Книги издательства «Oxford University Press»

The story of the Combahee River Raid, one of Harriet Tubman's most extraordinary accomplishments, based on original documents and written by a descendant of one of the participants.

Most Americans know of Harriet Tubman's legendary life: escaping enslavement in 1849, she led more than 60 others out of bondage via the Underground Railroad, gave instructions on getting to freedom to scores more, and went on to live a lifetime fighting for change. Yet the many biographies, children's books, and films about Tubman omit a crucial chapter: during the Civil War, hired by the Union Army, she ventured into the heart of slave territory--Beaufort, South Carolina--to live, work, and gather intelligence for a daring raid up the Combahee River to attack the major plantations of Rice Country, the breadbasket of the Confederacy.

Edda L. Fields-Black--herself a descendent of one of the participants in the raid--shows how Tubman commanded a ring of spies, scouts, and pilots and participated in military expeditions behind Confederate lines. On June 2, 1863, Tubman and her crew piloted two regiments of Black US Army soldiers, the Second South Carolina Volunteers, and their white commanders up coastal South Carolina's Combahee River in three gunboats. In a matter of hours, they torched eight rice plantations and liberated 730 people, people whose Lowcountry Creole language and culture Tubman could not even understand. Black men who had liberated themselves from bondage on South Carolina's Sea Island cotton plantations after the Battle of Port Royal in November 1861 enlisted in the Second South Carolina Volunteers and risked their lives in the effort.

Using previous unexamined documents, including Tubman's US Civil War Pension File, bills of sale, wills, marriage settlements, and estate papers from planters' families, Fields-Black brings to life intergenerational, extended enslaved families, neighbors, praise-house members, and sweethearts forced to work in South Carolina's deadly tidal rice swamps, sold, and separated during the antebellum period. When Tubman and the gunboats arrived and blew their steam whistles, many of those people clambered aboard, sailed to freedom, and were eventually reunited with their families. The able-bodied Black men freed in the Combahee River Raid enlisted in the Second South Carolina Volunteers and fought behind Confederate lines for the freedom of others still enslaved not just in South Carolina but Georgia and Florida.

After the war, many returned to the same rice plantations from which they had escaped, purchased land, married, and buried each other. These formerly enslaved peoples on the Sea Island indigo and cotton plantations, together with those in the semi-urban port cities of Charleston, Beaufort, and Savannah, and on rice plantations in the coastal plains, created the distinctly American Gullah Geechee dialect, culture, and identity--perhaps the most significant legacy of Harriet Tubman's Combahee River Raid.

The story of the Combahee River Raid, one of Harriet Tubman's most extraordinary accomplishments, based on original documents and written by a descendant of one of the…

Grounded in new archival research documenting a significant presence of foreign and racially-marked individuals in Medici Florence, this book argues for the relevance of such individuals to the history of Western music and for the importance of sound-particularly musical and vocal sounds-to systems of racial and ethnic difference. Many of the individuals discussed in these pages were subject to enslavement or conditions of unfree labor; some labored at tasks that were explicitly musical or theatrical, while all intersected with sound and with practices of listening that afforded full personhood only to particular categories of people. Integrating historical detail alongside contemporary performances and musical conventions, this book makes the forceful claim that operatic musical techniques were-from their very inception-imbricated with racialized differences. Author Emily Wilbourne offers both a macro and micro approach to the content of this book. The first half of the volume draws upon a wide range of archival, theatrical and historical sources to articulate the theoretical interdependence of razza (lit. "race"), voice, and music in early modern Italy; the second half focuses on the life and work of a specific, racially-marked the enslaved, Black, male soprano singer, Giovannino Buonaccorsi (fl.1651-1674). Voice, Slavery, and Race in Seventeenth-Century Florence reframes the place of racial difference in Western art music and provides a compelling pre-history to later racial formulations of the sonic.

Grounded in new archival research documenting a significant presence of foreign and racially-marked individuals in Medici Florence, this book argues for the relevance of such…

The Crimean War was the greatest international crisis of the Victorian era, and a modern war of rifles, railroads and telegraphs. As it raged, two writers embedded in the conflict-the young Russian officer Lev Tolstoy, and William Howard Russell, an Irish correspondent for The Times-brought the horrors of trench warfare home to the public for the first time.

