An immersive, masterful story of a family born on the wrong side of history, from one of our finest contemporary novelists.
Over seven decades, from 1940 to 2010, the pieds-noirs Cassars live in an itinerant state—separated in the chaos of World War II, running from a complicated colonial homeland, and, after Algerian independence, without a homeland at all. This Strange Eventful History, told with historical sweep, is above all a family story: of patriarch Gaston and his wife Lucienne, whose myth of perfect love sustains them and stifles their children; of François and Denise, devoted siblings connected by their family’s strangeness; of François’s union with Barbara, a woman so culturally different they can barely comprehend one another; of Chloe, the result of that union, who believes that telling these buried stories will bring them all peace.
An immersive, masterful story of a family born on the wrong side of history, from one of our finest contemporary novelists.
Acclaimed historian Jane Kamensky chronicles an indelible twentieth-century American life―and offers an entirely new understanding of the so-called sexual revolution.
Whether in front of the camera or behind it, Candice Vadala understood herself as both an artist and an entrepreneur. As Candida Royalle (1950–2015)―underground actress, porn star, producer of adult movies, and staunch feminist―she made a business of pleasure. She helped crystalize the broader hedonistic turn in American life in the second half of the twentieth century: a period when the rules of sex were rewritten; when the white-hot “sex wars” cleaved feminism and realigned American politics; when Big Freud, Big Drugs, and Big Porn all came into looming focus; when the sex industry of the 1970s and ’80s radically upended conventional understandings of law, technology, culture, love, and human desire.
The sexual revolution was Royalle’s war―even when other avowed feminists exited the field or became her opponents―and pornography emerged as the arena in which she would wage it. With the founding of her adult film company, Femme Productions, in 1984, Royalle became an owner of the means of pornographic production, infusing her sets with the ideals of labor feminism. On-screen and off-, she was, by turns, exuberant and thoughtful, self-possessed and gleefully shameless. A trailblazer who lived along the cultural fault lines of her generation, she danced at Woodstock, marched for women’s liberation, survived the AIDS crisis, and became a talk show regular, interviewed by Phil Donahue, Dr. Ruth Westheimer, Morton Downey Jr., Jane Pauley, and many others. As a performer, director, producer, and writer, she moved the needle of her industry. But she never transcended the politics of pleasure.
With full access to Royalle’s remarkable archive, historian Jane Kamensky has spent years examining the intersection of Royalle’s life with the clashes that have defined her era―and ours. Deeply informed by these never-before-studied materials, Kamensky explodes the conventions of biography, with its assumptions about who makes history and how. Written with cinematic verve, Candida Royalle and the Sexual Revolution evokes Royalle’s times in their broadest contours as Kamensky traces the rise of an improbable heroine who broke the mold and was herself broken in turn.
Acclaimed historian Jane Kamensky chronicles an indelible twentieth-century American life―and offers an entirely new understanding of the so-called sexual revolution.
A gem of a debut novel about a young mother navigating the instabilities of teaching, parenting, and marriage in the wake of the pandemic. With deadpan humor and a keen eye for the strangeness of our days, Negative Space follows a week in the life of a part-time high school English teacher.
A gem of a debut novel about a young mother navigating the instabilities of teaching, parenting, and marriage in the wake of the pandemic. With deadpan humor and a keen eye for…
A personal evocation of the glory of nature, our vexed position in the animal kingdom, and the difficulty of adoring what we destroy. Acclaimed novelist Lydia Millet’s first work of nonfiction, We Loved It All , is a genre-defying tour de force that makes an impassioned argument for people to see their emotional and spiritual lives as infinitely dependent on the lives of nonhuman beings.
A personal evocation of the glory of nature, our vexed position in the animal kingdom, and the difficulty of adoring what we destroy. Acclaimed novelist Lydia Millet’s first work…
At a big-box store in a small town in upstate New York, the members of Team Movement clock in every morning at 3:55. Under the eye of a self-absorbed and barely competent boss, they empty the day’s truck of merchandise, stock the shelves, and scatter before customers arrive. When a golden opportunity for a promotion presents itself, the diverse members of Movement―among them a comedy-obsessed oddball who acts half his age, a young woman clinging to her “cool kid” status from high school, a college football hopeful trying to find a new path―band together and set a just-so-crazy-it-might-work plot into motion. A darkly comic workplace caper that explores the aches and uses of solidarity, Help Wanted is a deeply human portrait of people trying, against increasingly long odds, to make a living.
