Лиз Берри0.0 Inspired by a true story, a beautiful novel-in-verse about a child far from home. From award-winning poet Liz Berry. 'A profound act of witness to a long injustice, and a beautifully crafted conjuring of a life lived as truly as possible ' Guardian 'Book of the Day'
'Ground-breaking' Benjamin Zephaniah
'Exquisite' Hannah Lowe , author of The Kids ' Home's not a place, you must believe this,
but one who names you and means beloved . ' In 1908, Eliza Showell, twelve years old and newly orphaned, boards a ship that will carry her from the slums of the Black Country to rural Nova Scotia. She will never return to Britain or see her family again. She is a Home Child, one of thousands of British children sent to Canada to work as indentured farm labourers and domestic servants. In Nova Scotia, Eliza's world becomes a place where ordinary things are transfigured into treasures - a red ribbon, the feel of a foal's mane, the sound of her name on someone else's lips. With nothing to call her own, the wild beauty of Cape Breton is the only solace Eliza has - until another Home Child, a boy, comes to the farm and changes everything. Inspired by the true story of Liz Berry's great aunt, this spellbinding novel in verse is an exquisite portrait of a girl far from home. ' Vivid, compassionate and makes Eliza Showell's voice heard at last ' Financial Times *Best Poetry Books of summer 2023* 'A haunting, deeply compelling narrative ' Andrew McMillan , author of physical ' Only Liz Berry could write such raw and staggeringly beautiful poems ' Fiona Benson , author of Vertigo & Ghost
Энн Энрайт0.0 An incandescent novel from one of our greatest living novelists (The Times) about the inheritance of trauma, wonder, and love across three generations of women.
Nell McDaragh never knew her grandfather, the famed Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless, full of verve and wit, twenty-two-year-old Nell leaves her mother Carmel’s home to find her voice as a writer and live a life of her choosing. Carmel, too, knows the magic of her Daddo’s poetry—and the broken promises within its verses. When Phil abandons the family, Carmel struggles to reconcile “the poet” with the man whose desertion scars Carmel, her sister, and their cancer-ridden mother.
The Wren, the Wren brings to life three generations of women who contend with inheritances—of abandonment and of sustaining love that is “more than a strand of DNA, but a rope thrown from the past, a fat twisted rope, full of blood.” In sharp prose studded with crystalline poetry, Anne Enright masterfully braids a family story of longing, betrayal, and hope.
Пол Мюррей4.2 The Barnes family is in trouble. Dickie"s car business is going under, but instead of doing anything about it, he"s out in the woods preparing for the actual end of the world. Meanwhile his wife Imelda is selling off her jewellery on eBay and half-heartedly dodging the attentions of fast-talking local wrongun Big Mike. Their teenage daughter Cass, usually top of her class, seems determined to drink her way through the whole thing. And twelve year old PJ is spending more and more time on video game forums, where he"s met a friendly boy named Ethan who never turns his camera on and wants PJ to run away from home.
Digging down through layers of family history, the roots of this crisis stretch deep into the past. Meanwhile in the present, the fault lines keep spreading, ghosts slipping in through the cracks, and every step brings the Barneses closer to a fatal precipice. When the moment of reckoning finally arrives, all four of them must decide how far they"re willing to go to save the family, and whether — if the story"s already been written — there"s still time to give it a happy ending...
Зэди Смит3.3 It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years.
Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.
Andrew Bogle, meanwhile, grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story.
The “Tichborne Trial”—wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title—captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs. Touchet is a woman of the world. Mr. Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task. . . .
Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity and the mystery of “other people.”
Лора Камминг0.0 New York Times bestselling author and art critic Laura Cumming reveals the fascinating, little-known story of the Thunderclap—the massive explosion at a gunpowder store in Holland that killed Carel Fabritius, renowned painter of The Goldfinch and nearly killed Johannes Vermeer, painter of Girl with a Pearl Earring —two of the greatest artists of the 17th century.
As a brilliant art critic and historian, Laura Cumming has explored the importance of art in life and can give us a perspective on the time and place in which the artist worked. Now, through the lens of one dramatic event in 17th century Holland, Cumming illuminates one of the most celebrated periods in art history.
In 1654, an enormous explosion at a gunpowder store devasted the city of Delft, killing hundreds of people and injuring thousands more. Among those killed was the extraordinary painter Carel Fabritius, renowned for his paintings The Goldfinch and his haunting masterpiece A View of Delft , which depicts the very streets through which the victims would be carried to their graves. Fabritius’s contemporary and rival Vermeer, painter of the iconic portrait Girl with a Pearl Earring , narrowly escaped death.
Наоми Кляйн3.5 What if you woke up one morning and found you’d acquired another self―a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you’d devoted your life to fighting against?
Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us―and that have come to feel as intimate and proximate as a warped reflection in the mirror.
Марк О’Конелл0.0 Malcolm Macarthur was a well-known Dublin socialite and heir. Suave and urbane, he passed his days mingling with artists and aristocrats, reading philosophy, living a life of the mind. But by 1982, his inheritance had dwindled to almost nothing, a desperate threat to his lifestyle. Macarthur hastily conceived a He would commit bank robbery, of the kind that had become frightfully common in Dublin at the time. But his plan spun swiftly out of control, and he needlessly killed two innocent people. The ensuing manhunt, arrest, and conviction amounted to one of the most infamous political scandals in modern Irish history, contributing to the eventual collapse of a government.
Winner of the Wellcome and Rooney Prizes, Mark O'Connell spent countless hours in conversation with Macarthur—interviews that veered from confession to evasion. Through their tense exchanges and O’Connell’s independent reporting, a pair of narratives a riveting account of Macarthur's crimes and a study of the hazy line between truth and invention. We come to see not only the enormity of the murders but the damage that’s inflicted when a life is rendered into story.
At once propulsive and searching, A Thread of Violence is a hard look at a brutal act, its subterranean origins, and the long shadow it casts. It offers a haunting and insightful examination of the lies we tell ourselves—and the lengths we'll go to preserve them.
Лиз Берри0.0 Inspired by a true story, a beautiful novel-in-verse about a child far from home. From award-winning poet Liz Berry. 'A profound act of witness to a long injustice, and a beautifully crafted conjuring of a life lived as truly as possible ' Guardian 'Book of the Day'
'Ground-breaking' Benjamin Zephaniah
'Exquisite' Hannah Lowe , author of The Kids ' Home's not a place, you must believe this,
but one who names you and means beloved . ' In 1908, Eliza Showell, twelve years old and newly orphaned, boards a ship that will carry her from the slums of the Black Country to rural Nova Scotia. She will never return to Britain or see her family again. She is a Home Child, one of thousands of British children sent to Canada to work as indentured farm labourers and domestic servants. In Nova Scotia, Eliza's world becomes a place where ordinary things are transfigured into treasures - a red ribbon, the feel of a foal's mane, the sound of her name on someone else's lips. With nothing to call her own, the wild beauty of Cape Breton is the only solace Eliza has - until another Home Child, a boy, comes to the farm and changes everything. Inspired by the true story of Liz Berry's great aunt, this spellbinding novel in verse is an exquisite portrait of a girl far from home. ' Vivid, compassionate and makes Eliza Showell's voice heard at last ' Financial Times *Best Poetry Books of summer 2023* 'A haunting, deeply compelling narrative ' Andrew McMillan , author of physical ' Only Liz Berry could write such raw and staggeringly beautiful poems ' Fiona Benson , author of Vertigo & Ghost
Jason Allen-Paisant's debut collection Thinking With Trees won the 2022 OCM Bocas Prize for poetry and was an Irish Times and White Review Book of the Year 2021. In Poetry London Maryam Hessavi wrote, 'Jason Allen-Paisant is uncompromising when digging down through the undergrowth of our imperialist past – and yet he succeeds in replanting new narratives in the same soil where these toxic ideologies used to, and still, reside.'
The interlocking poems of his second collection, Self-Portrait as Othello, imagine Othello in the urban landscapes of modern London, Paris and Venice and invent the kinds of narrative he might tell about his intersecting identities. Poetic memoir and ekphrastic experiment, Self-Portrait as Othello focuses on a character at once fictional and real. Othello here represents a structure of feeling that was emerging in seventeenth-century Venice, and is still with us.
Portraiting himself as Othello, Allen-Paisant refracts his European travels and considers the Black male body, its presence, transgressiveness and vulnerabilities. Othello's intertwined identities as 'immigrant' and 'Black', which often operate as mutually reinforcing vectors, speak to us in the landscape of twenty-first-century Europe.
Мэри Жан Чан0.0 Following their award-winning debut, Flèche (2019), comes Mary Jean Chan's gleaming second collection: Bright Fear. Through poems which engage fearlessly with intertwined themes of identity, multilingualism and postcolonial legacy, Chan's latest work explores a family's evolving dynamics, as well as microaggressions stemming from queerphobia and anti-Asian racism that accompanied the Covid pandemic.
Yet Bright Fear remains deeply attuned to moments of beauty, tenderness and grace. It asks how we might find a home within our own bodies, in places both distant and near, and in the 'constructed space' of the poem. The contemplative central sequence, Ars Poetica, traces the radically healing and transformative role of poetry during the poet's teenage and adult years, culminating in a polyphonic reconciliation of tongues. Throughout, Chan offers us new and galvanising ways to 'withstand the quotidian tug- / of-war between terror and love'.