Crimea transformed how we understand war. Stripping away the romanticism of the Napoleonic era, Tolstoy and Russell exposed government lies and cover-ups as their nations descended into the first quagmire of the modern age. Their writing shocked readers, revealing that their loved ones were dying needlessly. Between this reporting and soldiers' own writings, the world was witnessing an unprecedented showdown between the voices of private individuals and their rulers. Tolstoy and Russell paid dearly for their honesty, but their legacy of confronting the powerful endures.

Crimean Quagmire is the first book to tell this story in full. With today's conflicts growing ever more complex, the Crimean War has never been more resonant.

The Crimean War was the greatest international crisis of the Victorian era, and a modern war of rifles, railroads and telegraphs. As it raged, two writers embedded in the…

A story of espionage, shadow diplomacy, foreign scheming, and domestic backstabbing in the formative years of the American republic.

Tyson Reeder's book traces early America's rocky beginnings, when foreign interference and political conflict threatened to undermine its aspirations and ideals, even its very existence. Spanning the period from the Revolution to the War of 1812, and focusing particularly on the presidency of James Madison, it reveals a nation adjusting to rancorous partisan politics, aggravated by the untested and imperfect new tools of governance and the growing power of media. Foreign powers, mainly Great Britain and Napoleonic France, exploited these conditions to advance their own agendas, interfering in U.S. elections to promote the outcome they favored. Dissent and disloyalty became dangerously interdigitated, nearly bringing the new republic to the brink of collapse.

No figure was more in the center of it all than James Madison. As a leading delegate at the Constitutional Convention, Republican congressional leader, secretary of state, and president, Madison grappled with foreign meddling for over three decades. At the same time, he emerged as a political leader, feeding the very partisanship that bred foreign intrigues. As chief executive, he presided over the calamitous barrage of accusations and counteraccusations of foreign collusion that culminated in the War of 1812. Madison left a mixed but indelible as a fierce adversary of foreign interference, a fiery champion of political debate, and a partisan operative who facilitated the former by inflaming the latter.

Forged in partisan conflict, the United States remains vulnerable to forces that test whether the constitutional system Madison was so central in implementing can withstand outside meddling while accommodating partisan conflict. Madison's successes and failures, along with his original vision of the Constitution and party politics, illuminate the ongoing struggle between domestic polarization and foreign interference.

A story of espionage, shadow diplomacy, foreign scheming, and domestic backstabbing in the formative years of the American republic.

Tyson Reeder's book traces early America's…

Practicing is an essential part of every musician's life, but we are rarely taught how to practice in the most effective and efficient way. Many of us find ourselves frustrated when we sound good in the practice room only to embarrass ourselves on stage or in front of our teachers. We feel overwhelmed by the amount of music we have to learn, unsure how to balance everything. Playing from memory can feel terrifying and an insurmountable challenge, and overcoming bad habits can seem impossible at times.

Practicing is an essential part of every musician's life, but we are rarely taught how to practice in the most effective and efficient way. Many of us find ourselves frustrated…

Paper, bottles, metal scrap, kitchen garbage, rubber, hair, fat, rags, and bones--the Nazi empire demanded its population obsessively collect anything that could be reused or recycled. Entrepreneurs, policy makers, and ordinary citizens conjured up countless schemes to squeeze value from waste or invent new purposes for defunct or spent material, no matter the cost to people or the environment. As World War II dragged on, rescued loot--much of it waste--clogged transport routes and piled up in warehouses across Europe.

Historicizing the much-championed ideal of zero waste, Anne Berg shows that the management of waste was central to the politics of war and to the genesis of genocide in the Nazi Germany. Destruction and recycling were part of an overarching strategy to redress raw material shortages, procure lebensraum, and cleanse the continent of Jews and others considered undesirable. Fostering cooperation between the administration, the party, the German Army, the SS, and industry, resource extending schemes obscured the crucial political role played by virtually all German citizens to whom salvaging, scrapping, and recycling were promoted as inherently virtuous and orderly behaviors. Throughout Nazi occupied-Europe, Jews, POWs, concentration camp inmates, and enemy civilians were forced to recycle the loot, discards, and debris of the Nazi race war. In the end, the materials that were fully exploited and the people who had been bled dry were cast aside, buried, burned, or left to rot. Nonetheless,
waste reclamation did not have the power to win the war.

