Monica Arnaldo0.0 Laugh-out-loud humor and a tender friendship blossom in author-illustrator Monica Arnaldo’s charming US picture book debut about a lonely raccoon, a curious seed, and the world’s most important question: Can the seed grow cheeseburgers?
Grub is a lonely racoon. Rumbling in the trash. Looking for food.
Seed is, well, a seed! Patiently waiting in the trash. Hoping someone will plant it.
When the two finally meet, they realize they might be able to help each other! Grub has just one big question first: What will Seed grow? Could Seed grow Grub’s favorite food, mouthwatering cheeseburgers? Seed isn’t sure what a cheeseburger is exactly, but . . . maybe!
And so begins a hilarious friendship following two unlikely strangers learning more about the other and discovering the pressure that comes with fulfilling expectations. Author-illustrator Monica Arnaldo will leave readers giggling and clamoring for more in this charming story that celebrates the unexpected—and how the most special friendships bloom only when we are unapologetically ourselves.
Джоанна Хо3.0 A young Asian girl notices that her eyes look different from her peers'. They have big, round eyes and long lashes. She realizes that her eyes are like her mother’s, her grandmother's, and her little sister's. They have eyes that kiss in the corners and glow like warm tea, crinkle into crescent moons, and are filled with stories of the past and hope for the future.
Drawing from the strength of these powerful women in her life, she recognizes her own beauty and discovers a path to self love and empowerment.
Кэрри Финисон0.0 A fun picture book to encourage conversations with children about consent and setting boundaries.
Meet Doug.
Doug doesn't like hugs. He thinks they're too squeezy, too squashy, too squooshy, too smooshy. However, Doug is a master of high fives (and low fives and side fives).
Some people like hugs, other people don't. The only way to find out is to ask!
Мэтт де ла Пенья0.0 Milo is on a long subway ride with his older sister. To pass the time, he studies the faces around him and makes pictures of their lives. There's the whiskered man with the crossword puzzle; Milo imagines him playing solitaire in a cluttered apartment full of pets. There's the wedding-dressed woman with a little dog peeking out of her handbag; Milo imagines her in a grand cathedral ceremony. And then there's the boy in the suit with the bright white sneakers; Milo imagines him arriving home to a castle with a drawbridge and a butler. But when the boy in the suit gets off on the same stop as Milo--walking the same path, going to the exact same place--Milo realizes that you can't really know anyone just by looking at them.
