Уил Хейгуд – лучшие книги

Czarne plecy zgięte wpół w Białym Domu i idealnie prosty kręgosłup moralny kamerdynera stały się kanwą filmowej epopei Czarnej Ameryki. Na jego twórców ma spaść deszcz Oscarów, trafiających dotąd tylko w białe dłonie.

Dziennikarz „Washington Post”, szukających pereł przed wyborami w 2008 roku, znajduje diament. Opublikowana na pierwszej stronie gazety historia segregacji rasowej opowiedziana przez leciwego Eugene’a Allena, który ponad trzy dekady służył ośmiu prezydentom, porusza sumienie Ameryki.

Jednym uchem słyszał najważniejsze rozmowy świata, drugim- krzyk swoich braci wołających o prawa obywatelskie. Tę dramatyczną postać Forest Whitaker zagrał, zdaniem krytyków, fenomenalnie. A z obsadzoną w roli filmowej Oprah Winfrey stworzył duet, jakiego dawno nie oglądaliśmy w kinie. Sukces filmu to zasługa talentu i determinacji reżysera Lee Danielsa, by opowiedzieć tę mądrą i wzruszającą historię.

From the author of the critically acclaimed In Black and White: The Life of Sammy Davis, Jr., comes another illuminating socio-historical narrative of the twentieth century, this one spun around one of the most iconic figures of the fight game, Sugar Ray Robinson.

Continuing to set himself apart as one of our canniest cultural historians, Wil Haygood grounds the spectacular story of Robinson's rise to greatness within the context of the fighter's life and times. Born Walker Smith, Jr., in 1921, Robinson had an early childhood marked by the seething racial tensions and explosive race riots that infected the Midwest throughout the twenties and thirties. After his mother moved him and his sisters to the relative safety of Harlem, he came of age in the vibrant post-Renaissance years. It was there that—encouraged to box by his mother, who wanted him off the streets—he soon became a rising star, cutting an electrifying, glamorous figure, riding around town in his famous pink Cadillac. Beyond the celebrity, though, Robinson would emerge as a powerful, often controversial black symbol in a rapidly changing America. Haygood also weaves in the stories of Langston Hughes, Lena Horne, and Miles Davis, whose lives not only intersected with Robinson's but also contribute richly to the scope and soul of the book.

From Robinson's gruesome six-bout war with Jake "Raging Bull" LaMotta and his lethal meeting with Jimmy Doyle to his Harlem nightclub years and thwarted show-biz dreams, Haygood brings the champion's story, in the ring and out, powerfully to life against a vividly painted backdrop of the world he captivated.

He was, for decades, one of the most recognizable figures in the cultural landscape, his image epitomizing a golden age of American show business. His career spanned a lifetime, but for years he has remained hidden behind the persona he so vigorously generated, and so fiercely protected. Now, in this surprising, illuminating, and compulsively readable biography, we are taken beyond the icon, into the extraordinary, singular life of Sammy Davis, Jr.

In scrupulous detail and with stunning powers of evocation, Wil Haygood takes us back to the era of vaudeville, where it all began for four-year-old Sammy who ran out onstage one night and stole the show. From then on it was a motherless childhood on the road, singing and dancing his way across a segregated America with his father and the formidable showman Will Mastin, struggling together to survive the Depression and the demise of vaudeville itself.

With an ambition honed by poverty and an obsessive need for applause, Sammy drove his way into the nightclub circuit of the 1940s and 1950s, when, his father and Mastin aging and out of style, he slowly began to make a name for himself, hustling his way to top billing and eventually to recording contracts. From there, he was to stake his claim on Broadway, in Hollywood, and, of course, in Las Vegas.

Haygood brings Sammy’s showbiz life into full relief against the backdrop of an America in the throes of racial change. Sammy grew up trapped between the worlds of blacks and whites, with so much invested in both. He made his living entertaining white people but was often denied service in the very venues he played. Drafted into a newly integrated U.S. Army in the 1940s, he saw up close the fierce tensions that seethed below the surface. Dragged into the civil rights movement, he witnessed a hatred that often erupted into violence. In his broad and varied friendships and alliances (with Frank Sinatra; Martin Luther King, Jr.; Richard Nixon; Sidney Poitier; Marilyn Monroe, to name just a few), not to mention his romances (his relationship with Kim Novak and his marriage to the blond beauty May Britt drew death threats), he forged uncharted paths across racial lines. Admired and reviled by both blacks and whites, he was tormented all his life by raging insecurities, and never quite came to terms with his own skin. Ultimately, his only true sense of his identity was as a performer.

Based on painstaking research and more than 250 interviews, Wil Haygood brings us a sweeping and vivid cultural history of the twentieth century, chronicling black entertainment from its beginnings and the birth of popular culture as we know it. In Black and White transcends simple biography to become an important record, both celebratory and elegiacal, of a vanished America and its greatest entertainer.