Книги

The celebrated Hindi novelist Vishwanath is heartbroken by the recent loss of his son in an accident. The tragedy spurs him to write a novel set in the household of Lala Motichand. It follows the lives of the wealthy lala and his three sons: Self-confident Dinanath, the true heir to Motichand’s mercantile temperament, lonely Diwanchand, uninterested in business and steeped in poetry; and illegitimate Makhan Lal, a Marx-loving schoolteacher kept to the periphery of his father’s life. In an illuminating act of self-reflection, Vishwanath, the son of a cook for a rich sethji, also tells the story of the lala’s personal servant, Mange Ram and his son, Parsadi. Fatherhood, brotherhood and childhood, love, loyalty and poetry all come to the fore as sons and servants await the lala’s death. By writing about mortality and family, Vishwanath confronts the wreckage of his own life while seeking to make sense of the new India that came into being after independence. Spellbinding and penetrating, Half the Night Is Gone raises questions of religion, literature and society that speak to our fractured times.

The celebrated Hindi novelist Vishwanath is heartbroken by the recent loss of his son in an accident. The tragedy spurs him to write a novel set in the household of Lala…

A coming-of-age story about one boy’s journey across contemporary Afghanistan to find and bring home the family dog, blending the grit and immediacy of voice-driven fiction like We Need New Names with the mythmaking of One Thousand and One Nights.

Twelve-year-old Marwand’s memories from his previous visit to Afghanistan six years ago center on his contentious relationship with Budabash, the terrifying but beloved dog who guards his extended family’s compound in Logar. Eager to find an ally in this place that’s meant to be “home,” Marwand approaches Budabash the way he would any dog on his American suburban block—and the results are disastrous: Marwand loses a finger and Budabash escapes.

The resulting search for the family dog is an expertly told adventure, a ninety-nine-night quest that sends Marwand and his cousins across the landscape of Logar. Moving between celebrations and tragedies, deeply humorous and surprisingly tender, 99 Nights in Logar is a vibrant exploration of the power of stories—the ones we tell each other, and the ones we find ourselves in.

A coming-of-age story about one boy’s journey across contemporary Afghanistan to find and bring home the family dog, blending the grit and immediacy of voice-driven fiction like…

Gorgeously tactile and sweeping in historical and socio-political scope, Pushcart Prize-winner Madhuri Vijay's The Far Field follows a complicated flaneuse across the Indian subcontinent as she reckons with her past, her desires, and the tumultuous present.

In the wake of her mother's death, Shalini, a privileged and restless young woman from Bangalore, sets out for a remote Himalayan village in the troubled northern region of Kashmir. Certain that the loss of her mother is somehow connected to the decade-old disappearance of Bashir Ahmed, a charming Kashmiri salesman who frequented her childhood home, she is determined to confront him. But upon her arrival, Shalini is brought face to face with Kashmir's politics, as well as the tangled history of the local family that takes her in. And when life in the village turns volatile and old hatreds threaten to erupt into violence, Shalini finds herself forced to make a series of choices that could hold dangerous repercussions for the very people she has come to love.

With rare acumen and evocative prose, in The Far Field Madhuri Vijay masterfully examines Indian politics, class prejudice, and sexuality through the lens of an outsider, offering a profound meditation on grief, guilt, and the limits of compassion.

Gorgeously tactile and sweeping in historical and socio-political scope, Pushcart Prize-winner Madhuri Vijay's The Far Field follows a complicated flaneuse across the Indian…

It’s the early seventies. The Naxalbari Movement is gathering strength in Bengal. Young men and women have left their homes, picked up arms to free land from the clutches of feudal landlords and the state, and return them to oppressed landless farmers. They are being arrested en masse and thrown into high-security jails.

In one such jail, five Naxals are meticulously planning a jailbreak. They must free themselves if the revolution is to continue. But petty thief Bhagoban, much too happy to serve frequent terms for free food and shelter, has been planted by Jailor Bireshwar Mukherjee among them as a mole. Only, Bhagoban seems to be warming up to them.

There’s Gunpowder in the Air is a searing investigation into what deprivation and isolation can do to human idealism. And Manoranjan Byapari is perhaps the most refreshing voice to emerge from Bengal in recent times.

