Вручение 27 марта 2023 г.
Страна: Великобритания
Дата проведения: 27 марта 2023 г.
Художественная литература
Лауреат
Мишель де Крецер
0.0
A profoundly original exploration of racism, misogyny, and ageism—three monsters that plague the world—this novel from a beloved and prize-winning author is made up of two narratives, each told by a South Asian migrant to Australia.
"When my family emigrated it felt as if we'd been stood on our heads."
Michelle de Kretser's electrifying take on scary monsters turns the novel upside down—just as migration has upended her characters' lives.
Lili's family migrated to Australia from Asia when she was a teenager. Now, in the 1980s, she's teaching in the south of France. She makes friends, observes the treatment handed out to North African immigrants and is creeped out by her downstairs neighbour. All the while, Lili is striving to be A Bold, Intelligent Woman like Simone de Beauvoir.
Lyle works for a sinister government department in near-future Australia. An Asian migrant, he fears repatriation and embraces 'Australian values'. He's also preoccupied by his ambitious wife, his wayward children and his strong-minded elderly mother. Islam has been banned in the country, the air is smoky from a Permanent Fire Zone, and one pandemic has already run its course.
Three scary monsters—racism, misogyny and ageism—roam through this mesmerising novel. Its reversible format enacts the disorientation that migrants experience when changing countries changes the story of their lives. With this suspenseful, funny and profound book, Michelle de Kretser has made something thrilling and new.
"Which comes first, the future or the past?"
Новайолет Булавайо
4.2
From the award-winning author of the Booker-prize finalist We Need New Names, a blockbuster of a novel that chronicles the fall of an oppressive regime, and the chaotic, kinetic potential for real liberation that rises in its wake.
Glory centers around the unexpected fall of Old Horse, a long-serving leader of a fictional country, and the drama that follows for a rumbustious nation of animals on the path to true liberation. Inspired by the unexpected fall by coup, in November 2017, of Robert Mugabe, Zimbabwe's president of nearly four decades, Bulawayo's bold, vividly imagined novel shows a country imploding, narrated by a chorus of animal voices who unveil the ruthlessness and cold strategy required to uphold the illusion of absolute power, and the imagination and bullet-proof optimism to overthrow it completely.
As with her debut novel We Need New Names, Bulawayo's fierce voice and lucid imagery immerses us in the daily life of a traumatized nation, revealing the dazzling life force and irrepressible wit that lies barely concealed beneath the surface of seemingly bleak circumstances. At the center of this tumult is Destiny, who has returned to Jidada from exile to bear witness to revolution--and focus on the unofficial history and the potential legacy of the women who have quietly pulled the strings in this country.
The animal kingdom--its connection to our primal responses and resonance in the mythology, folktales, and fairytales that define cultures the world over--unmasks the surreality of contemporary global politics to help us understand our world more clearly, even as Bulwayo plucks us right out of it. Glory is a blockbuster, an exhilarating ride, and crystalizes a turning point in history with the texture and nuance that only the greatest of fiction can.
Sheila Heti
3.5
Pure Colour is a galaxy of a novel: explosive, celestially bright, huge, and streaked with beauty. It is a contemporary bible, an atlas of feeling, and an absurdly funny guide to the great (and terrible) things about being alive. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold.
Here we are, just living in the first draft of Creation, which was made by some great artist, who is now getting ready to tear it apart.
In this first draft of the world, a woman named Mira leaves home to study. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal―to what, she doesn’t know. When Mira is older, her beloved father dies, and his spirit passes into her. Together, they become a leaf on a tree. But photosynthesis gets boring, and being alive is a problem that cannot be solved, even by a leaf. Eventually, Mira must remember the human world she’s left behind, including Annie, and choose whether or not to return.
