Триша Филдс0.0 Texas is experiencing its worst season of wildfires in a decade, forcing police chief Josie Gray to evacuate the citizens of Artemis. Not everyone makes it out alive, however. In the fire’s wake, she discovers the body of someone who never left town, lying dead in the house of a local country music singer. Beside the body lies a syringe carrying traces of heroin. It seems as if the deceased nodded off and then missed the evacuation. But as Josie learns more about the unfortunate victim, she begins to wonder if something more sinister took place.
Firebreak continues Tricia Fields’ award-winning West Texas mystery series, which has drawn acclaim from critics and fellow crime writers for its detailed, realistic portrayal of this remote corner of America and the tough, resilient people who live there.
Синтия Суонсон4.0 Знаем ли мы, чего хотим на самом деле? Кого любим, кого ненавидим, о чем мечтаем? Как часто наши представления о счастье обманчивы? В крупном американском городе начала 60-х молодая женщина живёт таинственной двойной жизнью — в реальности и во сне. В реальности она — Китти Миллер, незамужняя владелица небольшого книжного магазинчика, живущая исключительно для себя, никому не обязанная отдавать отчёт в своих действиях. Во сне — домохозяйка Кэтрин Андерссон, счастливая жена и мать, обожающая своего мужа и детей. Но какая из этих жизней реальна? Китти ли грезит несбывшимися мечтами о семейном счастье? Или, напротив, Кэтрин снятся мечты о свободе?
Сандра Даллас0.0 It is 1880 and Gracy Brookens is the only midwife in a small Colorado mining town where she has delivered hundreds, maybe thousands, of babies in her lifetime. The women of Swandyke trust and depend on Gracy, and most couldn't imagine getting through pregnancy and labor without her by their sides.
But everything changes when a baby is found dead...and the evidence points to Gracy as the murderer.
She didn't commit the crime, but clearing her name isn't so easy when her innocence is not quite as simple, either. She knows things, and that's dangerous. Invited into her neighbors' homes during their most intimate and vulnerable times, she can't help what she sees and hears. A woman sometimes says things in the birthing bed, when life and death seem suspended within the same moment. Gracy has always tucked those revelations away, even the confessions that have cast shadows on her heart.
With her friends taking sides and a trial looming, Gracy must decide whether it's worth risking everything to prove her innocence. And she knows that her years of discretion may simply demand too high a price now...especially since she's been keeping more than a few dark secrets of her own.
With Sandra Dallas's incomparable gift for creating a sense of time and place and characters that capture your heart, The Last Midwife tells the story of family, community, and the secrets that can destroy and unite them.
Энн Бастард0.0 Moving from Texas to Hawaii in 1960,12-year-old Peggy Sue faces a difficult transition when she is bulled as one of the few haole (white) students in her school. This lyrical debut novel is perfect for Common Core classroom connections.
It's 1960 and Peggy Sue has just been transplanted from Texas to Hawaii for her father's new job. Her cat, Howdy, is stuck in animal quarantine, and she's baffled by Hawaiian customs and words. Worst of all, eighth grader Kiki Kahana targets Peggy Sue because she is haole--white--warning her that unless she does what Kiki wants, she will be a victim on "kill haole day," the last day of school. Peggy Sue's home ec teacher insists that she help Kiki with her sewing project or risk failing. Life looks bleak until Peggy Sue meets Malina, whose mother gives hula lessons. But when her parents take a trip to Hilo, leaving Peggy Sue at Malina's, life takes an unexpected twist in the form of a tsunami. Peggy Sue is knocked unconscious and wakes to learn that her parents safety and whereabouts are unknown. Peggy Sue has to summon all her courage to have hope that they will return safely.
Шарман Эпт Рассел0.0 From the bestselling author of An Obsession with Butterflies comes a magical story of America in the time of the conquistadors.