At a big-box store in a small town in upstate New York, the members of Team Movement clock in every morning at 3:55. Under the eye of a self-absorbed and barely competent boss,…
Social history at its most intimate, Strong Passions charts a trial’s twists and turns to portray a family and country in turmoil as they faced conflicts over women’s changing roles, male custody of children, and men’s power―financial and otherwise―over wives.
Social history at its most intimate, Strong Passions charts a trial’s twists and turns to portray a family and country in turmoil as they faced conflicts over women’s changing…
In her boldest and most powerful work to date, Roxana Robinson demonstrates her “trademark gifts as an intelligent, sensitive analyst of family life” (Wendy Smith, Chicago Tribune ) in an engrossing exploration of the vows we make to one another, the tensile relationships between parents and their children, and what we owe to others and ourselves.
In her boldest and most powerful work to date, Roxana Robinson demonstrates her “trademark gifts as an intelligent, sensitive analyst of family life” (Wendy Smith, Chicago Tribune…
Copyright is everywhere. Your smartphone incorporates thousands of items of intellectual property. Someone owns the reproduction rights to photographs of your dining table. At this very moment, battles are raging over copyright in the output of artificial intelligence programs. Not only books but wallpaper, computer programs, pop songs, cartoon characters, snapshots, and cuddly toys are now deemed to be intellectual properties—making copyright a labyrinthine construction of laws with colorful and often baffling rationales covering almost all products of human creativity.
It wasn’t always so. Copyright has its roots in eighteenth-century London, where it was first established to limit printers’ control of books. But a handful of little-noticed changes in the late twentieth century brought about a new enclosure of the cultural commons, concentrating ownership of immaterial goods in very few hands. Copyright’s metastasis can’t be understood without knowing its backstory, a long tangle of high ideals, low greed, opportunism, and word-mangling that allowed poems and novels (and now, even ringtones and databases) to be treated as if they were no different from farms and houses. Principled arguments against copyright arose from the start and nearly abolished it in the nineteenth century. Nonetheless, countless revisions have made copyright ever stronger.
Who Owns This Sentence? is an often-humorous and always-enlightening cultural, legal, and global history of the idea that intangible things can be owned, and makes a persuasive case for seeing copyright as an engine of inequality in the twenty-first century.
Copyright is everywhere. Your smartphone incorporates thousands of items of intellectual property. Someone owns the reproduction rights to photographs of your dining table. At…
A gorgeous debut, laced through with magic, following four generations of women as they seek to chart their own futures.
Evangeline Hussey has made a home for herself on Nantucket, though she knows she is still an outsider to the island’s small, close-knit community, one that by 1849 has started to feel the decline of a once-thriving whaling industry. Her husband, Hosea, and the life they built together, was once all she needed―but now Hosea is gone, lost at sea. Evangeline is only able to hold on to his inn, and her place on the island, by employing a curious gift to glimpse and re-form the recent memories of those who would cast her out.
One night, an idealistic sailor appears on her doorstep asking her to call him Ishmael. He seeks only a warm bed and a bowl of chowder, and yet suddenly, unsettlingly, her careful illusion begins to fracture. He soon sails away with Ahab to hunt an infamous white whale, and Evangeline is left to forge a new life from the pieces that remain.
Her choices ripple through generations, across continents, and into the depths of the sea, in a narrative that follows Evangeline and her descendants from mid-nineteenth century Nantucket to Boston, Brazil, Florence, and Idaho. Moving, beautifully written, and elegantly conceived, Wild and Distant Seas takes Moby-Dick as its starting point, but Tara Karr Roberts brings four remarkable women to life in a spellbinding epic all her own.
A gorgeous debut, laced through with magic, following four generations of women as they seek to chart their own futures.
It’s not you, it’s the food.
We have entered a new age of eating. For the first time in human history, most of our calories come from an entirely novel set of substances called Ultra-Processed Food. There’s a long, formal scientific definition, but it can be boiled down to this: if it’s wrapped in plastic and has at least one ingredient that you wouldn’t find in your kitchen, it’s UPF.