It’s the early seventies. The Naxalbari Movement is gathering strength in Bengal. Young men and women have left their homes, picked up arms to free land from the clutches of…

In a crumbling neighbourhood in New Delhi, a child waits for a mother to return home from work. And, in parallel, in a snow-swept town in Germany on the Baltic Sea coast a woman, her memory fading, shows up at a deserted hotel. Worlds apart, both embark, in the course of that night, on harrowing journeys through the lost and the missing, the living and the dead, until they meet in an ending that breaks the heart - and holds the promise of putting it back together again.

Called the novelist of the newsroom, Raj Kamal Jha cleaves open India's tragedy of violence against women with a powerful story about our complicity in the culture that supports it. This is a book about masculinity - damaging and toxic and yet enduring and entrenched - that begs the question: What kind of men are our boys growing up to be?

In a crumbling neighbourhood in New Delhi, a child waits for a mother to return home from work. And, in parallel, in a snow-swept town in Germany on the Baltic Sea coast a woman,…

In 1970s Karachi, where violence and political and social uncertainty are on the rise, a beautiful and talented artist, Tahira, tries to hold her life together as it shatters around her. Soon after her wedding, her marriage is revealed to be a trap from which there appears no escape. Accustomed to the company of her brother, Waseem, and friends, Andaleep and Safdar, who are activists, writers and thinkers, she struggles to adapt to her new world of stifling conformity.

Tragedy strikes when her brother and friends, are caught up in the cynically repressive regime. Faced with horror and injustice, she embarks upon a series of paintings entitled ‘The Empty Room’, filling the blank canvases with vivid colour and light.

​ Poetic, elegant, and powerful, The Empty Room is an important addition to contemporary Pakistani literature, a moving portrait of life in Karachi at a pivotal moment in the nation's history, and a powerful meditation on art and on the dilemmas faced by all women who must find their own creative path in hostile conditions.

In 1970s Karachi, where violence and political and social uncertainty are on the rise, a beautiful and talented artist, Tahira, tries to hold her life together as it shatters…

Jayant Kaikini's compassionate gaze takes in the people in the corners of the city, the young woman yearning for love, the certified virgin who must be married off again, the older woman and her medicines; Tejaswini Niranjana's translations bring the rhythms of Kannada into English with admirable efficiency. This is a Bombay book, a Mumbai book, a Momoi book, a Mhamai book, and it is not to be missed. - Jerry Pinto No Presents Please: Mumbai Stories is not about what Mumbai is, but what it enables. Here is a city where two young people decide to elope and then start nursing dreams of different futures, where film posters start talking to each other, where epiphanies are found in keychains and thermos-flasks. From Irani cafes to chawls, old cinema houses to reform homes, Jayant Kaikini seeks out and illuminates moments of existential anxiety and of tenderness. In these sixteen stories, cracks in the curtains of the ordinary open up to possibilities that might not have existed, but for this city where the surreal meets the everyday.

Jayant Kaikini's compassionate gaze takes in the people in the corners of the city, the young woman yearning for love, the certified virgin who must be married off again, the…

После смерти матери и бабушки заботы о брате и сестре легли на плечи старшей Исмы. Она отодвинула в сторону свои мечты, забыла о своих амбициях и посвятила себя Анике и Парвизу. И вот они выросли, и каждый пошел своим путем. Исма свободна и готова вернуться к университетской карьере. Но беспокойство за брата и сестру никуда не исчезло. Аника взбалмошна и слишком красива. А Парвиз выбрал темный путь - сгинул в мареве Ближнего Востока, в надежде понять их отца-джихадиста. Перед Исмой, Аникой, Парвизом и остальными героями романа встанет тяжелейший выбор, от которого им не уйти. Что сильнее: кровные узы или узы любви? Что важнее: милосердие или верность закону?

Роман Камилы Шамси - современная версия "Антигоны" Софокла. Античная трагедия разворачивается в декорациях наших дней, но сила человеческих чувств не ослабла со времен Софокла. В 2017 году книга была номинирована на премию Booker, а в 2018-м получила премию Women's Prize за художественное произведение.

После смерти матери и бабушки заботы о брате и сестре легли на плечи старшей Исмы. Она отодвинула в сторону свои мечты, забыла о своих амбициях и посвятила себя Анике и Парвизу. И…

Одна из надежд современной англоязычной литературы, британец с индийскими корнями Нил Мукерджи прославился яркими, искренними романами "Жизнь других" и "Прошедшее незавершенное", затрагивающими главные болевые точки современности и получившими множество литературных премий. В своей новой работе писатель опять обращается к теме национальной идентичности и социального неравенства, прослеживая судьбы нескольких героев, оказавшихся на дне жизни.

