Лейли Лонг Солдер0.0 The astonishing, powerful debut by the winner of a 2016 Whiting Writers' Award
WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics.
—from “WHEREAS Statements”
WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.
Ана Ристович0.0 Ana Ristovic's erotic, wry, feminist poems concern daily routines (washing laundry, doing crossword puzzles). In her writing she explores inner and outer worlds, sex, and relationships. This bilingual (Serbian and English) selection unveils a rich embroidery of frank sexuality and lyric images.
Born in 1972 in Belgrade, Ristovic studied comparative literature at the philological faculty there. She has published six books of poetry and won the Hubert Burda Prize for young Eastern European poets in 2005. She also has translated eighteen books of poetry and prose from Slovenian into Serbian, and her own poems have been translated into almost a dozen languages.
On the surface, Ristovic's poems read smoothly and almost easily as she wittily and winkingly banters about polishing her nails or doing laundry as she opens the door to her New Belgrade world on the Danube quay. Before one knows, one is seduced into a light-hearted conversation about daily chores and salad-making as "[o]utside, the blizzard howls, with ease and without a care, buries our mutual threshold."
In 2014, the Guardian announced Southbank Centre's list of the fifty greatest love poems of the past fifty years. On that list, Ana Ristovic's "Circling Zero" appeared together with the likes of Margaret Atwood, Frank O'Hara, and Chinua Achebe, among many other luminous giants of literature.
Steven Teref's and Maja Teref's translations of Ana Ristovic's poems have appeared in Asymptote, Conduit, and Rhino (winner of their 2012 Translation Prize). Their translation of her poem "Circling Zero" was published in the international poetry anthology The World Record (Bloodaxe Books).
Джеймс Лонгенбах0.0 "Earthling" is one of the oldest words in the English language, our original word for ploughman, a keeper of the earth. In poems simultaneously ordinary and otherworldly, James Longenbach traces the life of a modern-day earthling as he looks squarely at his little patch of earth and at the vast emptiness of interstellar space. Beginning with the death of the earthling’s mother and ending with a confrontation with his own mortality, the poems within Earthling resist complaint or agitation. In them, the real and the imagined, the material and the allegorical, intersect at shifting angles and provide fresh perspectives and lasting consolation.
Нуар Алсадир0.0 Claudia Rankine described the poems in Alsadir's first book as 'lawless, ' 'provocative, and 'heartbreaking' as they 'converse from the inside out' come alive in the back and forth of a mind attempting to understand what it means to be in relation to.'
Fourth Person Singular continues to blow open the relationship between self and world in a working through of lyric shame, bending poetic form through fragment, lyric essay, aphorisms mined from the unconscious, and pop-up associations, to explore the complexities, congruities, disturbances - as well as the beauty - involved in self-representation in language. As unexpected as it is bold, Alsadir's ambitious tour de force demands we pay new attention to the current conversation about the nature of lyric - and human relationships - in the 21st century.
Карина Чокано0.0 In this zippy, intelligent call to arms, a film and TV critic merges memoir and cultural commentary to break down how women have been watching, making, and playing in the all-media funhouse.
Who is “The Girl”? Look to Hollywood and find the usual answer, one projected on millions of screens every day: she holds The Hero’s hand as he runs through the Pyramids, chasing robots; she nags him, or foils him, or plays the uptight straight man to his charming loser. But this “Girl” isn't really a person. She's often barely a part. And given such a dehumanized ideal, how are women shaped in its presence? How does it form their sense of who they are and what they can become? From Bugs Bunny to Playboy Bunnies, from Frozen to Flashdance, from the progressive ’70s through the backlash ’80s, the triumphalist ’90s, and the pornified, “bro culture” aughts—and at stops in between—Chocano blends formative personal stories with insightful and emotionally powerful analysis. She shows how growing up in the shadow of “The Girl” taught her to think about herself and the world and what it means to raise a daughter in the face of these contorted reflections. In the tradition of Roxane Gay, Rebecca Solnit, and Susan Sontag, Chocano brilliantly shows that our identities are more fluid than we think, and certainly more complex than anything we see on any kind of screen.