Illuminating how the Nazis inverted the economy of value, rescuing discards and murdering people, Empire of Rags and Bones offers an original perspective on genocide, racial ideology, and World War II.

Paper, bottles, metal scrap, kitchen garbage, rubber, hair, fat, rags, and bones--the Nazi empire demanded its population obsessively collect anything that could be reused or…

'Know thyself' is said to have been one of the maxims carved into the Temple of Apollo at Delphi. On the face of it, this does not seem like a very difficult task. My self is with me at every moment of every day, I have access to its inner thoughts and feelings, and I am hardly liable to mistake someone else for me. At the same time, however, the self is surprisingly elusive and opaque. What, after all, is a self? Is it some kind of object? If so, what kind? If not an object, what then? Is our sense of self ultimately illusory? Something that disappears when studied too closely? Our understanding of the self is replete with puzzles and I cannot be anyone but who I am, and yet everyone will acknowledge that there are circumstances in which being oneself is an extremely difficult task. If I change enough, I can be said to have become a different person. I cannot get away from myself, and yet I can find and lose myself.

In this Very Short Introduction , Marya Schechtman uses insights from philosophy, psychology, psychiatry, sociology, and popular thought to consider some of the most compelling and puzzling questions about the self, including questions about what kind of object a self is if it is an object at all, what it means to be oneself and why it is important, what kinds of changes the self can and cannot survive, whether a self can be separated from its body, whether more than one self can exist in a single body, and what role engagement with the environment and with other selves plays in constituting and maintaining the self. These investigations yield a complex, multi-dimensional picture of the self as a subject and agent embedded in and interacting with a natural and social world.

ABOUT THE The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

'Know thyself' is said to have been one of the maxims carved into the Temple of Apollo at Delphi. On the face of it, this does not seem like a very difficult task. My self is with…

One war: three collisions--in this vividly written, narrative history of the war in Ukraine, Michael Kimmage puts together the pieces of a complicated international puzzle to understand the origins of the current conflict that has brought the world to the brink of a new Cold War.

In Collisions, Michael Kimmage, a historian and former State Department official who focused on the Russia-Ukraine conflict, offers a wide-angle, historically informed account of the origins of the current Russia-Ukraine war. Tracing the development of Ukraine and Russia's fractious relationship back to the end of the Cold War, Kimmage takes readers through the central events that led to Vladimir Putin seizing a large portion of Ukraine--the Crimea--in 2014 and, eight years later, initiating arguably the most intensive military conflict of the entire post-World War II era.

From the halls of power in Washington, Kyiv, and Moscow to the battlefields of Ukraine, Kimmage chronicles Putin's ascendancy to the Russian presidency, delves into multiple American presidencies and their dealings with Russia and Europe, and recounts Europe's efforts to bring Ukraine closer to the European Union. He tells the story of how Ukraine went from an embattled country on the edge of Europe to a formidable military power capable of pushing back the Russian military. Just as importantly, Kimmage captures how the current war has transformed multiple centers of power--from China to the United States--and dramatically altered the path of globalization itself. He makes the case that the war in Ukraine has shifted the direction of major macro-trends in world politics, contributing to the fragmentation of international politics, higher inflation, greater food insecurity, and the general collapse of arms control. These intersecting dangers amount to a new age of global instability, born in war and in the collision between Russia and the United States that has brought the world to the brink of a new Cold War.

An authoritative interpretation of possibly the most important geopolitical event of the post-Cold War era, Collisions is essential reading for anyone interested in the origins of this epochal conflict and its ripple effects across the globe.

