The most interesting inconsistency in thought is connected with the Bower of Bliss. This passage--the twelfth canto of the second Book--is probably the best known in the whole poem and the most frequently cited as an example of Spenser's sensuous beauty. Professor de Selincourt writes: 'Those who blame Spenser for lavishing the resources of his art upon this canto, and filling it with magic beauty, have never been at the heart of the experience it shadows. It is from the ravishing loveliness of all that surrounds and leads to the Bower of Acrasia that she herself draws her almost irresistible power. When Guyon has bound Acrasia and destroyed the Bower of Bliss he has achieved his last and hardest victory.