In 1528, the real-life conquistador Cabeza de Vaca shipwrecked in the New World, where he lived for eight years as a slave, trader, and shaman. In this lyrical weaving of history and myth, the adventurer takes his four-year-old daughter Teresa from her home in coastal Texas to travel with him as a companion. But once Cabeza de Vaca reaches the outposts of New Spain and prepares to return overseas, politics compel him to leave the young girl behind. Her new life is that of a servant in the kitchen of a Spanish official.
Teresa grows up estranged from the magic she knew as a child, when she could speak to the earth and listen to animals. When a new epidemic of measles devastates the area, sixteen-year-old Teresa sets off in pursuit of a wisewoman she once met, a woman with secrets—a possible mentor. The girl befriends a warhorse, abandoned by a Spanish soldier grieving the death of his family, and a Mayan boy, a werejaguar who cannot control his shape-shifting. Because the boy and Teresa carry the measles virus, they are chased by Plague, another shape-shifter who takes on many human forms: Teresa’s dead mother, the housekeeper from the Spanish kitchen, and finally Cabeza de Vaca himself. Plague tries to trick Teresa into entering northern villages to further spread the epidemic.
To save herself and others, she is forced to listen to the earth again, sinking underground, swimming through limestone and fossil beds, looking for the means to outwit Plague, tame the jaguar in the Mayan boy, and find her own place in the New World.
Winner of Arizona Author's Award for Fiction, finalist for New Mexico Book Award for Children's Literature and the May Sarton Award for Children's Literature. (
К. С. Джонс0.0 It is May 1932 and life in the timbered rise and fall of Western Arkansas has just gotten harder for sixteen-year-old Sooze Williams. With debt mounting and both friends and family fleeing, Sooze is determined to ‘do the right thing’. She promises her heart to a well-to-do man believing true love is just another loss along the way.
But when her uncle is murdered and family is accused of the crime, Sooze vows not to be beaten. Is salvation within her grasp by relying solely on truth, or is it in the security of her intended’s money? Sooze must decide before it’s too late.
Дайан Глэнси0.0 Constructed as a series of reports to the Department of the Interior, these poems of grief, anger, defiance, and resistance focus on the oppressive educational system adopted by Indian boarding schools and the struggle Native Americans experienced to retain and honor traditional ways of life and culture.
Сара де Леу0.0 An elegy to and celebration of British Columbia’s second-longest river, one at the centre of contemporary conversations about resource extraction and northern geographies, Skeena is an assemblage of voices, stories and histories both about the river and from the river’s perspective. As a single poetic narrative spanning more than ninety pages, this second collection of poetry by award-winning poet Sarah de Leeuw follows a Canadian tradition of long poems, weaving together poetic rendering of the river’s perceptions with archival material that includes highway signs and historical newspapers, scientific reports and local lore, geological surveys and tourist websites. Mirroring a river’s complex tributary structure and rendered in highly concentrated imagistic language and experimental description, Skeena is a poly-vocal watershed of poetry, a book that unflinchingly demands humans understand the power of a river, the life and world of the Skeena River.
Линда Лукреция Шулер0.0 Hidden Shadows by Linda Lucretia Shuler is the Winner for Original Soft Cover (Mass Market and Trade) Category in the 2016 WILLA Literary Competition, a finalist in the NERFA contest (National Excellence in Romance Fiction Awards), sponsored by First Coast Romance Writers, for "Novel with Romantic Elements" and also a Finalist for the Will Rogers Medallion Award in the Western Romance category.
In addition, Hidden Shadows is a Winner in the Fiction category of the 2016 NABE Pinnacle Book Achievement award; Short-Listed for the Eric Hoffer Award Grand Prize; finalist for the Eric Hoffer First Horizon Award; Finalist, Debut category: WFWA (Women's Fiction Writers Association) Star Award Contest; Finalist, Literary Fiction, NIEA (National Indie Excellence Awards) as well as other awards and accolades.
Cassie Brighton, devastated by the death of her husband, flees to a remote homestead in the rugged Texas Hill Country. Alone in a ramshackle farmhouse steeped in family secrets, Cassie wages a battle of mind and heart as she struggles to overcome the sorrows of her past, begin anew, and confront the possibility of finding love again.