Дэйзи Хилдьярд
0.0
Emergency is a novel about the dissolving boundaries between all life on earth. Stuck at home alone under lockdown, a woman recounts her 1990s childhood in rural Yorkshire. She watches a kestrel hunting, helps a farmer with a renegade bull, and plays out with her best friend, Clare. Around her in the village her neighbours are arguing, keeping secrets, caring for one another, trying to hold down jobs. In the woods and quarry there are foxcubs fighting, plants competing for space, ageing machines, and a three-legged deer who likes cake. These local phenomena interconnect and spread out from China to Nicaragua as pesticides circulate, money flows around the planet, and bodies feel the force of distant power.
A story of remote violence and a work of praise for a persistently lively world, brilliantly written, surprising, evocative and unsettling, Daisy Hildyard's Emergency reinvents the pastoral novel for the climate change era.
Элизабет Страут
4.1
'It is a gift in this life that we do not know what awaits us'
In March 2020 Lucy's ex-husband William pleads with her to leave New York and escape to a coastal house he has rented in Maine. Lucy reluctantly agrees, leaving the washing-up in the sink, expecting to be back in a week or two. Weeks turn into months, and it's just Lucy, William, and their complex past together in a little house nestled against the sea.
Rich with empathy and a searing clarity, Lucy by the Sea evokes the fragility and uncertainty of the recent past, as well as the possibilities that those long, quiet days can inspire. At the heart of this miraculous novel are the deep human connections that sustain us, even as the world seems to be falling apart.
Документальная литература
Лауреат
Марго Джефферсон
0.0
Stunning for her daring originality, the author of Negroland gives us what she calls "a temperamental autobiography," comprised of visceral, intimate fragments that fuse criticism and memoir.
Margo Jefferson constructs a nervous system with pieces of different lengths and tone, conjoining arts writing (poem, song, performance) with life writing (history, psychology). The book's structure is determined by signal moments of her life, those that trouble her as well as those that thrill and restore. In this nervous system:
- The sounds of a black spinning disc of a 1950's jazz LP as intimate and instructive as a parent's voice.
- The muscles and movements of a ballerina, spliced with those of an Olympic runner: template for what a female body could be.
- Harriet Beecher Stowe's Topsy finds her way into the art of Kara Walker and the songs of C�cile McLorin Salvant.
- Bing Crosby and Ike Turner become alter egos.
- W.E.B. DuBois and George Eliot meet illicitly, as he appropriates lines from her story "The Hidden Veil" to write his famous "behind the veil" passages in The Souls of Black Folk.
- The words of multiple others (writers, singers, film characters, friends, family) act as prompts and as dialogue.
The fragments of this brilliant book, while not neglecting family, race, and class, are informed by a kind of aesthetic drive: longing, ecstasy, or even acute ambivalence. Constructing a nervous system is Jefferson's relentlessly galvanizing mis en scene for unconventional storytelling as well as a platform for unexpected dramatis personae.
Уилл Эшон
0.0
Between October 2018 and March 2021, Will Ashon collected voices - people talking about their lives, needs, dreams, loves, hopes and fears - all of them with some connection to the British Isles. He used a range of methods including letters sent to random addresses, hitchhiking, referrals from strangers and so on. He conducted the interviews in person, on the phone, over the internet or asked people to record themselves. Interview techniques ranged from asking people to tell him a secret to choosing an arbitrary question from a list.
The resulting testimonies tell the collective story of what it feels like to be alive in a particular time and place - here and now. The Passengers is a book about how we give shape to our lives, find meaning in the chaos, acknowledge the fragility of our existence while alleviating this anxiety with moments of beauty, love, humour and solidarity.
Эми Блум
3.8
This powerful memoir by New York Times bestselling author Amy Bloom is an illuminating story of two people whose love leads them to find a courageous way to part--and of a woman's struggle to go forward in the face of loss.
Amy Bloom began to notice changes in her husband, Brian: He retired early from a new job he loved; he withdrew from close friendships; he talked mostly about the past. Suddenly, it seemed there was a glass wall between them, and their long walks and talks stopped. Their world was altered forever when an MRI confirmed what they could no longer ignore: Brian had Alzheimer's disease.
