Alastair Duncan - все книги по циклам и сериям | Книги по порядку

Questo libra rappresenta il prirrto studio approfondito del fenomeno della fioritura improvvisa dell'arte della rilegatura in Francia, fra '800 e '900, uno dei periodi piu fecondi nella storia delle arti decorative. I sessan-t'anni fra il 1880 e il

This volume set is a unique visual record of the jewellery shown at the Paris Salons from 1895 to 1914. It illustrates some 3000 pieces of jewellery.

This volume, together with "Jewellery : I. The Designers A-K", set forming a unique visual record of the jewellery shown at the Paris Salons from 1895 to 1914. It illustrates some 2500 pieces of jewellery.

Although renowned for his work as a verrier, lamps did not form a significant part of Galle's repertoire in glass until immediately prior to 1900. Indeed, only in the last few years of his life does it appear that he realised the full aesthetic potential of opalescent glass viewed by transmitted light. In an Art Nouveau context, Galle's creations reached their apogee between 1900 and his death in 1904, a brief period during which he adapted the shape of much of his glassware to its theme. Vases decorated with lilies became lily-shaped in a marriage of form and function. Fully-ripened gourds pendent on their vines glowed from within at the touch of a switch. Mushroom lamps brought the concept to full embodiment in the metamorphosis of the giant fungi into light fixtures. This comprehensive volume catalogues the full range of light fixtures produced by the Galle cristallerie, from those made during his lifetime to those manufactured for more than twenty-five years after his death. Including table, bedside, hanging and wall models, 'Galle Lamps' reveals the extraordinary variety of thematic shade-and-base combinations introduced by the firm: butterflies, moths, dragonflies, swallows and eagles hover, flutter, glide or swoop over flora and mountain vistas in a seemingly endless interplay of Nature's decorative motifs. This volume is a companion to 'Galle Furniture' ISBN:9781851496624.

This book, the third in a comprehensive multi-volume series on the decorative arts of the Paris Salons 1895 - 1914, provides a virtually complete visual record of the amazing range of furniture created during the twenty year period which saw

Originating in early twentieth-century France, Art Deco is a pastiche of artistic styles, influenced by Cubism and Futurism, Egyptology and the Orient, Ballet Russes and the Bauhaus. Alistair Duncan's exhaustive work surveys one of the most exhilarating periods of decorative art, illuminating the cultural fabric of the period, and discussing some of the century's most influential artists and craftsmen and their works. From Edgar Brandt's ornate ironwork for ocean liners, to Rene Lalique's celebrated perfume bottles, to the Chrysler Building, "Art Deco" takes us on a dazzling tour of one of the century's most vital decorative movements. Antique Collector praises the book as "lavishly illustrated with photographs of interiors as well as individual pieces...an invaluable book for collectors."

With its fluid organic forms and its devotion to beauty in design, art nouveau has enjoyed great popularity, both at its inception and during the modern resurgence of interest and enthusiasm. Alastair Duncan tells the story of its meteoric rise from its origins as a reaction by young artists and designers to the traditionalism and revivalism of the mid-19th-century fine and decorative arts. The "new art" first made itself felt around 1895, in architecture, furniture, glass, ceramics and the other applied arts, and fell into eclipse after World War I, until its rediscovery in the 1960s. The author recounts the history of this important and influential movement in detail, introducing the main personalities - Galle, Lalique, Tiffany and others - and relating their aims and accomplishments to the background from which the movement emerged. Alastair Duncan, for 14 years associated with Christie's, New York, is an independent consultant on the decorative arts and a recognised authority on art nouveau and art deco. His many books include "Art Nouveau Furniture" (1982) "Art Deco" (1988) and "Louis Majorelle" (1991), all published by Thames and Hudson.