Вручение 27 июня 2024 г.

Страна: Великобритания Место проведения: город Лондон, университетский колледж, Фестиваль политической литературы Оруэлла Дата проведения: 27 июня 2024 г.

Премия Оруэлла за политическую литературу

Лауреат
Hisham Matar 5.0
From the Pulitzer Prize-winning author of The Return , a luminous novel of friendship, family, and the unthinkable realities of exile.
A devastating meditation on friendship and family, and the ways in which time tests—and frays—those bonds, My Friends is an achingly beautiful work of literature by an author at the peak of his powers.
Merle Collins 0.0
The mother of the revolutionary firebrand Malcolm X was a Grenadian woman born at the turn of the 20th century in a small rural community in a deeply colonial society where access to education had only just begun for the children of working people. She emigrated to Canada and then the USA, where she became involved in the struggle for Black civil rights led by Marcus Garvey. Within the sparse facts of Louise Langdon Norton Little’s biography, Merle Collins, the distinguished Grenadian novelist, has created a moving and deeply feminist work that gives vivid inwardness to both the heroism and tragedy of a life that involved fighting the Ku Klux Klan, discovering that male comrades in the struggle could be abusers at home, recognition of her skills as an organiser, but also a period of mental collapse that saw her incarcerated in a mental hospital until her family fought for her release. Louise's life is profoundly shaped by her forceful matriarchal grandmother and by her schooling. In the classroom she meets teachers who show Oseyan, Louise’s family name, how to turn the imperialist ideology of her schoolbooks on its head. These are the contexts of Oseyan’s life, but what Merle Collins most profoundly gives us is its breathing texture, through a mix of fictive narrative, letters and poetry, with episodes of great warmth, exuberant humour and drama, as sadness and heartbreak.
Percival Everett 4.1
A brilliant, action-packed reimagining of The Adventures of Huckleberry Finn, both harrowing and ferociously funny, told from the enslaved Jim's point of view.

When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.

While many narrative set pieces of The Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.

Brimming with electrifying humor and lacerating observations, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature.
Samantha Harvey 4.5
A slender novel of epic power, Orbital deftly snapshots one day in the lives of six women and men hurtling through space—not towards the moon or the vast unknown, but around our planet. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts—from America, Russia, Italy, Britain, and Japan—have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below. We glimpse moments of their earthly lives through brief communications with family, their photos and talismans; we watch them whip up dehydrated meals, float in gravity-free sleep, and exercise in regimented routines to prevent atrophying muscles; we witness them form bonds that will stand between them and utter solitude. Most of all, we are with them as they behold and record their silent blue planet. Their experiences of sixteen sunrises and sunsets and the bright, blinking constellations of the galaxy are at once breathtakingly awesome and surprisingly intimate. So are the marks of civilization far below, encrusted on the planet on which we live.
Profound, contemplative and gorgeous, Orbital is an eloquent meditation on space and a moving elegy to our humanity, environment, and planet.
Меган Нолан 3.8
When a 10-year-old child is suspected of a violent crime, her family must face the truth about their past in this haunting, propulsive, psychologically keen story about class, trauma, and family secrets from “huge literary talent” (Karl Ove Knausgaard) and internationally bestselling author Megan Nolan.
Andrew O’Hagan 0.0
A biting portrait of British class, politics, and money told through five interconnected families and their rising―and declining―fortunes.

Campbell Flynn, art historian and biographer of Vermeer, always knew that when his life came crashing down, it would happen in public―yet he never imagined that a single year in London would expose so much. Entangled with a brilliant student, he begins to see trouble brewing for his family and friends. All his worlds collide―the art scene and academia, fashion and the English aristocracy, journalism and the internet―as dangerous forces enter his life and Caledonian Road gives up its secrets.
Andrew O’Hagan has written a social novel in the Victorian style, drawing a whole cast of characters into company with each other and revealing the inner energies of the way we live now.

“Not only a peerless chronicler of our times, O’Hagan has generosity, humour and tenderness, which make this novel an utter joy to read.”―Monica Ali, author of Love Marriage and Brick Lane
Адам Терлвелл 0.0
Shortlisted for the 2023 Goldsmiths Prize

A wild story of female friendship, language, and power, from France to colonial America to the moon, from 1775 to this very a historical novel like no other.

It’s the eighteenth century, and Celine is in trouble. Her husband is mostly absent. Her parents are elsewhere. And meanwhile men are inventing stories about her―about her aff airs, her sexuality, her orgies and addictions. All these stories are lies, but the public loves them and spreads them like a virus. Celine can only watch as her name becomes a symbol for everything rotten in society.

This is a world of decadence and saturation, of lavish parties and private salons, of tulle and satin and sex and violence. It’s also one ruled by men―high on colonial genocide, natural destruction, crimes against women, and, above all, language. To survive, Celine and her friends must band together in search of justice, truth, and beauty.

Fantastical, funny, and blindingly bright, Adam Thirlwell’s The Future Future follows one woman on an urgently contemporary quest to clear her name and change the world.
Justin Torres 0.0
Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay--playful raconteur, child lost and found and lost, guardian of the institutionalized--has a project to pass along to this new narrator. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. As Juan waits for his end, he and the narrator trade stories--moments of joy and oblivion--and resurrect lost loves, lives, mothers, fathers, minor heroes. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?

Inspired by Kiss of the Spider Woman, Pedro P�ramo, Voodoo Macbeth, the book at its own center and the woman who created it, oral histories, and many more texts, images, and influences, Justin Torres's Blackouts is a work of fiction that sees through the inventions of history and narrative. An extraordinary work of creative imagination, it insists that we look long and steady at the world we have inherited and the world we have made--a world full of ghostly shadows and flashing moments of truth.