Одна из надежд современной англоязычной литературы, британец с индийскими корнями Нил Мукерджи прославился яркими, искренними романами "Жизнь других" и "Прошедшее незавершенное",…

On the day that Hindu nationalists have won a spectacular election victory, a building collapses in Mumbai. The rescue operation finds a single survivor in the debris. The only person able to reach him is Akhila Iyer, a medical student who is also a notorious social media prankster. She finds him mumbling in delirium that two people are on their way to carry out a terror attack. Elsewhere, a young intelligence agent, Mukundan, is assigned to shadow the two terror suspects.

On the day that Hindu nationalists have won a spectacular election victory, a building collapses in Mumbai. The rescue operation finds a single survivor in the debris. The only…

В стране, балансирующей на грани гражданской войны, встречаются два молодых человека - чувственная, яростно независимая Надия и нежный, сдержанный Саид. Они вступают в тайную любовную интригу и вскоре оказываются скованы преждевременной интимной близостью из-за волнений, захлестнувших их город. Когда он взрывается, превращая знакомые улицы в лоскутное одеяло из контрольно-пропускных пунктов и взрывов бомб, они начинают слышать шепот о дверных дверях, которые могут унести людей далеко за определенную плату. По мере эскалации насилия Надя и Саид решают, что у них больше нет выбора. Оставив свою родину и свои старые жизни позади, они находят дверь и шагают в нее...

В стране, балансирующей на грани гражданской войны, встречаются два молодых человека - чувственная, яростно независимая Надия и нежный, сдержанный Саид. Они вступают в тайную…

It is the year 1899. In the northwestern corner of British India, the Chhappaniya famine stalks the desert region of Shekhavati. A despairing shopkeeper turns to his young son and says, ‘This land has nothing to offer us but sand dunes and khejra bushes.’ Soon after, twelve-year-old Harilal Tibrewal, recently married to eleven-year-old Parmeshwari, sets off, alone, for the densely populated plains of Bengal in eastern India—travelling on camelback and by bus, train and boat to arrive in Calcutta, two thousand kilometres away…

In his new novel, Sujit Saraf takes readers on an epic journey from Shekhavati in Rajasthan to the Calcutta of the early twentieth century, to Bogra in East Bengal, and to a village in Bihar in newly independent India. A sprawling, compulsively readable narrative, it follows the story of Harilal as he sets up Harilal & Sons, a shop selling jute, cotton, spices, rice, cigarettes and soap, that grows into a large enterprise. It is also the sweeping tale of his two wives and ever-burgeoning family of sons, daughters, grandchildren, great-grandchildren and great-great-grandchildren—the two strands of family and business inextricably fused because a Marwari’s life is defined by what he ‘deals in’. The novel ends in 1972, as eighty-five-year-old Hari lies dying in the great mansion that he built but never actually lived in. Surrounded by his vast family he wonders why he is still so attached to them. Why has he not reached the third stage in life, the stage of detachment, that his schoolmaster had said he would?

Spanning seven decades of an era that saw great tumult in India and Bangladesh, Harilal & Sons is a wonderfully evocative, powerful and capacious narrative—overflowing with a profusion of characters, events and places—contained within the singular life of one man who ‘dealt in jute and grain’.

It is the year 1899. In the northwestern corner of British India, the Chhappaniya famine stalks the desert region of Shekhavati. A despairing shopkeeper turns to his young son and…

Shortlisted for the Dylan Thomas Prize

“Brave…Brilliant…This is a book that makes one kneel before the elegance of the human spirit and the yearning that is at the essence of every life.” ―The New York Times Book Review

"One of the best books I have read in years." ―Colm Toibin

Two and a half decades into a devastating civil war, Sri Lanka’s Tamil minority is pushed inexorably towards the coast by the advancing army. Amongst the evacuees is Dinesh, whose world has contracted to a makeshift camp where time is measured by the shells that fall around him like clockwork. Alienated from family, home, language, and body, he exists in a state of mute acceptance, numb to the violence around him, till he is approached one morning by an old man who makes an unexpected proposal: that Dinesh marry his daughter, Ganga. Marriage, in this world, is an attempt at safety, like the beached fishing boat under which Dinesh huddles during the bombings. As a couple, they would be less likely to be conscripted to fight for the rebels, and less likely to be abused in the case of an army victory. Thrust into this situation of strange intimacy and dependence, Dinesh and Ganga try to come to terms with everything that has happened, hesitantly attempting to awaken to themselves and to one another before the war closes over them once more.

