when one is made to pay to have the time for it, in a world so sadly “taken up with all sorts of paraphernalia superfluous, not to say impedimental, to ratiocination.”

At last a new a baker’s dozen of stories all with Helen DeWitt’s razor-sharp genius Finalist for the Saroyan Prize for Fiction NPR Best Book of the Year New York Public Library's…

The coming of age story of an award-winning translator, Homesick is about learning to love language in its many forms, healing through words and the promises and perils of empathy and sisterhood.

Sisters Amy and Zoe grow up in Oklahoma where they are homeschooled for an unexpected reason: Zoe suffers from debilitating and mysterious seizures, spending her childhood in hospitals as she undergoes surgeries. Meanwhile, Amy flourishes intellectually, showing an innate ability to glean a world beyond the troubles in her home life, exploring that world through languages first. Amy's first love appears in the form of her Russian tutor Sasha, but when she enters university at the age of 15 her life changes drastically and with tragic results.

The coming of age story of an award-winning translator, Homesick is about learning to love language in its many forms, healing through words and the promises and perils of empathy…

Автобиографический роман Кармен Марии Мачадо — одной из главных представительниц современной прозы. На основе своего личного опыта писательница исследует механизмы психологического насилия и пытается разобраться, как она оказалась в разрушительных отношениях.

Для каждой главы, рассказывающей о ее многолетнем романе с харизматичной, но психологически неустойчивой женщиной, Кармен использует приметы различных литературных жанров. В канву вплетаются черты хоррора, эротики, истории взросления, эссе и других жанров. Опираясь на феномены массовой культуры и сопровождая свою историю острым юмором, Мачадо выстраивает книгу, которая будет интересна ценителям новой экспериментальной прозы.

«Дом иллюзий» — воспоминания о доме, который не был домом, и о мечте, которая вовсе не была мечтой.

Автобиографический роман Кармен Марии Мачадо — одной из главных представительниц современной прозы. На основе своего личного опыта писательница исследует механизмы…

From the author of The Queen of the Night, an essay collection exploring his education as a man, writer, and activist—and how we form our identities in life and in art.

As a novelist, Alexander Chee has been described as “masterful” by Roxane Gay, “incomparable” by Junot Díaz, and “incendiary” by the New York Times. With How to Write an Autobiographical Novel, his first collection of nonfiction, he’s sure to secure his place as one of the finest essayists of his generation as well.

How to Write an Autobiographical Novel is the author’s manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent reading and writing fiction have changed him. In these essays, he grows from student to teacher, reader to writer, and reckons with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover, and a friend. He examines some of the most formative experiences of his life and the nation’s history, including his father’s death, the AIDS crisis, 9/11, the jobs that supported his writing—Tarot-reading, bookselling, cater-waiting for William F. Buckley—the writing of his first novel, Edinburgh, and the election of Donald Trump.

By turns commanding, heartbreaking, and wry, How to Write an Autobiographical Novel asks questions about how we create ourselves in life and in art, and how to fight when our dearest truths are under attack.

From the author of The Queen of the Night, an essay collection exploring his education as a man, writer, and activist—and how we form our identities in life and in art.

As a…

A young Swedish boy finds himself in penniless and alone in California. He travels East in search of his brother, moving on foot against the great push to the West. Driven back over and over again on his journey through vast expanses, Håkan meets naturalists, criminals, religious fanatics, Indians, and lawmen, and his exploits turn him into a legend. Díaz defies the conventions of historical fiction and genre (travel narratives, the bildungsroman, nature writing, the Western), offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.

At first, it was a contest, but in time the beasts understood that, with an embrace and the slightest push, they had to lie down on their side and stay until Håkan got up. He did this each time he thought he spied someone on the circular horizon. Had Håkan and his animals ever been spotted, the distant travelers would have taken the vanishing silhouettes for a mirage. But there were no such travelers—the moving shadows he saw almost every day in the distance were illusions. With the double intention of getting away from the trail and the cold, he had traveled south for days.

Hernán Díaz is the author of Borges, Between History and Eternity (Bloomsbury 2012), managing editor of RHM, and associate director of the Hispanic Institute at Columbia University. He lives in New York.

