Джон Максвелл Кутзее3.8 Самый загадочный писатель из всех нобелевских лауреатов, дважды удостоенный премии «Букер» и ни разу не явившийся на вручение, посвятивший нобелевскую речь не комунибудь, а Робинзону Крузо, человек, само имя которого долго оставалось загадкой.
«Бесчестье» — возможно, главный роман писателя. Герой книги, университетский профессор, из-за скандальной истории со студенткой лишается буквально всего — и работы, и благорасположения общества. Роман-полемика, ответ писателя на вопрос, в свое время поставленный Францем Кафкой, — быть или не быть человеку, если жизнь низвела его в глазах окружающих до состояния насекомого, стать ли ему нулем или начать с нуля.
Anita Desai0.0 A wonderful novel in two parts, moving from the heart of a close-knit Indian household, with its restrictions and prejuices, its noisy warmth and sensual appreciation of food, to the cool centre of an American family, with its freedom and strangely self-denying attitudes to eating. In both it is ultimately the women who suffer, whether, paradoxically, from a surfeit of feasting and family life in India, or from self-denial and starvation in the US. or both. Uma, the plain, older daughter still lives at home, frustrated in her attempts to escape and make a life for herself. Her Indian family is difficult , demanding but mostly, good hearted. Despite her disappointments, Uma comes through as the survivor, avoiding an unfulfilling marriage, liek her sister's or a suicidal one, like that arranged for her pretty cousin. And in America, where young Arun goes as a student, men in the suburbs char hunks of bleeding meat while the women don't appear to cook or eat at all - seems bewildering and terriying to the young Indian adolescent far from home.
Майкл Фрейн3.8 Майкл Фрейн - современный английский писатель старшего поколения - получил известность как романист, драматург и переводчик русской классической литературы. Роман "Одержимый" - это забавный рассказ об опасных и захватывающих приключениях ученого-искусствоведа, напавшего на след неизвестной картины Брейгеля. Искушенный призраком славы, главный герой книги задумывает головокружительную махинацию с целью завладеть бесценным произведением искусства. Приключения современного афериста (в книге есть все необходимые составляющие детектива: тайна, погони, стрельба, ускользающая добыча) переплетаются с событиями жизни еретика Брейгеля, творившего под носом у кардинала во времена разгула инквизиции.
В 1999 году этот по-чеховски смешной и одновременно грустный роман о восторге и отчаянии научного поиска, о мятущейся человеческой душе, о далеком и таинственном, о современном и восхитительном был номинирован на Букеровскую премию.
Andrew O'Hagan0.0
Hugh Bawn was a modern hero, a dreamer, a Socialist, a man of the people who revolutionized Scotland's residential development after World War II. Now he lies dying on the eighteenth floor of one of the flats he built, flats that are being demolished along with the idealism he inherited from his mother. Hugh's final months are plagued by memory and loss, by bitter feelings about his family and the country that could not live up to the housing constructed for it. His grandson, Jamie, comes home to watch over his dying mentor and sees in the man and in the land that bred him his own fears. He tells the story of his family-a tale of pride and delusion, of nationality and strong drink, of Catholic faith and the end of the old Left. It is a tale of dark hearts and modern houses, of three men in search of Utopia. Andrew O'Hagan's story is a poignant and powerful reclamation of the past and a clear-sighted look at our relationship with personal and public history. Our Fathers announces the arrival of a major writer.
Ahdaf Soueif4.0 Ahdaf Soueif's The Map of Love is a massive family saga, a story that draws its readers into two moments in the complex, troubled history of modern Egypt. The story begins in 1977 in New York. There Isabel Parkman discovers an old trunk full of documents--some in English, some in Arabic--in her dying mother's apartment. Incapable of deciphering this stash by herself, she turns to Omar al-Ghamrawi, a man with whom she is falling in love. And Omar directs her in turn to his sister Amal in Cairo.
Together the two women begin to uncover the stories embedded in the journal of Lady Anna Winterbourne, who traveled to Egypt in 1900 and fell in love with Sharif Pasha al-Barudi, an Egyptian nationalist. To their surprise, they stumble across some unsuspected connections between their own families. Less surprising, perhaps, is the persistence of the very same issues that dogged their ancestors: colonialism, Egyptian nationalism, and the clash of cultures throughout the Middle East. The past, however, does offer some semblance of omniscience:
That is the beauty of the past; there it lies on the table: journals, pictures, a candle-glass, a few books of history. You leave it and come back to it and it waits for you--unchanged. You can turn back the pages, look again at the beginning. You can leaf forward and know the end. And you tell the story that they, the people who lived it, could only tell in part.
With its multiple narratives and ever-shifting perspectives, The Map of Love would seem to cast some doubt on even the most confident historian's version of events. Yet this subtle and reflective tale of love does suggest that the relations between individuals can (sometimes) make a difference. "I am in an English autumn in 1897," Amal confesses at one point, "and Anna's troubled heart lies open before me." Here, perhaps, is a hint about how we should read Soueif's staggering novel, using words as a means to travel through time, space, and identity.
Colm Toibin4.8 It is Ireland in the early 1990s. Helen, her mother, Lily, and her grandmother, Dora have come together to tend to Helen's brother, Declan, who is dying of AIDS. With Declan's two friends, the six of them are forced to plumb the shoals of their own histories and to come to terms with each other. Shortlisted for the Booker Prize, "The Blackwater Lightship" is a deeply resonant story about three generations of an estranged family reuniting to mourn an untimely death. In spare, luminous prose, Colm Toibin explores the nature of love and the complex emotions inside a family at war with itself. Hailed as "a genuine work of art" "(Chicago Tribune), " this is a novel about the capacity of stories to heal the deepest wounds.
