Фил Бейкер — новинки

"I dreamed I was paying a visit to London," Aleister Crowley wrote in Italy, continuing, "It was a vivid, long, coherent, detailed affair of several days, with so much incident that it would make a good-sized volume." Crowley had a love-hate relationship with London, but the city was where he spent much of his adult life, and it was the capital of the culture that created him: Crowley was a post-decadent with deviant Victorian roots in the cultural ferment of the 1890s and the magical revival of the Golden Dawn.

Not a walking guide, although many routes could be pieced together from its pages, this is a biography by sites. A fusion of life-writing with psychogeography, steeped in London's social history from Victoria to the Blitz, it draws extensively on unpublished material and offers an exceptionally intimate picture of the Great Beast. We follow Crowley as he searches for prostitutes in Hyde Park and Pimlico, drinks absinthe and eats Chinese food in Soho, and find himself down on his luck in Paddington Green--and never quite losing sight of the illumination that drove him: "the abiding rapture," he wrote in his diary, "which makes a 'bus in the street sound like an angel choir!"

Дорогие друзья. Мы рады представить вам проект, который готовился несколько лет.
Остин Осман Спеар. Богемный художник лондонских трущоб начала века. Основоположник магии хаоса и метода создания сигил. Неудавшийся ученик Кроули и близкий друг Кеннета Гранта.
Остин Осман Спеар. Человек-история, Человек Легенда.
В двух томах "Триумф Зос Киа" мы собрали все доступные материалы, связанные со Спеаром. Это и все его работы, сопровождающиеся его картинами и гравюрами. Это и полная биография Спеара - от первых шагов в мире искусства и магии до последнего вздоха. Это и поздние магические комментарии на произведения Спеара, поясняющие и расширяющие его метод Хаос Магии.
Со Спеара начинается новая магия. Магия без закона, магия хаоса, магия эпохи постмодерна. И если мы хотим понять эту причудливую магию, начинать нужно с ее прародителя.

Austin Osman Spare is the definitive biography of the controversial occultist and artist, an enfant terrible of the Edwardian art world whose work was both hailed as genius and decried as immoral decadence. As George Bernard Shaw reportedly said, "Spare's medicine is too strong for the average man." Trained as a draughtsman, Spare enjoyed early acclaim when, at the age of seventeen, his work was shown at the Royal Academy in London. But his star soon declined; Spare went underground, falling out of the gallery system to live in poverty and obscurity. After a brief association with Aleister Crowley, he became absorbed in occultism and sorcery, voyaging into inner dimensions, while developing his own magical philosophy of pleasure, obsession, and the subjective nature of reality. All the while, Spare continued to produce extraordinary art, and held his exhibitions outside of the conventional art world, in London pubs. Today Spare is both forgotten and famous, a cult figure whose modest life has been much mythologised since his death; the world's largest Spare collection is held by Jimmy Page of Led Zeppelin. Biographer Phil Baker separates fact from myth, providing wide-ranging insights into Spare's art and mind, reconnecting him with the art community that ignored him and exploring the rich tapestry of the culture that surrounded him, interweaving the birth of psychoanalysis, the historiography of the occult, and the British class system. This richly readable and illuminating biography, containing 50 black and white and 8 color photographs of Spare's art, takes us deep into the strange inner world of this enigmatic artist.

One of the giants of popular fiction, with total sales of around fifty million books, Dennis Wheatley held twentieth-century Britain spellbound. His Black Magic novels like The Devil Rides Out created an oddly seductive and luxurious vision of Satanism, but in reality he was as interested in politics as occultism. Wheatley was closely involved with the secret intelligence community, and this powerfully researched study shows just how directly this drove his work, from his unlikely warnings about the menace of Satanic Trade Unionism to his role in a British scheme to engineer a revival of Islam. Drawing on a wealth of unpublished material, Phil Baker examines Wheatley’s key friendship with a fraudster named Eric Gordon Tombe, and uncovers the full story of his sensational 1922 murder. Baker also explores Wheatley’s relationships with occult figures such as Rollo Ahmed, Aleister Crowley, and the Reverend Montague Summers, the shady priest and demonologist who inspired the memorably evil character of Canon Copely-Syle, in To The Devil – A Daughter.