In this book, Chris van Tulleken, father, scientist, doctor, and award-winning BBC broadcaster, marshals the latest evidence to show how governments, scientists, and doctors have allowed transnational food companies to create a pandemic of diet-related disease. The solutions don’t lie in willpower, personal responsibility, or exercise. You’ll find no diet plan in this book — but join Chris as he undertakes a powerful self-experiment that made headlines around the world: under the supervision of colleagues at University College London he spent a month eating a diet of 80 percent UPF, typical for many children and adults in the United States. While his body became the subject of scientific scrutiny, he spoke to the world’s leading experts from academia, agriculture, and — most important—the food industry itself. But more than teaching him about the experience of the food, the diet switched off Chris’s own addiction to UPF.
It’s not you, it’s the food.
We have entered a new age of eating. For the first time in human history, most of our calories come from an entirely novel set of substances called…
A master of rural noir returns with a fierce, mesmerizing novel about exceptional women and the soul of a small town.
On an island in the Great Massasauga Swamp—an area known as “The Waters” to the residents of nearby Whiteheart, Michigan—herbalist Hermine “Herself” Zook has healed the local women of their ailments for generations. As stubborn as her tonics are powerful, Herself inspires reverence and fear in the people of Whiteheart, and even in her own three daughters. The youngest, beautiful and inscrutable Rose Thorn, has left her own daughter, eleven-year-old Dorothy “Donkey” Zook, to grow up wild.
Donkey spends her days searching for truths in the lush landscape and in her math books, waiting for her wayward mother and longing for a father, unaware that family secrets, passionate love, and violent men will flood through the swamp and upend her idyllic childhood.
With a “ruthless and precise eye for the details of the physical world” (New York Times Book Review), Bonnie Jo Campbell presents an elegant antidote to the dark side of masculinity, celebrating the resilience of nature and the brutality and sweetness of rural life.
A master of rural noir returns with a fierce, mesmerizing novel about exceptional women and the soul of a small town.
On an island in the Great Massasauga Swamp—an area known…
A witty, absurdist satire of the last 500 years, Alexandra Petri’s US History is the fake textbook you never knew you needed! As a columnist for the Washington Post , Alexandra Petri has watched in real time as those who didn’t learn from history have been forced to repeat it. And repeat it. And repeat it. If we repeat history one more time, we’re going to fail! Maybe it’s time for a new textbook. Alexandra Petri’s US History contains a lost (invented!) history of America. (A history for people disappointed that the only president whose weird sex letters we have is Warren G. Harding.) Petri’s "historical fan fiction" draws on real events and completely absurd fabrications to create a laugh-out-loud, irreverent takedown of our nation’s complicated past. On Petri’s deranged timeline, John and Abigail Adams try sexting, the March sisters from Little Women are sixty feet tall, and Susan Sontag goes to summer camp. Nearly eighty short, hilarious pieces span centuries of American history and culture. Ayn Rand rewrites The Little Engine That Could . Nikola Tesla’s friends stage an intervention when he falls in love with a pigeon. The characters from Sesame Street invade Normandy. And Mark Twain―who famously said reports of his death had been greatly exaggerated―offers a detailed account of his undeath, in which he becomes a zombie. This side-splitting work of historical humor shows why Alexandra Petri has been hailed as a "genius,"* a "national treasure,"† and "one of the funniest writers alive"‡. *Olivia Nuzzi, Katha Pollitt
†Julia Ioffe, Katy Tur, John Scalzi, Chuck Wendig, Jamil Smith, and Susan Hennessey
‡Randall Munroe 3 illustrations
A witty, absurdist satire of the last 500 years, Alexandra Petri’s US History is the fake textbook you never knew you needed! As a columnist for the Washington Post , Alexandra…
In wry, epigrammatic prose, Dayswork tells the story of a woman who spends the endless days of the pandemic sorting fact from fiction in the life and work of Herman Melville.
Obsessed by what his devotion to his art reveals about cost, worth, and debt, she delves into Melville’s impulsive purchase of a Massachusetts farmhouse, his fevered revision of Moby-Dick there, his intense friendship with neighbor Nathaniel Hawthorne, and his troubled and troubling marriage to Elizabeth Shaw.
As the narrator’s fascination grows and her research deepens, she examines Melville’s effect on the imagination and lives of generations of biographers and writers, including Elizabeth Hardwick and Robert Lowell. Ultimately, her quarantine project is a midlife reckoning with her own marriage and ambition. Absorbing, charming, and intimate, Dayswork considers the blurry lines between literature and life, and the ways we locate ourselves in the lives of others.
