Вручение 24 июня 2017 г. — стр. 5

Также премию получили в номинациях:
Публицистика - Кэмерон Хёрли "The Geek Feminist Revolution"
Редактор - Эллен Датлоу
Ellen Datlow
Журнал - Tor.com
Издательство- Tor Books
Художник - Джулия Диллон

Страна: США Место проведения: Сиэтл, штат Вашингтон Дата проведения: 24 июня 2017 г.

Книга об искусстве

0.0
The best-selling Spectrum series continues with this twenty-third lavishly produced annual. Challenging, controversial, educational, and irreverent, the award-winning Spectrum series reinforces both the importance and prevalence of fantastic art in today’s culture. With exceptional images by extraordinary creators, this elegant full-color collection showcases an international cadre of creators working in every style and medium, both traditional and digital. The best artists from the United States, Europe, China, Australia, South America and beyond have gathered into the only annual devoted exclusively to works of fantasy, horror, science fiction, and the surreal, making Spectrum one of the year’s highly most anticipated books.

Featured in Spectrum 23 are over 300 diverse visionaries. With art from books, graphic novels, video games, films, galleries, advertising and the fine arts, Spectrum is both an electrifying art book for fans and an invaluable resource for clients looking for bright new talent. The entire field is discussed in an invaluable, found-nowhere-else Year In Review. Contact information for each artist is included.

Often imitated, never equaled, Spectrum 23 continues the freshness and excellence that was established over twenty years ago.
Shaun Tan 4.2
Artist Shaun Tan is world renowned for his singular vision and storytelling abilities. This art book showcases his sculptural talent, applied here to fairy tales from the Brothers Grimm. Tan captures the essence of these tales as he brings traitorous brothers, lonely princesses, cunning foxes, honourable peasants and ruthless witches to life in surprising – and illuminating – ways. Introduced by author Neil Gaiman and fairy-tale scholar Jack Zipes, The Singing Bones is a feast for the eyes, a profound, powerful celebration of the world's most beloved stories.
Mahlon F. Craft, Kinuko Y. Craft 0.0

Номинирована только Кинуко Крафт.

Award-winning team Mahlon and Kinuko Craft bring us a gorgeous and vivid retelling of the classic story of Beauty and the Beast in this stunningly illustrated picture book.

The tale is as old as time: A man steals a rose from the garden of a beast. His beautiful daughter sacrifices herself to a life in the beast’s castle to protect her father. The beast and the girl fall in love and live happily ever after…

This beloved tale is captured with lyrical prose and lavish illustration. In the spirit of the Crafts’ previous collaborations, their acclaimed fairy-tale retellings of Cinderella and Sleeping Beauty, this timeless tale is brought to life with sumptuous paintings and ornamental detail in this lush picture book to be cherished at story time again and again.
Ron Miller 0.0
How have actual spaceships influenced the design of fictional ones like the Millenium Falcon and the Starship Enterprise? Did a fiction series in Collier's magazine really inspire us to create real-life space stations like Mir and the ISS? How have our depictions of space travel developed as the reality of space travel changed? In his new book Spaceships: An Illustrated History of the Real and the Imagined, Ron Miller shows that when it comes to manned spacecraft, art actually does imitate life and, even more bizarrely, life imitates art. In fact, astronautics owes its origins to art. Long before engineers and scientists took the possibility of spaceflight seriously, virtually all of its aspects had been explored in art and literature. Miller takes readers on a visual journey through the history of the spaceship both in our collective imagination and in reality. The vivid illustrations trace the spaceship through its conception, engineering, and building, from the practical origins of spaceflight in the wartime V-2 rocket to future Mars programs. They also chart, in exquisite detail, the ubiquity of spaceships in the golden age of space travel (1950s and '60s) plus their broad influence in popular art, television, film, and literature. Spaceships reminds us of the romance of manned space travel as it has been, as we imagined it could be, and as it may be in the future.
Ralph McQuarrie 0.0
Ralph McQuarrie is the most iconic artist in the history of Star Wars. He worked hand-in-hand with George Lucas to help establish the saga’s visual aesthetic, its inimitable look and feel. Beyond designing Darth Vader, C-3PO, and R2-D2, McQuarrie produced hundreds of pieces of Star Wars artwork, including conceptual paintings, costume designs, storyboards, and matte paintings, as well as posters, book covers, and album covers—even Lucasfilm’s annual holiday cards—all rescanned and rephotographed for this book. In Star Wars Art: Ralph McQuarrie, readers will find the most definitive collection of the artist’s Star Wars work ever assembled, including hundreds of never-before-seen illustrations. Rare unpublished interviews, as well as recollections from McQuarrie’s colleagues and friends, complement and contextualize the art. Star Wars Art: Ralph McQuarrie is a comprehensive tribute to cinema’s most beloved and influential concept artist.
Ёситака Амано 0.0
Since beginning his career at age fifteen with the legendary animation studio Tatsunoko Production, Yoshitaka Amano has become one of the most acclaimed artists and illustrators at work today. Displaying a rare range, his oeuvre encompasses everything from minutely observed still-life sketches to full-color paintings on an epic scale, from children’s storybooks to dark adult fantasy, from theatrical productions to video games to sculpture to commercial design.