London has harboured many curious characters, but few more curious than the artist and visionary Austin Osman Spare (1886-1956). A controversial enfant terrible of the Edwardian art world, the young Spare was hailed as a genius and a new Aubrey Beardsley, while George Bernard Shaw reportedly said "Spare's medicine is too strong for the average man." But Spare was never made for worldly success and he went underground, falling out of the gallery system to live in poverty and obscurity south of the river. Absorbed in occultism and sorcery, voyaging into inner dimensions and surrounding himself with cats and familiar spirits, he continued to produce extraordinary art while developing a magical philosophy of pleasure, obsession, and the subjective nature of reality. Today Spare is both forgotten and famous, a cult figure whose modest life has been much mythologised since his death. This groundbreaking biographical study offers wide-ranging insights into Spare's art, mind and world, reconnecting him with the art history that ignored him and exploring his parallel London; a bygone place of pub pianists, wealthy alchemists and monstrous owls. "...an elegant and comprehensive biography... [Baker's] deep sympathy for his subject is nicely balanced by his scepticism towards some of Spare's sources of esoteric thought. There is a wealth of detail here ... A stunning tribute to an unjustly neglected artist." - Noel Rooney, Fortean Times 'I cannot recommend Austin Osman Spare too highly. Phil Baker has done a wonderful job of bringing the complexities and contradictions of Spare's life to the fore, and in making the London of Spare's time come to life vividly and richly. Hopefully this book will encourage a reassessment of Spare which is long overdue' - Phil Hine

Книга известного английского культуролога Фила Бейкера рассказывает удивительную историю абсента от времен Древней Греции и Рима до наших дней. Запрещенный в XIX веке сначала в Швейцарии, а затем и во Франции, где он пережил свою золотую эпоху (с ним связаны имена А. де Мюссе, Ш.Бодлера, П.Верлена, А.Рембо, А.Тулуз-Лотрека, В.Ван Гога и других знаменитых поэтов и художников), этот алкогольный напиток был объявлен едва ли не главной причиной всеобщего упадка нравов. Что такое абсент и чем он выделяется среди прочих напитков? Почему вызывал такой ужас и обладал такой притягательностью? Об этом и о многом другом читатель узнает из этой увлекательной и познавательной книги, многие главы которой читаются как детектив.

Книга известного английского культуролога Фила Бейкера рассказывает удивительную историю абсента от времен Древней Греции и Рима до наших дней. Запрещенный в XIX веке сначала в Швейцарии, а затем и во Франции, где он пережил свою золотую эпоху (с ним связаны имена А.де Мюссе, Ш.Бодлера, П.Верлена, А.Рембо, А.Тулуз-Лотрека, В.Ван Гога и других знаменитых поэтов и…

La Fee Verte (or "The Green Fairy") has intoxicated artists, poets, and writers ever since the late eighteenth century. Stories abound of absinthe's druglike sensations of mood lift and inspiration due to the presence of wormwood, its infamous "special" ingredient, which ultimately leads to delirium, homicidal mania, and death. Opening with the sensational 1905 Absinthe Murders, Phil Baker offers a cultural history of absinthe, from its modest origins as an herbal tonic through its luxuriantly morbid heyday in the late nineteenth century. Chronicling a fascinatingly lurid cast of historical characters who often died young, the absinthe scrapbook includes Paul Verlaine, Arthur Rimbaud, Charles Baudelaire, Oscar Wilde, Ernest Dowson, Aleister Crowley, Arthur Machen, August Strindberg, Alfred Jarry, Vincent van Gogh, Henri de Toulouse-Lautrec, Alphonse Allais, Ernest Hemingway, and Pablo Picasso. Along with discussing the rituals and modus operandi of absinthe drinking, Baker reveals the recently discovered pharmacology of how real absinthe actually works on the nervous system, and he tests the various real and fake absinthe products that are available overseas. The Book of Absinthe is a witty, erudite primer to the world's most notorious drink.

This is the first full length study to consider Beckett's informed but deeply ambivalent engagement with the terrain of psychoanalysis. Taking psychoanalysis as a historically-specific construct, not as a privileged source of truth, Phil Baker shows the extent to which psychoanalytic ideas are present in Beckett's work at a fully literary and aesthetic level. The focus is mainly on the prose, including lesser known early work. There are notable new readings within Molloy and Ill Seen Ill Said, and the fullest reading to date of the Four Novellas. It is also a significant contribution to understanding the gendered nature of Beckett's writing.