О премии

Премия Майкла Шаары за художественную литературу о гражданской войне — ежегодная литературная награда премия, присуждаемая автору лучшего художественного произведения, связанного с Гражданской войной в США.

Премия была учреждена в 1996 году американским писателем Джеффри («Джеффом») Шаара и названа в честь его отца, автора исторической прозы Майкла Шаара (1928–1988), получившего Пулитцеровскую премию 1975 года.

С 1997 по 2004 год награда присуждалась Центром гражданской войны США при Университете штата Луизиана в Батон-Руж, штат Луизиана. В 2005 году премия была передана Институту гражданской войны Геттисбергского колледжа в Геттисберге, штат Пенсильвания.

Лауреат получал 5000 долларов США.

С 2015 года премия не присуждается.

Жанры: Историческая проза, Зарубежная литература, Исторический роман Страны: США Язык: Английский Первое вручение: 1997 г. Последнее вручение: 2014 г.

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Премия Майкла Шаары за художественную литературу о гражданской войне
Michael Shaara Award for Excellence in Civil War Fiction
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2014 г. — победители

Премия Майкла Шаары за художеств...
Nostalgia
Dennis McFarland 0.0
** Washington Post Best 50 Books of the Year**

This stunning Civil War novel from best-selling author Dennis McFarland brings us the journey of a nineteen-year-old private, abandoned by his comrades in the Wilderness, who is struggling to regain his voice, his identity, and his place in a world utterly changed by what he has experienced on the battlefield.

In the winter of 1864, Summerfield Hayes, a pitcher for the famous Eckford Club, enlists in the Union army, leaving his sister, a schoolteacher, devastated and alone in their Brooklyn home. The siblings, who have lost both their parents, are unusually attached, and Hayes fears his untoward secret feelings for his sister. This rich backstory is intercut with scenes of his soul-altering hours on the march and at the front—the slaughter of barely grown young men who only days before whooped it up with him in a regimental ball game; his temporary deafness and disorientation after a shell blast; his fevered attempt to find safe haven after he has been deserted by his own comrades—and, later, in a Washington military hospital, where he finds himself mute and unable even to write his name. In this twilit realm, among the people he encounters—including a compassionate drug-addicted amputee, the ward matron who only appears to be his enemy, and the captain who is convinced that Hayes is faking his illness—is a gray-bearded eccentric who visits the ward daily and becomes Hayes’s strongest Walt Whitman. This timeless story, whose outcome hinges on friendships forged in crisis, reminds us that the injuries of war are manifold, and the healing goodness in the human soul runs deep and strong.
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