One war: three collisions--in this vividly written, narrative history of the war in Ukraine, Michael Kimmage puts together the pieces of a complicated international puzzle to…

Over the past two decades, postcommunist countries have witnessed a sudden shift in the electoral fortunes of their political parties: previously successful center-left parties suffered dramatic electoral defeats and disappeared from the political scene, while right-wing populist parties soared in popularity and came to power. This dynamic echoed similar processes in Western Europe and raises a question: Were these dynamics in any way connected? When Right Moves Left argues that they were. And that the root of the connection between them lies in the pro-market rebranding of the ex-communist left--the key explanatory variable. This book asserts that, though the left's pro-market shift initially led to electoral rewards, it had a less straightforward impact on left-wing parties' electoral fortunes in the long run. Traditional supporters of the left (working-class and economically vulnerable groups) were alienated by the new economic policies, and the middle-class voters newly drawn to these parties did not compensate for those losses. As a result, for several electoral rounds following the rebranding, reformist parties on the left suffered dramatic electoral defeats. In response, right-wing parties in their respective countries adopted more redistributive economic platforms consistent with preferences of former supporters of the left, and incorporated sizeable shares of these electorates. This contributed to the growth of right-wing populist parties in the countries with a pro-market left.

The book traces this process in postcommunist Europe on different levels of analysis: cross-country observational data, case studies, and individual-level experimental surveys. It argues that scholars should incorporate the economic policy dimension when explaining the demise of the left and the rise of the populist right in the region. It also examines important parallels between the dynamics of Western and postcommunist countries by arguing that the idiosyncrasy of Eastern European politics has been overstated in scholarly literature.

Over the past two decades, postcommunist countries have witnessed a sudden shift in the electoral fortunes of their political parties: previously successful center-left parties…

Süleyman, who ruled the Ottoman Empire between 1520 and 1566, was a globally recognized figure during his lifetime. His domain extended from Hungary to Iran, and from the Crimea to North Africa and the Indian Ocean. The wealth of his treasury, the strength of his armies, and his personality were much discussed by historians, poets, courtiers, diplomats and publics across Eurasia.

Süleyman was engaged in bitter rivalries with the Catholic Habsburgs in Europe and the Shiite Safavids in the Middle East. He presided over a multilingual and multireligious empire that promised peace and prosperity to its subjects. During his reign, the Ottoman Empire became a truly global power. Imperial governance expanded considerably, and the law was emphasized as the main bond between the ruler and the ruled. Süleyman's prolific poetic output, his frequent appearances during public ceremonies, his charity, and his patronage of arts and architecture enhanced his reputation as a universal ruler with a well-rounded character.

Behind the public façade of might and glory, Süleyman led a complicated life. He grew up with an overbearing father whose legacy was both an advantage and a burden. Defying established practice, he married a concubine named Hürrem whose love and affection became a true refuge. Towards the end of his life, he had to overcome both debilitating sickness and the agitations of his sons to remain on the throne.

Nearly half a millennium after his death, the life of Süleyman has been obscured by romanticized and exoticized narratives. Based on original sources in multiple languages, Peerless among Princes narrates Süleyman's achievements as well as his failures. What emerges is a compelling account of a ruler, his family, his close associates, and the Ottoman imperial project itself during the transformational sixteenth century.

Süleyman, who ruled the Ottoman Empire between 1520 and 1566, was a globally recognized figure during his lifetime. His domain extended from Hungary to Iran, and from the Crimea…

Broadway has body issues.

What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body.

In Broadway Bodies , author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of Why did A Chorus Line , a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside?

In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies.

Broadway has body issues.

What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer…

'The old woman opened the door, and the next moment I was in the presence of Uncle Silas.'

In Victorian Derbyshire, 17 year old orphan and heiress Maud Ruthyn is sent to live at the claustrophobic Bartram-Haugh house with her mysterious Uncle Silas. Silas has a reputation for gambling debts and past accusations of murder, but now lives as a reformed Christian. Sinister schemes and preternatural events unfold as Silas, his son, and a malevolent governess plot against Maud and her fortune.

Uncle Silas has been hailed by contemporaries and modern critics alike as one of the finest works of sensation fiction. With elements of tragic romance, horror, and psychological thriller, Uncle Silas shows Le Fanu at the height of his powers as the father of the Gothic novel.

With an introduction from Claire Connolly, this edition places the novel in its broadest context and unpicks the layers of Celtic, Christian, and mystic influence behind Le Fanu's best known work.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'The old woman opened the door, and the next moment I was in the presence of Uncle Silas.'