A young Swedish boy finds himself in penniless and alone in California. He travels East in search of his brother, moving on foot against the great push to the West. Driven back…

Fiction. THE TRADERS takes place in 1974 in the fictitious Southeast Asian nation of Tandomon, where an aging used bookseller pretends to have been the close friend of a famous writer currently the subject of a posthumous literary study. The deceit, undertaken via correspondence, becomes harder to sustain when the pompous American professor writing the study arrives in Tandomon to meet his "valuable contributor." And matters get further complicated when the bookseller in the course of his own research discovers some disturbing facts about his "former friend" and "notable writer."

"Scott Brown is an (as yet) unsung hero of contemporary American letters: subversive, hilarious, his gaze unsparing. Read him and your universe will expand--as you laugh out loud. He tackles big topics with a microscopic lens, inimitably blending the personal with the political. Brown's latest work, THE TRADERS, is a rollicking take on the misplaced ambitions of one Cecil Po, a bookseller in the fictitious Asian country of Tandomon. Told in his inimitable, oddly insightful voice, we are privileged to witness the outlandish skewering and exalting of literary ambitions, including his own. To what lengths will Po go to ensure his legacy? Read this delightful tale of loss and belonging to find out."--Cristina Garcia

Fiction. THE TRADERS takes place in 1974 in the fictitious Southeast Asian nation of Tandomon, where an aging used bookseller pretends to have been the close friend of a famous…

A gripping tale of adventure and searing reality, Lucky Boy gives voice to two mothers bound together by their love for one lucky boy.

Solimar Castro Valdez is eighteen and drunk on optimism when she embarks on a perilous journey across the US/Mexican border. Weeks later she arrives on her cousin's doorstep in Berkeley, CA, dazed by first love found then lost, and pregnant. This was not the plan. But amid the uncertainty of new motherhood and her American identity, Soli learns that when you have just one precious possession, you guard it with your life. For Soli, motherhood becomes her dwelling and the boy at her breast her hearth.

Kavya Reddy has always followed her heart, much to her parents' chagrin. A mostly contented chef at a UC Berkeley sorority house, the unexpected desire to have a child descends like a cyclone in Kavya's mid-thirties. When she can't get pregnant, this desire will test her marriage, it will test her sanity, and it will set Kavya and her husband, Rishi, on a collision course with Soli, when she is detained and her infant son comes under Kavya's care. As Kavya learns to be a mother - the singing, story-telling, inventor-of-the-universe kind of mother she fantasized about being - she builds her love on a fault line, her heart wrapped around someone else's child.

Lucky Boy is an emotional journey that will leave you certain of the redemptive beauty of this world. There are no bad guys in this story, no obvious hero. From rural Oaxaca to Berkeley's Gourmet Ghetto to the dreamscapes of Silicon valley, author Shanthi Sekaran has taken real life and applied it to fiction; the results are moving and revelatory.

A gripping tale of adventure and searing reality, Lucky Boy gives voice to two mothers bound together by their love for one lucky boy.

Solimar Castro Valdez is eighteen and…

Тропы повсюду. Тропы пронизывают мир – невидимые муравьиные тропы, пешеходные тропинки и дороги между континентами, автомагистрали, маршруты и гиперссылки в сети.

Как образуются эти пути? Почему одни втаптываются и остаются, а другие – исчезают? Что заставляет нас идти по тропе или сходить с нее?

Исходив и изучив тысячи вариаций различных троп, Мур обнаружил, что именно в тропах кроятся ответы на самые важные вопросы – как сформировался мир вокруг нас, как живые организмы впервые выбрались на сушу, как из хаоса возник порядок и, в конце концов, как мы выбираем нашу дорогу по жизни.

Тропы повсюду. Тропы пронизывают мир – невидимые муравьиные тропы, пешеходные тропинки и дороги между континентами, автомагистрали, маршруты и гиперссылки в сети.

Как…

Angela Palm grew up in a place not marked on the map, her house set on the banks of a river that had been straightened to make way for farmland. Every year, the Kankakee River in rural Indiana flooded and returned to its old course while the residents sandbagged their homes against the rising water. From her bedroom window, Palm watched the neighbor boy and loved him in secret, imagining a life with him even as she longed for a future that held more than a job at the neighborhood bar. For Palm, caught in this landscape of flood and drought, escape was a continually receding hope.

Though she did escape, as an adult Palm finds herself drawn back, like the river, to her origins. But this means more than just recalling vibrant, complicated memories of the place that shaped her, or trying to understand the family that raised her. It means visiting the prison where the boy that she loved is serving a life sentence for a brutal murder. It means trying to chart, through the mesmerizing, interconnected essays of Riverine, what happens when a single event forces the path of her life off course.