Yoshitaka Amano: Illustrations offers a concise survey of this remarkable artist’s career to date. It includes selected full-color pieces for series such as Final Fantasy, Vampire Hunter D and Gatchaman (Battle of the Planets), as well as for Amano’s own creations like Hero and N.Y. Salad. Packed with sketches, commentary, and interviews, this beautiful volume opens a window into the world of Amano.
Stephanie Law 0.0
In this breathtaking collection of her most recent work, the artist's paintbrushes trace the boundary between dream and reality. She delves into a pictoral language of allegory, chases tiny worlds of wonder from an insect's viewpoint, and highlights the incredible beauty of growth and decay found in natures.
Kinuko Y. Craft 0.0
Immerse yourself in the enchanted fantasy world of Kinuko Y. Craft, celebrated contemporary illustrator, painter, and storyteller. Transcend time and space as you color to life these gorgeous illustrations of goddessess, angels, fairies, princesses, heroes, and mythological creatures. Craft's vast body of work includes award-winning illustrated books of classic fairy tales and cover art for fantasy novels.
0.0
Step inside the world of the talented art departments who, led by Academy Award®-winning production designer Stuart Craig, were responsible for the creation of the unforgettable characters, locations and beasts in J.K. Rowling’s Fantastic Beasts and Where to Find Them.

The Art of the Film, edited by concept artist Dermot Power, takes you on a magical journey through a design process every bit as wonderful as Newt Scamander’s adventure in the wizarding world.

Bursting with hundreds of production paintings, concept sketches, storyboards, and matte paintings, and filled with unique insights about the filmmaking journey from Stuart Craig and the artists themselves, this sumptuous volume presents a visual feast for readers, and welcomes fans of the Harry Potter films into the world of Fantastic Beasts and Where to Find Them.

Публицистика

Лауреат
Kameron Hurley 4.5
A powerful collection of essays on feminism, geek culture, and a writer’s journey, from one of the most important new voices in genre. The Geek Feminist Revolution is a collection of essays by double Hugo Award-winning essayist and science fiction and fantasy novelist Kameron Hurley. The book collects dozens of Hurley’s essays on feminism, geek culture, and her experiences and insights as a genre writer, including “We Have Always Fought,” which won the 2014 Hugo for Best Related Work. The Geek Feminist Revolution will also feature several entirely new essays written specifically for this volume. Unapologetically outspoken, Hurley has contributed essays to The Atlantic, Locus, Tor.com, and elsewhere on the rise of women in genre, her passion for SF/F, and the diversification of publishing. (less)
Ursula K. Le Guin 4.0
Praise for Ursula K. Le Guin:

"I read her nonstop growing up and read her still. What makes her so extraordinary for me is that her commitment to the consequences of our actions, of our all too human frailties, is unflinching and almost without precedent for a writer of such human optimism."—Junot Diaz

"A lot of her work is about telling stories, and what it means to tell stories, and what stories look like. She's been extremely influential on me in that area of what I, as a beginning writer, thought a story must look like, and the much more expan-sive view I have now of what a story can be and can do."—Karen Joy Fowler

"She was and remains a central figure for me."—Michael Chabon

Ursula K. Le Guin is one of our foremost public literary intellectuals and this collection of her recent talks, essays, introductions, and book reviews is the best manual we have for traveling the worlds explored in recent fiction; the most useful guide to the country we're visiting, life.