In Victorian Derbyshire, 17 year old orphan and heiress Maud Ruthyn is sent to live…

Sparks: China's Underground Historians and their Battle for the Future describes how some of China's best-known writers, filmmakers, and artists have overcome crackdowns and censorship to forge a nationwide movement that challenges the Communist Party on its most hallowed ground: its control of history.

The past is a battleground in many countries, but in China it is crucial to political power. In traditional China, dynasties rewrote history to justify their rule by proving that their predecessors were unworthy of holding power. Marxism gave this a modern gloss, describing history as an unstoppable force heading toward Communism's triumph. The Chinese Communist Party builds on these ideas to whitewash its misdeeds and glorify its rule. Indeed, one of Xi Jinping's signature policies is the control of history, which he equates with the party's survival.

But in recent years, a network of independent writers, artists, and filmmakers have begun challenging this state-led disremembering. Using digital technologies to bypass China's legendary surveillance state, their samizdat journals, guerilla media posts, and underground films document a regular pattern of disasters: from famines and purges of years past to ethnic clashes and virus outbreaks of the present--powerful and inspiring accounts that have underpinned recent protests in China against Xi Jinping's strongman rule.

Based on years of first-hand research in Xi Jinping's China, Sparks challenges stereotypes of a China where the state has quashed all free thought, revealing instead a country engaged in one of humanity's great struggles of memory against forgetting―a battle that will shape the China that emerges in the mid-21st century.

Sparks: China's Underground Historians and their Battle for the Future describes how some of China's best-known writers, filmmakers, and artists have overcome crackdowns and…

After the murder of senior generals in the Indonesian army by elements of the country's communist party in 1965, General Suharto orchestrated the mass killing of some half a million leftists and fellow travelers. But his ambitions spanned far beyond perpetrating a politicide. Seeking to ensure that communism could never again take root in the archipelago, he constructed a New Order to reverse Indonesia's descent into political instability and economic crisis.

Based on unprecedented access to Indonesian archives and a wealth of international sources, Suharto's Cold War masterfully narrates the first decades of the Suharto regime at the national, regional, and global levels. Suharto mobilized international aid and investment to build his counterrevolutionary dictatorship and ignite processes of economic development. He then aimed to project authoritarianism elsewhere in Southeast Asia by assisting right-wing dictators across the region. International capital made available through the global Cold War enabled Suharto to achieve the dictatorial and developmental ambitions that lay at the heart of his domestic and regional Cold Wars. Material realities at home and abroad disciplined Suharto's political project, while political considerations in Indonesia and around the world shaped his economic programs.

Paying close attention to the interrelationship between the domestic and the international, the political and the economic, Suharto's Cold War makes a pathbreaking contribution to understanding Indonesia, Southeast Asia, and the world.

After the murder of senior generals in the Indonesian army by elements of the country's communist party in 1965, General Suharto orchestrated the mass killing of some half a…

In the middle of the twentieth century, liberal intellectuals and policymakers in the United States came to see poverty as a global problem. Applying Progressive era and Depression insights about the causes of poverty to the post-World War II challenges posed by the Cold War and decolonization, they developed new ideas about why poverty persisted. The problem, they argued, was that the poor at home and abroad were alienated from the enormous opportunities industrial capitalism provided. Left unsolved, that problem, they believed, would threaten world peace.

In The Poverty of the World , Sheyda Jahanbani brings together the histories of US foreign relations and domestic politics to explain why, during a period of unprecedented affluence, Americans rediscovered poverty and supported major policy initiative to combat it. Revisiting a moment of triumph for American liberals in the 1940s, Jahanbani shows how the US's newfound role as a global superpower prompted novel ideas among liberal thinkers about how to address poverty and generated new urgency for trying to do so. Their sense of responsibility about deploying American knowledge and wealth as a beneficent force in the world, produced such foreign aid programs as the Peace Corps. As Americans came to recognize the problem beyond the country's borders, they turned the idea of "underdevelopment" inward to explain poverty in urban neighborhoods and rural communities at home, inspiring Lyndon Johnson's War on Poverty and his domestic peace corps, Volunteers in Service to America (VISTA).

