Новинки Сандры Сиснерос

A brave new collection of poems from Sandra Cisneros, the best-selling author of The House on Mango Street.

It has been twenty-eight years since Sandra Cisneros published a book of poetry. With dozens of never-before-seen poems, Woman Without Shame is a moving collection of songs, elegies, and declarations that chronicle her pilgrimage toward rebirth and the recognition of her prerogative as a woman artist. These bluntly honest and often humorous meditations on memory, desire, and the essential nature of love blaze a path toward self-awareness. For Cisneros, Woman Without Shame is the culmination of her search for home--in the Mexico of her ancestors and in her own heart.

Каждое лето большая семья Лалы Рейес отправляется в долгожданное путешествие из Чикаго в Мехико – в дом Маленького Дедули и Ужасной Бабули. Лала с интересом наблюдает за отношениями родных, часто по-детски приукрашивает события и выдумывает небылицы. Девочка изо всех сил хочет понять, как устроен ее мир, пытается выяснить причины, по которым Ужасная Бабуля стала…

Что делает нас такими, какие мы есть? Окружение? Но если оно тебе совсем не нравится, можно ли из него вырваться? Что для этого требуется? Чикаго, бедный иммигрантский район, конец ХХ века. Эсперанса стыдится дома на Манговой улице, в котором живет со своей огромной шумной семьей, она мечтает скорее вырасти, сбежать из родного города и стать писательницей.…

Sandra Cisneros has a fondness for animals and this little gem of a story makes that abundantly clear. “La casa azul,” the cobalt blue residence of Mister and Missus Rivera, overflows with hairless dogs, monkeys, a fawn, a “passionate” Guacamaya macaw, tarantulas, an iguana, and rescues that resemble “ancient Olmec pottery.” Missus loves the rescues most “because their eyes were filled with grief.” She takes lavish care of her husband too, a famous artist, though her neighbors insist he has eyes for other women: “He’s spoiled.” “He’s a fat toad.” She cannot reject him. “…because love is like that. No matter how much it bites, we enjoy and admire the scars.” Thus, the generous creatures pawing her belly, sleeping on her pillow, and “kneeling outside her door like the adoring Magi before the just-born Christ.” This beautiful chapbook is bi-lingual and contains several illustrations―line drawings by Cisneros herself.

Winner of the PEN Center USA Literary Award for Creative Nonfiction

From Chicago to Mexico, the places Sandra Cisneros has lived have provided inspiration for her now-classic works of fiction and poetry. But a house of her own, a place where she could truly take root, has eluded her.

In this jigsaw autobiography, made up of essays and images spanning three decades-and including never-before-published work-Cisneros has come home at last. Written with her trademark lyricism, in these signature pieces the acclaimed author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature shares her transformative memories and reveals her artistic and intellectual influences. Poignant, honest, and deeply moving, A House of My Own is an exuberant celebration of a life lived to the fullest, from one of our most beloved writers.

In this beautiful collection of poems, remarkable for their plainspoken radiance, the bestselling author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature embraces her first passion-verse.

With lines both comic and sad, Sandra Cisneros deftly-and dazzlingly-explores the human experience. For those familiar with Cisneros only from her acclaimed fiction, My Wicked Wicked Ways presents her in an entirely new light. And for readers everywhere, here is a showcase of one of our most powerful writers at her lyrical best.

The internationally acclaimed author of The House on Mango Street gives us a deeply moving tale of loss, grief, and healing: a lyrically told, richly illustrated fable for grown-ups about a woman’s search for a cat who goes missing in the wake of her mother’s death.

The word “orphan” might not seem to apply to a fifty-three-year-old woman. Yet this is exactly how Sandra feels as she finds herself motherless, alone like “a glove left behind at the bus station.” What just might save her is her search for someone else gone missing: Marie, the black-and-white cat of her friend, Roz, who ran off the day they arrived from Tacoma. As Sandra and Roz scour the streets of San Antonio, posting flyers and asking everywhere, “Have you seen Marie?” the pursuit of this one small creature takes on unexpected urgency and meaning. With full-color illustrations that bring this transformative quest to vivid life, Have You Seen Marie? showcases a beloved author’s storytelling magic, in a tale that reminds us how love, even when it goes astray, does not stay lost forever.

Told in a series of vibrant vignettes, The House on Mango Street is the story of Esperanza Cordera, a young girl growing up in the Hispanic quarter of Chicago. For Esperanza, Mango Street is a desolate landscape of concrete and run-down tenements where she discovers the hard realities of life - the fetters of class and gender, the spectre of racial enmity and the mysteries of sexuality. Capturing her thoughts and emotions in poems and stories, Esperanza is able to rise above hopelessness and create for herself "a house all of my own quiet as snow, a space for myself to go" in the midst of her oppressive surroundings.

Book DescriptionVintage Readers are a perfect introduction to some of the great modern writers presented in attractive, accessible paperback editions. “Sandra Cisneros knows both that the heart can be broken and that it can rise and

Every year, Ceyala "Lala" Reyes' family--aunts, uncles, mothers, fathers, and Lala's six older brothers--packs up three cars and, in a wild ride, drive from Chicago to the Little Grandfather and Awful Grandmother's house in Mexico City for the summer. Struggling to find a voice above the boom of her brothers and to understand her place on this side of the border and that, Lala is a shrewd observer of family life. But when she starts telling the Awful Grandmother's life story, seeking clues to how she got to be so awful, grandmother accuses Lala of exaggerating. Soon, a multigenerational family narrative turns into a whirlwind exploration of storytelling, lies, and life. Like the cherished rebozo, or shawl, that has been passed down through generations of Reyes women, Caramelo is alive with the vibrations of history, family, and love.