Ursula K. Le Guin was born in Berkeley, California, in 1929. Among her honors are the National Book Foundation's Medal for Distinguished Contribution to American Letters, a National Book Award, the Hugo, Nebula, and Kafka awards, a Pushcart Prize, and the Harold D. Vursell Me-morial Award from the American Academy of Arts and Letters. She lives in Portland, Ore-gon.
Нил Гейман 4.3
Перед вами увлекательный сборник очерков и статей на самые разные темы — от искусства и его творцов до сновидений, мифов и воспоминаний — от Нила Геймана, автора множества книг, лидирующих в списке бестселлеров «Нью-Йорк Таймс». Гейман сочетает легкость слога с искренностью и глубиной. Стиль его узнаваем — и отличает не только его художественные произведения, но и публицистику.

Любознательный наблюдатель, вдумчивый комментатор, усердный труженик и мастер своего дела, Нил Гейман уже не первый десяток лет известен в мире литературы как писатель-интеллектуал, одаренный яркой фантазией, и его лучшие художественные книги отмечены всеми этими достоинствами. Но вот, наконец, у читателей появилась возможность познакомиться с лучшими его публицистическими работами, впервые собранными под одной обложкой в книге «Вид с дешевых мест».

Перед вами более шестидесяти очерков, предисловий и речей Нила Геймана — серьезных и в то же время шутливых, выдающих богатую эрудицию, написанных доступно и просто. Спектр интересов и проблем, затронутых в этом сборнике, необыкновенно широк: среди прочего, Гейман рассказывает о своих современниках и предшественниках в области литературы, о музыке, об искусстве сочинителя книг, о комиксах и книжных магазинах, о путешествиях и волшебных сказках, об Америке, о вдохновении, библиотеках и призраках, а в очерке, давшем название всему сборнику, трогательно и подчас самокритично делится своими воспоминаниями о церемонии вручения «Оскара» в 2010 году.

Проницательные и остроумные, мудрые и неизменно содержательные, все эти статьи и заметки посвящены темам и вопросам, которые Нил Гейман считает особенно важными. «Вид с дешевых мест» — это возможность заглянуть в мысли и сердце одного из самых известных, признанных и влиятельных писателей нашего времени.
Руфь Франклин 4.7
Still known to millions primarily as the author of the The Lottery, Shirley Jackson (1916–1965) has been curiously absent from the mainstream American literary canon. A genius of literary suspense and psychological horror, Jackson plumbed the cultural anxiety of postwar America more deeply than anyone. Now, biographer Ruth Franklin reveals the tumultuous life and inner darkness of the author of such classics as The Haunting of Hill House and We Have Always Lived in the Castle.

Placing Jackson within an American Gothic tradition that stretches back to Hawthorne and Poe, Franklin demonstrates how her unique contribution to this genre came from her focus on "domestic horror." Almost two decades before The Feminine Mystique ignited the women’s movement, Jackson’ stories and nonfiction chronicles were already exploring the exploitation and the desperate isolation of women, particularly married women, in American society. Franklin’s portrait of Jackson gives us “a way of reading Jackson and her work that threads her into the weave of the world of words, as a writer and as a woman, rather than excludes her as an anomaly” (Neil Gaiman).

The increasingly prescient Jackson emerges as a ferociously talented, determined, and prodigiously creative writer in a time when it was unusual for a woman to have both a family and a profession. A mother of four and the wife of the prominent New Yorker critic and academic Stanley Edgar Hyman, Jackson lived a seemingly bucolic life in the New England town of North Bennington, Vermont. Yet, much like her stories, which channeled the occult while exploring the claustrophobia of marriage and motherhood, Jackson’s creative ascent was haunted by a darker side. As her career progressed, her marriage became more tenuous, her anxiety mounted, and she became addicted to amphetamines and tranquilizers. In sobering detail, Franklin insightfully examines the effects of Jackson’s California upbringing, in the shadow of a hypercritical mother, on her relationship with her husband, juxtaposing Hyman’s infidelities, domineering behavior, and professional jealousy with his unerring admiration for Jackson’s fiction, which he was convinced was among the most brilliant he had ever encountered.

