Новинки Стивена Грэма Джонса

The final installment in the most lauded trilogy in the history of horror novels picks up four years after Don’t Fear the Reaper as Jade returns to Proofrock, Idaho, to build a life after the years of sacrifice—only to find the Lake Witch is waiting for her in New York Times bestselling author Stephen Graham Jones’s finale. It’s been four years in prison since Jade Daniels last saw her hometown of Proofrock, Idaho, the day she took the fall, protecting her friend Letha and her family from incrimination. Since then, her reputation, and the town, have changed dramatically. There’s a lot of unfinished business in Proofrock, from serial…

У Джейд Дэниэлс нет матери, отец жесток, а окружающим на нее просто наплевать. Есть причина озлобиться на город Пруфрок и его жителей. И еще большая причина — погрузиться в собственный мир фантазий, источником которых являются фильмы ужасов… особенно те, в которых маньяк в маске мстит за причинённое зло. Джейд знает эти фильмы буквально наизусть, помнит все сценарные ходы, героев и историю создания каждого хоррора.

И она рассказывает причудливую историю родного города так, словно это сюжет одного из таких фильмов. И глубокие воды озера Индиан окрашиваются в цвет крови, и возникает маньяк-убийца. Джейд, словно живая энциклопедия убийц в масках и с мачете, бензопилами или ножами в руках, точно предсказывает развитие событий, словно творит их, оставаясь в душе испуганной маленькой девочкой, которая легко плачет, горячо любит и отчаянно хочет найти свой дом.

Они — «дворняги», оборотни-полукровки с Американского Юга. Каждый их день — отчаянная попытка выжить во враждебном мире, который их не понимает и боится. Десять лет нищеты и скитаний — нигде подолгу не задерживаясь и срываясь с места ночью, чтобы оставаться на шаг впереди закона. Довольно! Близится время, когда дядя Даррен и тетя Либби наконец узнают, похож ли на них племянник. Одной ли он с ними крови. Все вот-вот изменится.

December 12th, 2019, Jade returns to the rural lake town of Proofrock the same day as convicted Indigenous serial killer Dark Mill South escapes into town to complete his revenge killings, in this riveting sequel to My Heart Is a Chainsaw from New York Times bestselling author, Stephen Graham Jones.

Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho.

Dark Mill South’s Reunion Tour began on December 12th, 2019, a Thursday.

Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over.

Don’t Fear the Reaper is the page-turning sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones.

Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold. Yet, even as Jade drags us into…

Award-winning author Stephen Graham Jones returns with another chilling horror story, "Men, Women, and Chainsaws," a Tor.com Original.

It's been two years since Jenna's ex-boyfriend left her alone in East Texas heartbroken. Now he's back in town and she wants to payback. One night, she stumbles upon a bloodthirsty Camaro that may be the key to carrying out her revenge.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for

Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.

Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges… a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body.

My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

From New York Times bestselling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American Indian experience. Fans of Jordan Peele and Tommy Orange will love this story as it follows the lives of four American Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.

Четыре друга детства встречаются каждый год. Они устраивают охоту на оленя, чтобы забыть об этом до следующего года. Обычное дело, обычный трофей – так было всегда. До этого раза. Прошло десять лет. Что-то начинает преследовать этих забывших свое наследие людей. Свирепый мстительный дух приходит к каждому, к одному за другим. Природа мстит потерянному поколению, у которого и так нет ни шанса. Создана при участии департамента Аудиокнига (АСТ)

Четыре друга детства встречаются каждый год. Они устраивают охоту на оленя, чтобы забыть об этом до следующего года. Обычное дело, обычный трофей – так было всегда. До этого раза. Прошло десять лет. Что-то начинает преследовать этих забывших свое наследие людей. Свирепый мстительный дух приходит к каждому, к одному за другим. Природа мстит потерянному поколению, у которого и так нет ни шанса. Создана при участии департамента Аудиокнига (АСТ)

Четыре друга детства встречаются каждый год. Они устраивают охоту на оленя, чтобы забыть об этом до следующего года. Обычное дело, обычный трофей — так было всегда. До этого раза. Прошло десять лет. Что-то начинает преследовать этих забывших свое наследие людей. Свирепый мстительный дух приходит к каждому, к одному за другим. Природа мстит потерянному поколению, у которого и так нет ни шанса.

Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both?

The creeping horror of Paul Tremblay meets Tommy Orange’s There There in a dark novel of revenge, cultural identity, and the cost of breaking from tradition in this latest novel from the Jordan Peele of horror literature, Stephen Graham Jones.

Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way

Walking through his own house at night, a twelve-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save…

A spellbinding and darkly humorous coming-of-age story about an unusual boy, whose family lives on the fringe of society and struggles to survive in a hostile world that shuns and fears them. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle, or if he fits with the people on the other side of the tracks. For ten…

This collection of fifteen stories taps into the horrors and fears of the supernatural as well as the everyday. Included are two original stories, several rarities and out of print tales, as well as a few "best of the year" inclusions. Stephen Graham Jones is a master storyteller. What does happen after the people lights have gone off? Crack the spine and find out. With an introduction by Joe R. Lansdale. Stephen Graham Jones is the author of fifteen novels and five collections, and has some two hundred stories published. Stephen's been an NEA Fellow and has won the Texas Institute of Letters Award for Fiction and the Independent…

If you've never been inside a giant space lobster, well. I don't recommend it.

"Mixing doughnuts and the walking dead proves to be a deadly combination in Stephen Graham Jones' latest novel, Zombie Bake-Off, a slim volume of experimental fiction that wastes no time or word count on superfluous detail or arbitrary introspective riff-raff. Jones constructs a bare-bones horror tale by combining clever, offbeat humor with a familiar, yet unpredictable plot." -RUE MORGUE on "Zombie Bake-Off" by Stephen Graham Jones

"Much like the mad-but-brilliant scientists in this collection's titular story, Jones has created the tales here with experimental glee, yielding an astonishing assortment of mutated manuscripts. The investigational 'Let's see what happens' mentality at play in this collection means that the story about gigantic soul-storing moonshrimp will also be told by a dime store P.I. It means that elderly love and parenting are monster-mashed to deeper meaning. It means Kafka goes corporate inspector, basset hounds get sexy, and the aliens are popping up everywhere. It means you'll get your Raymond Carver via dog food therapy and the Please-Let-It-Just-Fucking-Die world of zombie fiction gets repurposed twice in beautifully heart-rending ways. And yeah, there are hamsters. I'll just say it-Jones went off the deep end this time. But it's thrilling to watch an artist dive into their mind's Marianas Trench and return with exploding oceanic oddities-Coltrane going from devilish smooth to full-stellar squonk, Aphex Twin going from ambient pharmacist to robot brain-masher. And here: Intrepid Writer Stephen Graham Jones going from the assured, human horror of earlier collection THE ONES THAT GOT AWAY to the outstanding aberrations of ZOMBIE SHARKS WITH METAL TEETH."

-From the introduction by Jeremy Robert Johnson, author of "We Live Inside You"

You haven't heard of William Colton Hughes. Or, if you have, then you're not telling anybody. Not telling them anything, ever. He's not the serial killer on the news, in the textbooks. He's the one out there still punching his card, and a few other people's too. He is a nightmare come to life, waiting in his apartment for you to knock on his door. William Colton Hughes is living his fantasy: his victims are delivered to his apartment every few days. But when he's suddenly alone, no visitors, nobody to talk to but himself, he begins to lose what little of his mind he has left. Has his benefactor, his employer, been his prison warden all along? His apartment complex a hospital? Is he going to have to go back to heaving dark plastic bags into dumpsters when nobody's looking? Or will Dashboard Mary, a mysterious woman hell-bent on revenge, get to him first? This is William Colton Hughes. Come and knock on his door.

"The Last Final Girl is like Quentin Tarantino's take on The Cabin in the Woods. Bloody, absurd, and smart. Plus, there's a killer in a Michael Jackson mask." - Carlton Mellick III, author of Apeshit Life in a slasher film is easy. You just have to know when to die. Aerial View: A suburban town in Texas. Everyone's got an automatic garage door opener. All the kids jump off a perilous cliff into a shallow river as a rite of passage. The sheriff is a local celebrity. You know this town. You're from this town. Zoom In: Homecoming princess, Lindsay. She's just barely escaped death at the hands of a brutal, sadistic murderer in a…

There are borders and then there are borders. Between right and wrong. Between Texas and Mexico. The first is a joke to Dodd Raines, the second a payday. Then there's the borders he's made. Between himself and his estranged daughter, the border patrol agent. Between himself and his one-time employers. And there's another border, one he cares about even less than the Rio Grande: the border between life and death. Used to, the shadow Dodd Raines cast when he stood dripping from that water - it was the shadow of a fugitive. But now that fugitive's coming home, and the shadow he's casting? It's got rabbit ears. Listen, you can hear the chupacabras padding along beside him - their new master. He's that big guy in the hood, slouching out by the gas pumps. Walking north, for justice. Austin's never seen anything like Dodd Raines, and never will again. Get ready.