Anuk Arudpragasam’s "The Story of a Brief Marriage" is a feat of extraordinary sensitivity and imagination, a meditation on the fundamental elements of human existence―eating, sleeping, washing, touching, speaking―that give us direction and purpose, even as the world around us collapses. Set over the course of a single day and night, this unflinching debut confronts marriage and war, life and death, bestowing on its subjects the highest dignity, however briefly.

Shortlisted for the Dylan Thomas Prize

“Brave…Brilliant…This is a book that makes one kneel before the elegance of the human spirit and the yearning that is at the essence of…

LONGLISTED FOR THE DSC PRIZE FOR SOUTH ASIAN LITERATURE 2017.In this tender, lyrical, and often funny novel, Anjali Joseph, author of Saraswati Park, shines a light on everyday life, illuminating its humour, beauty, and truth.There is a certain number of breaths each of us have to take, and no amount of care or carelessness can alter that.This is the story of two lives. Claire is a young single mother working in one of England’s last remaining shoe factories, her adult life formed by a teenage relationship. Is she ready to move on from memory and the routine of her days? Arun makes hand-sewn chappals at his home in Kolhapur. A recovered alcoholic, now a grandfather, he negotiates the newfound indignities of old age while returning in thought to the extramarital affair he had years earlier.These are lives woven through with the ongoing discipline of work and the responsibility and tedium of family life. Lives laced with the joys of friendship, the pleasure of sex, and the redemptive kindness of one’s own children. This is the story of the living.

LONGLISTED FOR THE DSC PRIZE FOR SOUTH ASIAN LITERATURE 2017.In this tender, lyrical, and often funny novel, Anjali Joseph, author of Saraswati Park, shines a light on everyday…

Manjunath Kumar is fourteen. He knows he is good at cricket - if not as good as his elder brother Radha. He knows that he fears and resents his domineering and cricket-obsessed father, admires his brilliantly talented sibling and is fascinated by the world of CSI and by curious and interesting scientific facts. But there are many things about himself and about the world that he doesn't know... Sometimes it seems as though everyone around him has a clear idea of who Manju should be, except Manju himself.

When Manju begins to get to know Radha's great rival, a boy as privileged and confident as Manju is not, everything in Manju's world begins to change and he is faced with decisions that will challenge both his sense of self and of the world around him...

Manjunath Kumar is fourteen. He knows he is good at cricket - if not as good as his elder brother Radha. He knows that he fears and resents his domineering and cricket-obsessed…

When brothers Tushar and Nakul Khurana, two Delhi schoolboys, pick up their family’s television set at a repair shop with their friend Mansoor Ahmed one day in 1996, disaster strikes without warning. A bomb—one of the many “small” bombs that go off seemingly unheralded across the world—detonates in the Delhi marketplace, instantly claiming the lives of the Khurana boys, to the devastation of their parents. Mansoor survives, bearing the physical and psychological effects of the bomb. After a brief stint at university in America, Mansoor returns to Delhi, where his life becomes entangled with the mysterious and charismatic Ayub, a fearless young activist whose own allegiances and beliefs are more malleable than Mansoor could imagine. Woven among the story of the Khuranas and the Ahmeds is the gripping tale of Shockie, a Kashmiri bomb maker who has forsaken his own life for the independence of his homeland.

Karan Mahajan writes brilliantly about the effects of terrorism on victims and perpetrators, proving himself to be one of the most provocative and dynamic novelists of his generation.

When brothers Tushar and Nakul Khurana, two Delhi schoolboys, pick up their family’s television set at a repair shop with their friend Mansoor Ahmed one day in 1996, disaster…