Angela Palm grew up in a place not marked on the map, her house set on the banks of a river that had been straightened to make way for farmland. Every year, the Kankakee River in…

Investigating the literary culture of the early interaction between European countries and East Africa, Edward Wilson-Lee uncovers an extraordinary sequence of stories in which explorers, railway labourers, decadent ?migr?s, freedom fighters, and pioneering African leaders made Shakespeare their own in this alien land.Whilst travelling in Luxor, Edward Wilson-Lee encountered a man who called out to him from the summer shade with lines from Shakespeare's Macbeth: 'Tomorrow, and tomorrow, and tomorrow….' Unable to resist the temptation, Wilson-Lee responded with the next line and so began a fascination with unexpected cultural encounters, especially those made memorable by the poignancy of discovering beauty out of place.Shakespeare may have heard of Luxor (although he would have known it as Thebes) but it is unlikely that he imagined his lines ever being spoken there, close by the feluccas sailing on the Nile and the acres of pharaonic ruins beyond.This radical, breath-taking book combines travel, history, biography and satire in an ode to Shakespeare. Wilson-Lee teaches Shakespeare at Cambridge but grew up in East Africa and Shakespeare in Swahililand explores Shakespeare’s global legacy like no other book before it. In these pages explorers stagger through Africa's interior accompanied by Shakespeare; eccentrics live out their dreams on the African Savannah with Shakespeare by their side; decadent emigres, railway labourers, Indian settler communities, African intellectuals and rebels all turned to Shakespeare and adapted his plays to fit their needs. The book examines how Shakespeare influenced the first African leaders of independent nations, Cold War intrigues and even Che Guevara.With its extraordinary sequence of stories and momentous travels from Zanzibar, through Kenya, Tanzania, Uganda, Ethiopia and Sudan, this literary adventure throws high culture and the wild together in celebration of Shakespeare's legacy as a poet of the world.

Investigating the literary culture of the early interaction between European countries and East Africa, Edward Wilson-Lee uncovers an extraordinary sequence of stories in which…

LONGLISTED FOR THE 2015 NATIONAL BOOK AWARD

NAMED ONE OF THE BEST BOOKS OF 2015 BY THE WASHINGTON POST, TIME, MEN’S JOURNAL, CHICAGO TRIBUNE, KANSAS CITY STAR, BROOKLYN MAGAZINE, NPR, HUFFINGTON POST, THE DAILY BEAST, AND BUZZFEED

WINNER OF THE 2015 ERNEST J. GAINES AWARD FOR LITERARY EXCELLENCE

LONGLISTED FOR THE 2016 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION

NATIONAL BESTSELLER

From the PEN/Faulkner finalist and critically acclaimed author of Hold It ’Til It Hurts comes a dark and socially provocative Southern-fried comedy about four UC Berkeley students who stage a dramatic protest during a Civil War reenactment—a fierce, funny, tragic work from a bold new writer.

Welcome to Braggsville. The City that Love Built in the Heart of Georgia. Population 712

Born and raised in the heart of old Dixie, D’aron Davenport finds himself in unfamiliar territory his freshman year at UC Berkeley. Two thousand miles and a world away from his childhood, he is a small-town fish floundering in the depths of a large, hyper-liberal pond. Caught between the prosaic values of his rural hometown and the intellectualized multicultural cosmopolitanism of Berzerkeley, the nineteen-year-old white kid is uncertain about his place until one disastrous party brings him three idiosyncratic best friends: Louis, a “kung-fu comedian" from California; Candice, an earnest do-gooder claiming Native roots from Iowa; and Charlie, an introspective inner-city black teen from Chicago. They dub themselves the “4 Little Indians.”

But everything changes in the group’s alternative history class, when D’aron lets slip that his hometown hosts an annual Civil War reenactment, recently rebranded “Patriot Days.” His announcement is met with righteous indignation, and inspires Candice to suggest a “performative intervention” to protest the reenactment. Armed with youthful self-importance, makeshift slave costumes, righteous zeal, and their own misguided ideas about the South, the 4 Little Indians descend on Braggsville. Their journey through backwoods churches, backroom politics, Waffle Houses, and drunken family barbecues is uproarious to start, but will have devastating consequences.

