Рольф Томан - все книги по циклам и сериям | Книги по порядку

Book DescriptionChurches, Cathedrals, Cloisters presents in 176 large-format pages the most beautiful monuments to arise out of 1250 years of German, Austrian and Swiss sacred architecture. The luxurious illustrations extend from the time of

Искусство эпохи барокко, и прежде всего архитектура, - это пышные декорации, на фоне которых разыгрывался величайший спектакль европейской истории. Первый акт грандиозной пьесы состоялся около 1600 года в Риме. Отсюда и началось распространение нового стиля. Папы, главные покровители барочного искусства, в первую очередь стремились прославить в веках собственную персону. Именно от них великие художники получали заказы на создание произведений искусства,...

The Italian Renaissance was one of the most splendid eras of European art. Interest in this artistically so extraordinarily productive period between 1300 and 1600 remains unbroken to this day. This volume focuses on impressive works from all fields of the visual arts, competently explaining the various aspects of Italian Renaissance art and captivating the readers attention with its magnificent range of illustrations.

The Italian Renaissance is among the most glamorous epochs of European art. Art historians as well as a wide public are fascinated by three centuries of exceptionally prolific artistic creation that produced works of international fame such as Michelangelo’s frescos in the Sistine Chapel. The cityscapes of the great centers of that time would be vastly different without their Renaissance architecture - cities like Florence, Rome, and Venice are veritable museums of an epoch whose art remains vital and influential even today. Impressive illustrations of works from every branch of the fine arts feature prominently in The Art of the Italian Renaissance, which not only explains various aspects of Renaissance art, but also invites readers to observe them closely with its fabulous pictures.

The Gothic period is one of the first epochs in art history from which artworks of all kinds have been preserved: from cathedrals, castles, and palaces to masterful paintings and the most filigree works of goldsmiths, The Essence of Culture: Gothic displays the breadth and richness of a unique craftsmanship. Specific contributions delve into the development of Gothic architecture in France, as well as the national characteristics it took on from Spain and Portugal to northern and eastern Europe. Entire chapters are devoted to the Papal Palace of Avignon and the splendor of Gothic glass painting. This volume provides an overview of the artistic diversity of the Gothic – in no small part through the richness of the illustrations – that could scarcely be more vivid.

For this work, editor Rolf Toman gathered a team of eleven renowned authors with profound expertise in the fields of architecture and art history whose competent knowledge clearly elucidates the art of the Gothic period.

Neoclassicism, as a return to the forms and ideals of ancient art, and Romanticism, as an intellectual attitude, are no longer seen as mutually exclusive alternatives. Looking specifically to Europe, the United States and Russia, the authors of The Essence of Culture: Neoclassicism and Romanticism have selected the notion of subjectivism as the common denominator that links the visual arts and architecture between the periods of rococo and realism. A conscious decision was made to extend the time period under consideration to 1848 in order to be able to present painters as widely varied as Johann Heinrich Füssli, John Constable, William Turner, William Blake, Caspar David Friedrich, Philipp Otto Runge and Francisco de Goya within this sumptuously illustrated book.

In this lavishly illustrated volume, editor Rolf Toman has brought together carefully selected articles written by eleven renowned authors that vividly illustrate and elucidate the complexities of Neoclassicism and Romanticism from the perspectives of architecture and art history.

Появление романского стиля характеризует начальный период средневекового европейского искусства. Этот стиль появился на рубеже I и II тысячелетий, а закончился приблизительно в середине ХП столетия - с появлением в Германии и Италии штауфеновской династии. В отдельных статьях предлагаемого издания рассматривается и дороманское искусство - каролингского и оттоновского периодов.
Романское искусство классического средневековья во многом обращается к выразительным элементам римской архитектуры, однако оно полностью проникнуто духом христианства. Более того: оно в значительной степени является формой культового христианского искусства. Подавляющее большинство представленных в данном издании произведений архитектуры, скульптуры и живописи следует рассматривать исключительно в контексте христианского миросозерцания и христианского быта. Причем, как следует из аргументации, приведенной во введении, особая роль принадлежит монастырской культуре.
В книге также подчеркивается уникальность романской скульптуры, которая тесно связана с архитектурой. Наряду с узкоспециальной искусствоведческой информацией авторы предлагают вниманию читателя культурологические и историко-психологические аспекты рассматриваемого периода.
Прекрасный иллюстративный ряд наглядно демонстрирует все многообразие форм романского зодчества, позволяет передать особую атмосферу средневековых храмов и монастырей.

"During the baroque period, architecture and the other fine arts were the instruments of a staging of "worldtheater" on a grand scale. The baroque art of the popes in Rome, the displays of power and opulence in the court of the Sun King, Louis XIV, and Dutch painting -they all reflect different aspects of the underlying tensionbetween pleasure in life and fear of death that was such a prominent feature of the baroque world view.This volume portrays the entire span of the fine arts ofthe baroque era, from rich splendor to religious asceticism."