Who was the real Jim Corbett? A hunter who tracked down marauding tigers and leopards. A naturalist who spoke the language of the jungle. One of the first wildlife photographers to capture images of large predators in their natural habitat. A conservationist who voiced the earliest warnings about India’s dwindling natural heritage. A legend whose knowledge of the forests of India and the birds and animals that he encountered was unsurpassed. His bestselling books on shikar and jungle lore have inspired generations of wildlife enthusiasts. Much of Corbett’s life remains enigmatic, though two biographies have been written about him and he has been the subject of several films. In this novel, we see Jim first as a young boy of fourteen, growing up in Nainital, confronting demons that haunt the hill station where he was born. In the second part of the book, he hunts the man-eater of Mayaghat, a tigress who preys on labour camps in the foothills of Kumaon where forests are being felled to serve the needs of the Indian Railways. The final section of the novel takes us to Kenya, where Corbett settled after 1947 and lived out the final years of his life. We see this complex yet simple man at different stages of his life and witness his hidden fears and desires. His personal relationships with family and friends, companions and strangers, villagers and viceroys were all marked by an earthy compassion that set him apart from other figures of the British Raj. As the novel unfolds, we see with great clarity, the vulnerability, courage and integrity of Jim Corbett.

In the Jungles of the Night will surprise and delight Corbett’s many fans and attract new readers who have yet to experience his books.

Who was the real Jim Corbett? A hunter who tracked down marauding tigers and leopards. A naturalist who spoke the language of the jungle. One of the first wildlife photographers…

‘I was born ugly. That’s what my mother always said.’
So begins the story of young Sonny Mahadewala who lives a dual life: between his adoptive England where he lives in eccentric union with a privileged American, and the mixed bliss of the Mahadewala Walauwa, the big house on the mountain belonging to his father’s family in Kandy – the ancient capital of Sri Lanka – where he has both cachet and awful memories. For Sonny’s mother, a wonderfully maleficent anti-heroine, is convinced that demons possess this awfully ugly son of hers. Demons and the devil himself are the playing field of this book, whether seated in the draughty chapels of Oxford or roaming the Kandyan countryside and through their clever interplay they speak of larger horrors with able grace. For who is utterly good or utterly evil—and who, indeed, is the devil?

‘I was born ugly. That’s what my mother always said.’
So begins the story of young Sonny Mahadewala who lives a dual life: between his adoptive England where he lives in…

Finalist for the Writers' Trust Fiction Prize and for the Governor General's Literary Award, this powerful new work, about a transgender sex worker in the red-light district of Bombay who is given an unexpected task, is a gripping literary page-turner--difficult and moving, surprising and tender. Anosh Irani's best novel yet, and his first with Knopf Canada.

The Parcel's astonishing heart, soul and unforgettable voice is Madhu--born a boy, but a eunuch by choice--who has spent most of her life in a close-knit clan of transgender sex workers in Kamathipura, the notorious red-light district of Bombay. Madhu identifies herself as a "hijra"--a person belonging to the third sex, neither here nor there, man nor woman. Now, at 40, she has moved away from prostitution, her trade since her teens, and is forced to beg to support the charismatic head of the hijra clan, Gurumai. One day Madhu receives a call from Padma Madam, the most feared brothel owner in the district: a "parcel" has arrived--a young girl from the provinces, betrayed and trafficked by her aunt--and Madhu must prepare it for its fate. Despite Madhu's reluctance, she is forced to take the job by Gurumai. As Madhu's emotions spiral out of control, her past comes back to haunt her, threatening to unravel a lifetime's work and identity. This is a dark, devastating but ultimately redemptive novel that promises to be one of the most talked-about publications of the year.

Finalist for the Writers' Trust Fiction Prize and for the Governor General's Literary Award, this powerful new work, about a transgender sex worker in the red-light district of…

LONGLISTED FOR THE MAN BOOKER PRIZE 2015
A stark and unflinching novel by a spellbinding storyteller, about religion, love and violence in the modern world.
A train stops at a railway station. A young woman jumps off. She has wild hair, sloppy clothes, a distracted air. She looks Indian, yet she is somehow not. The sudden violence of what happens next leaves the other passengers gasping.
The train terminates at Jarmuli, a temple town by the sea. Here, among pilgrims, priests and ashrams, three old women disembark only to encounter the girl once again. What is someone like her doing in this remote corner, which attracts only worshippers?
Over the next five days, the old women live out their long-planned dream of a holiday together; their temple guide finds ecstasy in forbidden love; and the girl is joined by a photographer battling his own demons.
The full force of the evil and violence beneath the serene surface of the town becomes evident when their lives overlap and collide. Unexpected connections are revealed between devotion and violence, friendship and fear, as Jarmuli is revealed as a place with a long, dark past that transforms all who encounter it.