With the keen wit of "Billy Lynn’s Long Halftime Walk" and the deft argot of "The Brief Wondrous Life of Oscar Wao", T. Geronimo Johnson has written an astonishing, razor-sharp satire. Using a panoply of styles and tones, from tragicomic to Southern Gothic, he skewers issues of class, race, intellectual and political chauvinism, Obamaism, social media, and much more.

A literary coming-of-age novel for a new generation, written with tremendous social insight and a unique, generous heart, "Welcome to Braggsville" reminds us of the promise and perils of youthful exuberance, while painting an indelible portrait of contemporary America.

LONGLISTED FOR THE 2015 NATIONAL BOOK AWARD

NAMED ONE OF THE BEST BOOKS OF 2015 BY THE WASHINGTON POST, TIME, MEN’S JOURNAL, CHICAGO TRIBUNE, KANSAS CITY STAR, BROOKLYN…

Now We Will Be Happy is a prize-winning collection of stories about Afro-Puerto Ricans, U.S.-mainland-born Puerto Ricans, and displaced native Puerto Ricans who are living between spaces while attempting to navigate the unique culture that defines their identity. Amina Gautier’s characters deal with the difficulties of bicultural identities in a world that wants them to choose only one.

The characters in Now We Will Be Happy are as unpredictable as they are human. A teenage boy leaves home in search of the mother he hasn’t seen since childhood; a granddaughter is sent across the ocean to broker peace between her relatives; a widow seeks to die by hurricane; a married woman takes a bathtub voyage with her lover; a proprietress who is the glue that binds her neighborhood cannot hold on to her own son; a displaced wife develops a strange addiction to candles.

Crossing boundaries of comfort, culture, language, race, and tradition in unexpected ways, these characters struggle valiantly and doggedly to reconcile their fantasies of happiness with the realities of their existence.

Now We Will Be Happy is a prize-winning collection of stories about Afro-Puerto Ricans, U.S.-mainland-born Puerto Ricans, and displaced native Puerto Ricans who are living between…

Conjuring slavery and witchcraft, and with bewitching powers all its own, Counternarratives continually spins history—and storytelling—on its head

Ranging from the 17th century to the present and crossing multiple continents, Counternarrative’s novellas and stories draw upon memoirs, newspaper accounts, detective stories, interrogation transcripts, and speculative fiction to create new and strange perspectives on our past and present. In “Rivers,” a free Jim meets up decades later with his former raftmate Huckleberry Finn; “An Outtake” chronicles an escaped slave’s fate in the American Revolution; “On Brazil, or Dénouement” burrows deep into slavery and sorcery in early colonial South America; and in “Blues” the great poets Langston Hughes and Xavier Villaurrutia meet in Depression-era New York and share more than secrets.

Conjuring slavery and witchcraft, and with bewitching powers all its own, Counternarratives continually spins history—and storytelling—on its head

Ranging from the 17th century…

Once, on a street in New York City, author Lori Jakiela stopped on a whim to visit a palm reader. She told Lori, “We all have two lives and we carry the maps of those lives with us. Our left hands mark the lives we’re born with. Our right hands mark the lives we make for ourselves.”

Belief Is Its Own Kind of Truth, Maybe is a book about mapping those lives – the lives we are born with and the lives we are allowed – and lucky enough – to make for ourselves.

Belief is part adoption narrative and part meditation on family, motherhood, nature vs. nurture, and what it means to make our own authentic human connections. It extends the possibilities of creative nonfiction at a time when many people are talking about what exactly truth-in-memoir means. The book’s patchwork form mirrors the fragmented experience of being an adoptee confronting — and trying to heal — her roots.

Belief is the story of one woman’s search for her birth mother coupled with the parallel story of her own motherhood and her own re-making. It’s about what it means to be a mother, what it’s like to have two very different blood connections, and what it means to form a family.

Belief is about searching for roots and what that means, exactly. It’s about finding a balance between the families we’re born into and the ones we make ourselves.

Once, on a street in New York City, author Lori Jakiela stopped on a whim to visit a palm reader. She told Lori, “We all have two lives and we carry the maps of those lives with…

An exquisite portrait of mothers and daughters that reaches from Cold War Russia to modern-day New Jersey, from the author of A Mountain of Crumbs—the memoir that “leaves you wanting more” (The Daily Telegraph, UK).