Кевин Янг0.0 Has the hoax now moved from the sideshow to take the center stage of American culture?
Award-winning poet and critic Kevin Young tours us through a rogue s gallery of hoaxers, plagiarists, forgers, and fakers from the humbug of P. T. Barnum and Edgar Allan Poe to the unrepentant bunk of JT LeRoy and Donald J. Trump. Bunk traces the history of the hoax as a peculiarly American phenomenon, examining what motivates hucksters and makes the rest of us so gullible. Disturbingly, Young finds that fakery is woven from stereotype and suspicion, race being the most insidious American hoax of all. He chronicles how Barnum came to fame by displaying figures like Joice Heth, a black woman whom he pretended was the 161-year-old nursemaid to George Washington, and What Is It?, an African American man Barnum professed was a newly discovered missing link in evolution.
Bunk then turns to the hoaxing of history and the ways that forgers, plagiarists, and journalistic fakers invent backstories and falsehoods to sell us lies about themselves and about the world in our own time, from pretend Native Americans Grey Owl and Nasdijj to the deadly imposture of Clark Rockefeller, from the made-up memoirs of James Frey to the identity theft of Rachel Dolezal. In this brilliant and timely work, Young asks what it means to live in a post-factual world of truthiness where everything is up for interpretation and everyone is subject to a pervasive cynicism that damages our ideas of reality, fact, and art.
Valeria Luiselli4.2 Structured around the forty questions Luiselli translates and asks undocumented Latin-American children facing deportation, Tell Me How It Ends (an expansion of her 2016 Freeman's essay of the same name) humanizes these young migrants and highlights the contradiction of the idea of America as a fiction for immigrants with the reality of racism and fear both here and back home."
Камилла Т. Данги0.0 As a working mother and poet-lecturer, Camille Dungy’s livelihood depended on travel. She crisscrossed America and beyond with her daughter in tow, history shadowing their steps, always intensely aware of how they were perceived, not just as mother and child but as black women. From the San Francisco of settlers’ dreams to the slave-trading ports of Ghana, from snow-white Maine to a festive yet threatening bonfire in the Virginia pinewoods, Dungy finds fear and trauma but also mercy, kindness, and community. Penetrating and generous, this is an essential guide for a troubled land.
Edwidge Danticat0.0 At once a personal account of Edwidge Danticat's mother and a deeply considered reckoning of how to write about death, The Art of Death moves outward from her mother's cancer diagnosis and sifts through Danticat's writing life. Danticat circles the many forms death takes, shifting fluidly from examples that range from Toni Morrison's Sula to Gabriel García Márquez's One Hundred Years of Solitude, to deliver a moving tribute and work of astute criticism that will profoundly alter all who encounter it.
Кеннет Уайт0.0 The definitive biography of one of the most remarkable Americans of the twentieth century, Herbert Hoover--a revisionist account that will forever change the way Americans understand the man, his presidency, and his battle against the Great Depression.
A poor orphan who built a fortune, a great humanitarian, a president elected in a landslide and then routed in the next election, arguably the father of both New Deal liberalism and modern conservatism--Herbert Hoover is also one of our least understood presidents, conventionally seen only as a heartless failure for his handling of the Great Depression.
Kenneth Whyte fully captures this rich, dramatic life: from Hoover's difficult childhood to his meteoric business career, his work saving hundreds of thousands of lives during World War I and after the 1927 Mississippi floods, his presidency, his painful defeat by Roosevelt, and his return to grace as Truman's emissary to help European refugees after World War II. Whyte brings to life Hoover's complexity and contradictions--his modesty and ambition, ruthlessness and extreme generosity--as well as his political legacy. Here is the epic, poignant story of the poor boy who became the most accomplished figure of his time, who worked ceaselessly to fight the Depression yet became the public face of America's greatest economic crisis. Here, for the first time, is the definitive biography that captures the full scale of this extraordinary life."