LONGLISTED FOR THE MAN BOOKER PRIZE 2015
A stark and unflinching novel by a spellbinding storyteller, about religion, love and violence in the modern world.
A train stops at a…

Ajay, eight years old, spends his afternoons playing cricket in the streets of Delhi with his brother Birju, four years older. They are about to leave for shiny new life in America. Ajay anticipates, breathlessly, a world of jet-packs and chewing-gum.

This promised land of impossible riches and dazzling new technology is also a land that views Ajay with suspicion and hostility; one where he must rely on his big brother to tackle classroom bullies. Birju, confident, popular, is the repository of the family's hopes, and he spends every waking minute studying for the exams that will mean entry to the Bronx High School of Science, and reflected glory for them all.

When a terrible accident makes a mockery of that dream, the family splinters. The boys' mother restlessly seeks the help of pundits from the temple, while their father retreats into silent despair - and the bottle. Now Ajay must find the strength of character to navigate this brave new American world, and the sorrows at home, on his own terms.

By turns blackly funny, touching, raw and devastating, Family Life is a vivid and wrenching portrait of sibling relationships and the impact of tragedy on one family from a boy's eye view.

Ajay, eight years old, spends his afternoons playing cricket in the streets of Delhi with his brother Birju, four years older. They are about to leave for shiny new life in…

The Grddha Mullick family takes pride in the ancient lineage they trace from 400 years before Christ. They burst with marvelous tales of hangmen and hangings in which the Grddha Mullicks figure as eyewitnesses to the momentous events that have shaped the history of the subcontinent.
In the present day, the youngest member of the family, 22 year old Chetna,is appointed the first woman executioner in India, assistant and successor to her father. Thrust suddenly into the public eye, even starring in her own reality show, Chetna's life explodes under the harsh lights of telvision cameras.As the day of her first execution approaches, she breaks out of the shadow of a domineering father and the thrall of a brutally manipulative lover, and transforms into a charismatic performer in her own right.
Will the ardent young woman be able to escape the love that binds her? Will she bring herself to take a life? Will she add lustre to the illustrious name of Grddha Mullicks? Or will she succumb to the dazzle of celebrity and the thrill of power over life and death? The lurid pleasures of voyeurism and the punishing ironies of violence are kept in agile balance as the drama hurtles to its inevitable climax.

The Grddha Mullick family takes pride in the ancient lineage they trace from 400 years before Christ. They burst with marvelous tales of hangmen and hangings in which the Grddha…

Calcutta, 1967. Unnoticed by his family, Supratik has become dangerously involved in extremist political activism. Compelled by an idealistic desire to change his life and the world around him, all he leaves behind before disappearing is a note. At home, his family slowly begins to unravel. Poisonous rivalries grow, the once-thriving family business implodes and destructive secrets are unearthed. And all around them the sands are shifting as society fractures, for this is a moment of turbulence, of inevitable and unstoppable change.

Calcutta, 1967. Unnoticed by his family, Supratik has become dangerously involved in extremist political activism. Compelled by an idealistic desire to change his life and the…

As night falls in Delhi, a mother spins tales from her past for her sleeping daughter. Now grown up, her child is a puzzle with a million pieces, whom she hopes, through her words and her love, to somehow make whole again.

Meanwhile, a young man rides the last train from Rajiv Chowk Station and dreams of murder.

In another corner of the city, a newborn wrapped in a blood-red towel lies on the steps of an orphanage as his mother walks away.

There are twenty million bodies in this city, but the stories of this woman, man, and child--of a secret love that blossoms in the shadows of grief, of a corrosive guilt that taints the soul, and of a boy who maps his own destiny--weave in and out of the lives of those around them to form a dazzling kaleidoscope of a novel.

Beautiful, beguiling, and audacious, this is the story of a city and its people, of love and horror, of belonging and forgiveness: a powerful and unforgettable tale of modern India.

As night falls in Delhi, a mother spins tales from her past for her sleeping daughter. Now grown up, her child is a puzzle with a million pieces, whom she hopes, through her words…

A debut that Neil Gaiman calls “Glorious. . . . So sharp, so focused and so human.” The Girl in the Road describes a future that is culturally lush and emotionally wrenching.

Monica Byrne bursts on to the literary scene with an extraordinary vision of the future. In a world where global power has shifted east and revolution is brewing, two women embark on vastly different journeys—each harrowing and urgent and wholly unexpected.

A debut that Neil Gaiman calls “Glorious. . . . So sharp, so focused and so human.” The Girl in the Road describes a future that is culturally lush and emotionally wrenching.…