Hidden Shadows is a story of healing, of connection: to the land, to our ancestors, to others, to ourselves – and to the redemptive power of love.
"Hidden Shadows is a wonderful novel of a woman's journey of self-discovery and search for purpose. The characters will win your heart (and sometimes break it) in this beautifully written and satisfying story of loss and renewal."
Sandra Worth, Award-winning author of The King's Daughter: A Novel of the First Tudor Queen.
"...In Hidden Shadows, Linda Lucretia Shuler has written a poignant novel that explores the complex and ever-shifting definitions of art, community, and love. The result is a story that is as vivid and melodious as the paintings and music of Cassie's new Hill Country home."
Diana Lopez, Award-winning author of Confetti Girl
Б. К. Фроман0.0 Belle Chere is looking for a man—even though she’s seventy-two and has nothing but loathing for the guy.
It has nothing to do with her colorful youth. She’s paid for those stunts. Hard work has perfected her flinty humor and a don’t-mess-with-me attitude. If trouble nears her eastern Oregon home, it will have to pick on idiots who don’t see it coming.
And yet, her stubbornness makes her one of the idiots. By misjudging a man with a grudge, she is served a cold slice of revenge and tragically loses her home. With no faith in the sheriff, who she’s known since he was in diapers, she plans to stop the man who is destroying her safety.
Sure that he’s hiding in the mountains, she joins the Ladies Trail Trek to disguise her search for him. For Belle, the hike to discover oneself is overpopulated with whining, drama and woohooery … and yet, being back in a community of women makes the ghosts of her youth rise again. They haunt her daylight dreams, demanding that she choose once again—which is more important: human life or justice?
Деанна Дикинсон Макколл0.0 Collection of stories about women living in the West overcoming their circumstances and environment, ranging from pioneer era to present day.
Ханна Нордхаус0.0 The award-winning journalist and author of The Beekeeper's Lament attempts to discover the truth about her great-great-grandmother, Julia--whose ghost is said to haunt an elegant hotel in Santa Fe--in this spellbinding exploration of myth, family history, and the American West.
The dark-eyed woman in the long black gown was first seen in the 1970s, standing near a fireplace. She was sad and translucent, present and absent at once. Strange things began to happen in the Santa Fe hotel where she was seen. Gas fireplaces turned off and on without anyone touching a switch. Vases of flowers appeared in new locations. Glasses flew off shelves. And in one second-floor suite with a canopy bed and arched windows looking out to the mountains, guests reported alarming events: blankets ripped off while they slept, the room temperature plummeting, disembodied breathing, dancing balls of light.
La Posada--"place of rest"--had been a grand Santa Fe home before it was converted to a hotel. The room with the canopy bed had belonged to Julia Schuster Staab, the wife of the home's original owner. She died in 1896, nearly a century before the hauntings were first reported. In American Ghost, Hannah Nordhaus traces the life, death, and unsettled afterlife of her great-great-grandmother Julia, from her childhood in Germany to her years in the American West with her Jewish merchant husband.
American Ghost is a story of pioneer women and immigrants, ghost hunters and psychics, frontier fortitude and mental illness, imagination and lore. As she traces the strands of Julia's life, Nordhaus uncovers a larger tale of how a true-life story becomes a ghost story--and how difficult it is to separate history and myth.
Сьюзен Имхофф Берд0.0 Commemorating the twentieth anniversary of the reintroduction of wolves to the American West, Howl follows Susan Imhoff Bird's exploration into the passions and controversies surrounding nature's most fascinating predator. At a crossroads in her own life, Bird travels around the West, talking with wolf watchers, landowners, wildlife managers, conservationists, and hunters about their understandings of what matters most, which almost always is their connection with the natural world. However, the often-conflicting issues raised by hunters, ranchers, and politicians prompt Bird's personal examination of wolf science, myths, and ethics, culminating in her conviction that wolves must be allowed to recover and thrive on our lands. Along the way, Bird begins to unleash her own wild nature, learning to howl and inviting us to do the same.