Drawing on a wide variety of archival material, Jahanbani reinterprets the lives and work of prominent liberal figures in postwar American social politics, from Oscar Lewis to John Kenneth Galbraith, Michael Harrington to Sargent Shriver, to show the global origins of their ideas. By tracing how American liberals invented the problem of "global poverty" and executed a war against it, The Poverty of the World sheds new light on the domestic impacts of the Cold War, the global ambitions of American liberalism, and the way in which key intellectuals and policymakers worked to develop an alternative vision of US empire in the decades after World War II.

In the middle of the twentieth century, liberal intellectuals and policymakers in the United States came to see poverty as a global problem. Applying Progressive era and…

A master storyteller presents a riveting drama of America's first "crime of the century"--from murder investigation to a church sex scandal to celebrity trial--and its aftermath.

In December 1832 a farmer found the body of a young, pregnant woman hanging near a haystack outside a New England mill town. When news spread that Methodist preacher Ephraim Avery was accused of murdering Sarah Maria Cornell, a factory worker, the case gave the public everything they found sexually charged violence, adultery, the hypocrisy of a church leader, secrecy and mystery, and suspicions of insanity. Murder in a Mill Town tells the story of how a local crime quickly turned into a national scandal that became America's first "trial of the century."

After her death--after she became the country's most notorious "factory girl"--Cornell's choices about work, survival, and personal freedom became enmeshed in stories that Americans told themselves about their new world of industry and women's labor and the power of religion in the early republic. Writers penned seduction tales, true-crime narratives, detective stories, political screeds, songs, poems, and melodramatic plays about the lurid scandal. As trial witnesses, ordinary people gave testimony that revealed rapidly changing times. As the controversy of Cornell's murder spread beyond the courtroom, the public eagerly devoured narratives of moral deviance, abortion, suicide, mobs, "fake news," and conspiracy politics. Long after the jury's verdict, the nation refused to let the scandal go.

A meticulously reconstructed historical whodunit, Murder in a Mill Town exposes the troublesome workings of criminal justice in the young democracy and the rise of a sensational popular culture.

A master storyteller presents a riveting drama of America's first "crime of the century"--from murder investigation to a church sex scandal to celebrity trial--and its aftermath.…

From binding spells and incantations to curse-writing rituals, magic pervaded the ancient Greek world. In Blood and Ashes provides the first historical study of the development and dissemination of ritualized curse practice from 750-250 BCE, documenting the cultural pressures that drove the use of curse tablets, charms, spells, and other private rites. This book expands our understanding of daily life in ancient communities, showing how individuals were making sense of the world and coping with conflict, vulnerability, competition, anxiety, desire, and loss, all while conjuring the gods and powers of the Underworld.
Bringing together epigraphic, literary, archaeological, and material evidence, Jessica L. Lamont reads between traditional histories of Archaic, Classical, and early Hellenistic Greece, drawing out new voices and new narratives to here are the cooks, tavern keepers, garland weavers, helmsmen, barbers, and other persons who often slip through the cracks of ancient history. The texts and objects presented here offer glimpses of public and private lives across many centuries, illuminating the interplay of ritual and conflict-management strategies among citizens and slaves, men and women, pagans and Christians. Filled with new material and insights, Lamont's volume offers a groundbreaking perspective on ancient Greek social history and religion, highlighting the role of ritual in negotiating life's uncertainties.

From binding spells and incantations to curse-writing rituals, magic pervaded the ancient Greek world. In Blood and Ashes provides the first historical study of the development…

The age of miracles was not yet past on the Shakespearean stage. In the first book-length study of the English saint play across the Reformation divide, The Renaissance of the Saints after Reform recovers the surprisingly long theatrical life of the saints from a tenth-century monastery to the Restoration stage. Through a reassessment of archival records of performance and religious change, this book challenges the established history of the saint play as a product of medieval devotional culture that ended with the national conversion to Protestantism during the Reformation. Not only did saints in performance frequently diverge from the narratives of devotional literature during the Middle Ages but also saints made a spectacular reappearance in the theatre of the early modern era. In the rupture between those two eras, the English church separated itself from the Cult of the Saints, and saints disappeared from public view until sainthood transformed from a matter of theology into a matter of theatricality. Early modern saint plays document a post-Reformation culture committed to saints―but not all saints. Certain ancient martyrs and British saints returned to the liturgical calendar in the Elizabethan Book of Common Prayer . This limited inventory performed an initial de-Catholicization of these saints, but it did not recover their lives. Instead, the theatre produced new lives of the saints for the English public. A period of experimentation with saints and devils in the 1590s was followed by unprecedented innovation throughout the Stuart era. This book traces the transformation of sainthood in early modern drama from ambiguous supernatural association and negotiated patronage to a renaissance of miraculous theatricality and sacred place-making. By excavating saints in plays by Shakespeare, Heywood, Dekker, Massinger, and Rowley, as well as plays authored by relatively unknown dramatists, this book reconfigures how we think about the legacy of late medieval religious culture, the impact of Reformation change on literary texts and social practices, and the development of English theatre and drama.