Based on a wealth of previously undiscovered correspondence and dozens of new interviews, Shirley Jackson—an exploration of astonishing talent shaped by a damaging childhood and turbulent marriage—becomes the definitive biography of a generational avatar and an American literary giant.
Gerry Canavan 0.0
I began writing about power because I had so little, Octavia E. Butler once said. Butler's life as an African American woman--an alien in American society and among science fiction writers--informed the powerful works that earned her an ardent readership and acclaim both inside and outside science fiction. Gerry Canavan offers a critical and holistic consideration of Butler's career. Drawing on Butler's personal papers, Canavan tracks the false starts, abandoned drafts, tireless rewrites, and real-life obstacles that fed Butler's frustrations and launched her triumphs. Canavan departs from other studies to approach Butler first and foremost as a science fiction writer working within, responding to, and reacting against the genre's particular canon. The result is an illuminating study of how an essential SF figure shaped themes, unconventional ideas, and an unflagging creative urge into brilliant works of fiction.
Джеймс Глик 3.6
Исследование идеи о путешествиях во времени: парадоксы, наука, отражение этого феномена в культуре — от Уэллса и Пруста до Борхеса и Вуди Аллена — и его влияние на наше восприятие времени в целом. Джеймс Глик всесторонне исследует концепцию четвертого измерения и путешествий во времени: как она возникла, как развивалась — в литературе и науке — и как повлияла на восприятие времени в целом. Он показывает, что эта идея прочно вошла в современную культуру и присутствует и в современной физике, и в художественной литературе. История путешествий во времени начинается с конца 19-го века, когда Герберт Уэллс пишет свой первый роман — «Машина времени». Это было время, когда многие технологические и научные прорывы — от парового двигателя и телеграфа до раскопок древних цивилизаций — меняли наше восприятие времени. Джеймс Глик описывает всю историю этого загадочного, интересного и полного парадоксов явления с того момента и до наших времен, рассказывая о разнице между фантастическими вымыслами и современной наукой.
Alvaro Zinos-Amaro 0.0
In addition to exploring Silverberg's career, now in its sixth decade, this collection of transcribed conversations delves into aspects of Silverberg's life-such as his extensive travel, passion for film, opera and classical music-not covered elsewhere. A decade-and-a-half-long friendship, and working together on When the Blue Shift Comes, afforded Alvaro the opportunity to speak at length with Silverberg. The result: a remarkably candid series of conversations that will be of interest to science fiction readers and anyone curious about the writing life.
Майк Эшли 0.0
Mike Ashley's acclaimed history of science-fiction magazines comes to the 1980s with Science-Fiction Rebels: The Story of the Science Fiction Magazines from 1981 to 1990. This volume charts a significant revolution throughout science fiction, much of which was driven by the alternative press, and by new editors at the leading magazines. The period saw the emergence of the cyberpunk movement, and the drive for, what David Hartwell called, 'The Hard SF Renaissance', which was driven from within Britain. Ashley plots the rise of many new authors in both strands: William Gibson, John Shirley, Bruce Sterling, John Kessel, Pat Cadigan, Rudy Rucker in cyberpunk, and Stephen Baxter, Alistair Reynolds, Peter Hamilton, Neal Asher, Robert Reed, in hard sf. He also shows how the alternative magazines looked to support each other through alliances, which allowed them to share and develop ideas as science-fiction evolved.
Adam Roberts 0.0
Thorough revision and expansion of the first edition, tracing the development of the genre from Ancient Greece and the European Reformation through to the end of the 20th century, with a new chapter discussing 21st-century science fiction and new material in every chapter.
André M. Carrington 0.0
In Speculative Blackness, André M. Carrington analyzes the highly racialized genre of speculative fiction—including science fiction, fantasy, and utopian works, along with their fan cultures—to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination.

Carrington’s argument about authorship, fandom, and race in a genre that has been both marginalized and celebrated offers a black perspective on iconic works of science fiction. He examines the career of actor Nichelle Nichols, who portrayed the character Uhura in the original Star Trek television series and later became a recruiter for NASA, and the spin-off series Star Trek: Deep Space Nine, set on a space station commanded by a black captain. He recovers a pivotal but overlooked moment in 1950s science fiction fandom in which readers and writers of fanzines confronted issues of race by dealing with a fictitious black fan writer and questioning the relevance of race to his ostensible contributions to the 'zines. Carrington mines the productions of Marvel comics and the black-owned comics publisher Milestone Media, particularly the representations of black sexuality in its flagship title, Icon. He also interrogates online fan fiction about black British women in Buffy the Vampire Slayer and the Harry Potter series.

Throughout this nuanced analysis, Carrington theorizes the relationship between race and genre in cultural production, revealing new understandings of the significance of blackness in twentieth-century American literature and culture.
1 2 3 4 5