Susan Imhoff Bird finds inspiration in Utah's canyons, valleys, and water-sculpted rock. She can often be found on her bicycle or snowshoes, absorbing the wisdom of the natural world. Bird lives in Salt Lake City, Utah.
Лесли Полинг-Кемпес0.0 Ladies of the Canyons is the true story of remarkable women who left the security and comforts of genteel Victorian society and journeyed to the American Southwest in search of a wider view of themselves and their world.
Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a new society, and a new identity for themselves and for the women who would follow them.
Their adventures were shared with the likes of Theodore Roosevelt and Robert Henri, Edgar Hewett and Charles Lummis, Chief Tawakwaptiwa of the Hopi, and Hostiin Klah of the Navajo. Their journeys took them to Monument Valley and Rainbow Bridge, into Canyon de Chelly, and across the high mesas of the Hopi, down through the Grand Canyon, and over the red desert of the Four Corners, to the pueblos along the Rio Grande and the villages in the mountains between Santa Fe and Taos.
Although their stories converge in the outback of the American Southwest, the saga of Ladies of the Canyons is also the tale of Boston’s Brahmins, the Greenwich Village avant-garde, the birth of American modern art, and Santa Fe’s art and literary colony.
Ladies of the Canyons is the story of New Women stepping boldly into the New World of inconspicuous success, ambitious failure, and the personal challenges experienced by women and men during the emergence of the Modern Age.
Сью Армитаж0.0 In this lively survey of women as history-makers, Sue Armitage explores the story of women's lives from the earliest inhabitants to yesterday's newest migrants, told within the larger framework of the changing Pacific Northwest -- Washington, Oregon, Idaho, western Montana, and British Columbia. Showcasing both the variety and commonality of women's activities and values, Armitage provides an ongoing context for women's lives and shows how their activism on behalf of families and communities has made our regional history. Shaping the Public Good's narrative encompasses women of all races and ethnicities -- the famous, the forgotten, and the women in between -- and provides an accessible introduction for general readers and scholars alike.
Стейси Б. Шефер0.0 Amada Cardenas, a Mexican American woman from the borderlands of South Texas, played a pivotal role in the little-known history of the peyote trade. She and her husband were the first federally licensed peyote dealers. They began harvesting and selling the sacramental plant to followers of the Native American Church (NAC) in the 1930s, and after her husband's death in the late 1960s Mrs. Cardenas continued to befriend and help generations of NAC members until her death in 2005, just short of her 101st birthday. Author Stacy B. Schaefer, a close friend of Amada, spent thirteen years doing fieldwork with this remarkable woman. Her book weaves together the geography, biology, history, cultures, and religions that created the unique life of Mrs. Cardenas and the people she knew. Schaefer includes their words to help tell the story of how Mexican Americans, Tejanos, gringos, Native Americans, and others were touched and inspired by Amada Cardenas's embodiment of the core NAC values: faith, hope, love, and charity.
Сандра Скофилд0.0 Frieda Harms was born into a farming family in Indian Territory in 1906. Widowed at thirty and left with three children in the midst of the Great Depression, she worked as a farmer, a railroad cook, a mill worker, and a nurse in four states. She died in 1983.
Sandra Scofield spent most of her childhood with her grandmother Frieda and remained close to her in adulthood. When Frieda died, Sandra received her Bible and boxes of her photographs, letters, and notes. For thirty years, Sandra dipped into that cache.
Sandra always sensed an undercurrent of hard feelings within her grandmother, but it was not until she sifted through Frieda’s belongings that she began to understand how much her life had demanded, and how much she had given. At the same time, questions in Sandra’s own history began to be answered, especially about the tug-of-war between her mother and grandmother. At last, in Mysteries of Love and Grief, Scofield wrestles with the meaning of her grandmother’s saga of labor and loss, trying to balance her need to understand with respect for Frieda’s mystery.