In A Mountain of Crumbs Elena Gorokhova describes coming of age behind the Iron Curtain and leaving her mother and her Motherland for a new life in the United States. Now, in Russian Tattoo, Elena learns that the journey of an immigrant is filled with everyday mistakes, small humiliations, and a loss of dignity. Cultural disorientation comes in the form of not knowing how to eat a hamburger, buy a pair of shoes, or catch a bus. But through perseverance and resilience, Elena gradually adapts to her new country. With the simultaneous birth of her daughter and the arrival of her Soviet mother, who comes to the US to help care for her granddaughter and stays for twenty-four years, it becomes the story of a unique balancing act and a family struggle.

Russian Tattoo is a poignant memoir of three generations of strong women with very different cultural values, all living under the same roof and battling for control. Themes of separation and loss, grief and struggle, and power and powerlessness run throughout this story of growing understanding and, finally, redemption. “Gorokhova writes about her life with a novelist’s gift,” says The New York Times, and her latest offering is filled with empathy, insight, and humor.

An exquisite portrait of mothers and daughters that reaches from Cold War Russia to modern-day New Jersey, from the author of A Mountain of Crumbs—the memoir that “leaves you…

A powerful and unflinching account of the enduring impact of nuclear war, told through the stories of those who survived.

On August 9, 1945, three days after the atomic bombing of Hiroshima, the United States dropped a second atomic bomb on Nagasaki, a small port city on Japan’s southernmost island. An estimated 74,000 people died within the first five months, and another 75,000 were injured.

Published on the seventieth anniversary of the bombing, Nagasaki takes readers from the morning of the bombing to the city today, telling the first-hand experiences of five survivors, all of whom were teenagers at the time of the devastation. Susan Southard has spent years interviewing hibakusha (“bomb-affected people”) and researching the physical, emotional, and social challenges of post-atomic life. She weaves together dramatic eyewitness accounts with searing analysis of the policies of censorship and denial that colored much of what was reported about the bombing both in the United States and Japan.

A gripping narrative of human resilience, Nagasaki will help shape public discussion and debate over one of the most controversial wartime acts in history.

A powerful and unflinching account of the enduring impact of nuclear war, told through the stories of those who survived.

On August 9, 1945, three days after the atomic bombing…

Kiese Laymon’s debut novel is a Twain-esque exploration of celebrity, authorship, violence, religion, and coming of age in Post-Katrina Mississippi, written in a voice that’s alternately funny, lacerating, and wise. The book contains two interwoven stories. In the first, it’s 2013: after an on-stage meltdown during a nationally televised quiz contest, 14-year-old Citoyen "City" Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie, where a young girl named Baize Shephard has recently disappeared.

Before leaving, City is given a strange book without an author called Long Division. He learns that one of the book’s main characters is also named City Coldson--but Long Division is set in 1985. This 1985 City, along with his friend and love-object, Shalaya Crump, discovers a way to travel into the future, and steals a laptop and cellphone from an orphaned teenage rapper called...Baize Shephard. They ultimately take these with them all the way back to 1964, to help another time-traveler they meet protect his family from the Klan.

City’s two stories ultimately converge in the mysterious work shed behind his grandmother’s, where he discovers the key to Baize’s disappearance.

Kiese Laymon’s debut novel is a Twain-esque exploration of celebrity, authorship, violence, religion, and coming of age in Post-Katrina Mississippi, written in a voice that’s…

Along the streets of the once-great Midwestern city of Trude, the ornate old buildings lie in ruin. Shrouded in disappointment and nostalgia, Trude has become a place to “lose yourself,” as one tourist brochure puts it: a treacherous maze of convoluted shopping malls, barricaded libraries, and elitist assisted-living homes.

One night at Trude’s opera house, the theater’s most celebrated mezzo-soprano vanishes during rehearsal. When police come up empty-handed, the star’s husband, a disconsolate legal clerk named Sven Norberg, must take up the quest on his own. But to discover the secret of his wife’s disappearance, Norberg must descend into Trude’s underworld and confront the menacing and bizarre citizens of his hometown: rebellious librarians, shifty music critics, a cop called the Oracle, and the minister of an apocalyptic church who has recruited Norberg’s teenage son. Faced with the loss of everything he loves, Norberg follows his investigation to the heart of the city and through the buildings of a possibly insane modernist architect called Bernhard, whose elaborate vision will offer him an astonishing revelation.

Along the streets of the once-great Midwestern city of Trude, the ornate old buildings lie in ruin. Shrouded in disappointment and nostalgia, Trude has become a place to “lose…