Forced to confront the truth of the diagnosis and its impact on the future he had envisioned, Brian was determined to die on his feet, not live on his knees. Supporting each other in their last journey together, Brian and Amy made the unimaginably difficult and painful decision to go to Dignitas, an organization based in Switzerland that empowers a person to end their own life with dignity and peace.
In this heartbreaking and surprising memoir, Bloom sheds light on a part of life we so often shy away from discussing--its ending. Written in Bloom's captivating, insightful voice and with her trademark wit and candor, In Love is an unforgettable portrait of a beautiful marriage, and a boundary-defying love.
Джонатан Фридленд
0.0
In a book that is part thrilling adventure, part exploration of some of the darkest secrets of the Holocaust, award-winning journalist and best-selling novelist Jonathan Freedland uncovers the extraordinary story of the first Jew to break out of Auschwitz, a man who was determined to warn the world—and pass on a truth too few were willing to hear.
In April 1944, Rudolf Vrba became the first Jew to break out of Auschwitz—one of only four who ever pulled off that near-impossible feat. He did it to reveal the truth of the death camp to the world—and to warn the last Jews of Europe what fate awaited them at the end of the railway line. Against all odds, he and his fellow escapee, Fred Wetzler, climbed mountains, crossed rivers and narrowly missed German bullets until they had smuggled out the first full account of Auschwitz the world had ever seen—a forensically detailed report that would eventually reach Franklin Roosevelt, Winston Churchill and the Pope.
And yet too few heeded the warning that Vrba—then just nineteen years old—had risked everything to deliver. Some could not believe it. Others thought it easier to keep quiet. Vrba helped save 200,000 Jewish lives—but he never stopped believing it could have been so many more.
This is the story of a brilliant yet troubled man—a gifted “escape artist” who even as a teenager understand that the difference between truth and lies can be the difference between life and death, a man who deserves to take his place alongside Anne Frank, Oskar Schindler and Primo Levi as one of the handful of individuals whose stories define our understanding of the Holocaust.
Даррен МакГарви
0.0
If all the best people are in all the top jobs, then why is Britain such a fucking bin fire?
Britain is in a long-distance relationship with reality. A ravine cuts through it, partitioning the powerful from the powerless, the vocal from the voiceless, the fortunate from those too often forgotten. This distance dictates how we identify and relate to society's biggest issues - from homelessness and poverty to policing and overrun prisons - ultimately determining how, and whether, we strive to resolve them. So why, for generations, has a select group of people with very limited experience of social inequality been charged with discussing and debating it?
I've sat on cold pavements with beggars, asking them why they would rather wander the streets than live in supported accommodation. I've pleaded with alcoholics to give sobriety one last shot before they end up dead - and read their obituaries in the paper weeks later. I've sat with youth workers at their wits' end as diversionary services are cut amid a surge in gang and knife violence. Too many people remain so far from this nightmarish social reality that even when they would earnestly wish to bring about change, they don't know where to start. So start here.
Поэзия
Лауреат
Виктория Адуквей Булли
0.0
'In Quiet, Victoria Adukwei Bulley advances a poetics of balance. The poems collected in these pages mix a technically assured, sonically resonant, surface with a profoundly evocative, scrupulously integrated core. This book is a seismic event; its vibrations will be felt for a long time to come.' Kayo Chingonyi
Victoria Adukwei Bulley's debut collection, Quiet, circles around ideas of black interiority, intimacy and selfhood, playing at the the tensions between the impulse to guard one's 'inner life' and the knowledge that, as Audre Lorde writes, 'your silence will not protect you'. The poems teem with grace and dignity, are artful in their shapes, sharp in their intelligence, and possessing of a good ear, finely attuned to the sonics that fascinate and motivate the writing 'at the lower end of sound'.