In wry, epigrammatic prose, Dayswork tells the story of a woman who spends the endless days of the pandemic sorting fact from fiction in the life and work of Herman Melville.…
An evocative debut novel of trans-masculinity, addiction, and the pain and joy of becoming.
In the first of three acts, Ponyboy’s titular narrator—a pill-popping, speed-snorting trans-masculine lightning bolt—unravels in his Paris apartment. Ponyboy is caught in a messy love triangle with Baby, a lesbian painter who can’t see herself being with someone trans, and Toni, a childhood friend who can actually see Ponyboy for who he is. Strung out, Ponyboy follows Baby to Berlin in act two, where he sinks deeper into drugs and falls for Hart, a fellow writer, all the while pursued by a megalomaniacal photographer hungry for the next hot thing. As Ponyboy’s relationships crumble, he overdoses and find himself alone in his childhood home in Nebraska. The novel’s final act follows Ponyboy to rehab, exploring the ways in which trans identity, addiction, and recovery reforge the bond between mother and child. Eliot Duncan reveals, in precise atmospheric prose reminiscent of Anne Carson and Allen Ginsberg, the innate splendor, joy, and ache of becoming oneself.
An evocative debut novel of trans-masculinity, addiction, and the pain and joy of becoming.
In the first of three acts, Ponyboy’s titular narrator—a pill-popping,…
One of the foremost achievements in Western literature, Homer's Iliad tells the story of the darkest episode of the Trojan War. At its center is Achilles, the greatest warrior-champion of the Greeks, and his conflict with his leader Agamemnon. Interwoven in the tragic sequence of events are powerfully moving descriptions of the ebb and flow of battle, the besieged city of Ilium, the feud between the gods, and the fate of mortals.
One of the foremost achievements in Western literature, Homer's Iliad tells the story of the darkest episode of the Trojan War. At its center is Achilles, the greatest…
World champion runner Caster Semenya offers an empowering account of her extraordinary life and career, and her trailblazing battle to compete on her own terms.
A sweeping history of data and its technical, political, and ethical impact on our world.
From facial recognition―capable of checking people into flights or identifying undocumented residents―to automated decision systems that inform who gets loans and who receives bail, each of us moves through a world determined by data-empowered algorithms. But these technologies didn’t just appear: they are part of a history that goes back centuries, from the census enshrined in the US Constitution to the birth of eugenics in Victorian Britain to the development of Google search.
Expanding on the popular course they created at Columbia University, Chris Wiggins and Matthew L. Jones illuminate the ways in which data has long been used as a tool and a weapon in arguing for what is true, as well as a means of rearranging or defending power. They explore how data was created and curated, as well as how new mathematical and computational techniques developed to contend with that data serve to shape people, ideas, society, military operations, and economies. Although technology and mathematics are at its heart, the story of data ultimately concerns an unstable game among states, corporations, and people. How were new technical and scientific capabilities developed; who supported, advanced, or funded these capabilities or transitions; and how did they change who could do what, from what, and to whom?
Wiggins and Jones focus on these questions as they trace data’s historical arc, and look to the future. By understanding the trajectory of data―where it has been and where it might yet go―Wiggins and Jones argue that we can understand how to bend it to ends that we collectively choose, with intentionality and purpose.
A sweeping history of data and its technical, political, and ethical impact on our world.
From facial recognition―capable of checking people into flights or identifying…
An incandescent novel from one of our greatest living novelists (The Times) about the inheritance of trauma, wonder, and love across three generations of women.
Nell McDaragh never knew her grandfather, the famed Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless, full of verve and wit, twenty-two-year-old Nell leaves her mother Carmel’s home to find her voice as a writer and live a life of her choosing. Carmel, too, knows the magic of her Daddo’s poetry—and the broken promises within its verses. When Phil abandons the family, Carmel struggles to reconcile “the poet” with the man whose desertion scars Carmel, her sister, and their cancer-ridden mother.
The Wren, the Wren brings to life three generations of women who contend with inheritances—of abandonment and of sustaining love that is “more than a strand of DNA, but a rope thrown from the past, a fat twisted rope, full of blood.” In sharp prose studded with crystalline poetry, Anne Enright masterfully braids a family story of longing, betrayal, and hope.
An incandescent novel from one of our greatest living novelists (The Times) about the inheritance of trauma, wonder, and love across three generations of women.