The age of miracles was not yet past on the Shakespearean stage. In the first book-length study of the English saint play across the Reformation divide, The Renaissance of the…

How the Movies Got a Past presents a comprehensive survey of the rise of historiographical discourse on cinema in North America as it is reflected in publications, exhibitions, lectures, and films about the cinema as a technology, form of art, and source of entertainment, from its inception up to 1930. This pioneering historiography of American movies proposes a typology of genres of historical knowledge and examines the role that its articulation played in legitimating the moving image as a form of cultural heritage and a field of study.

How did early studios seek to understand and promote their own activities as part of a brand-new form of entertainment with its own traditions, "founding fathers," and ambitions? How did early writers modulate between retrospection and analysis, between nostalgia and ballyhoo, between journalism and research into the "relics" of the nascent film industry and what were their motivations and influence on subsequent historians? What rhetorical and material platforms were deployed to talk about and show the history of cinema and for what audiences were they meant? In teasing out answers to these and other questions, this book makes an argument for early cinema historiography as an emergent genre with its own conventions and goals instead of a "primitive" version of today's historical writing on the movies. With a wealth of case studies, and illustrations, How the Movies Got a Past will appeal to media historians, silent movie buffs, film archivists, and students alike.

How the Movies Got a Past presents a comprehensive survey of the rise of historiographical discourse on cinema in North America as it is reflected in publications, exhibitions,…

In 1971, "D. B. Cooper" pulled off what some call the crime of the century, skyjacking a Boeing 727 and parachuting into history and legend. Here's a book that offers a gripping account of that still-unsolved case, based on never-before-published interviews, showing how it launched one of the most extraordinary eras in American aviation history.

In November 1971, an unidentified man later anointed by the media as "D.B. Cooper" pulled off one of the most audacious crimes in aviation history, hijacking a Northwest Airlines flight over the Pacific Northwest and parachuting from the Boeing 727 with $200,000 in ransom. "D. B. Cooper" was never to be seen again and the FBI, which kept his case open for forty years, finally determined it would never be solved. Unsolved, perhaps, but much admired. Over the next seven months, a number of air pirates imitated Cooper's crime. None were more daring than the hijacker of American Airlines Flight 119. After commandeering the flight from St. Louis with a machine gun and collecting $502,500 in ransom, the Flight 119 hijacker parachuted into the night over Indiana. Unlike Cooper, he was found.

These two crimes were part of a wave of hijackings that occurred between 1961 and 1972, "D. B. Cooper" may have been the most famous, but he was far from alone. One hijacker ran across the tarmac in Reno, Nevada with a pillowcase over his head, gun in hand, to seize a United Airlines flight. Another collected a large ransom in Washington, D.C. before jumping over Honduras. Motivations in many cases remain murky, an admixture of politics, greed, derring-do, and boredom. What they had in common was how they transfixed the nation's attention, bringing about a transformation in the ways that commercial airlines were run and how the laws of the skies were enforced.

With its focus on the parachute hijackers, beginning with "D. B. Cooper," John Wigger's book gathers together the stories of this period of daring criminality and recounts them in gripping fashion, showing their effect on the public, the media, and law enforcement. Using never-before published interviews and first-hand accounts, he brings one of the most chaotic periods in U.S. commercial aviation to life.

In 1971, "D. B. Cooper" pulled off what some call the crime of the century, skyjacking a Boeing 727 and parachuting into history and legend. Here's a book that offers a gripping…